For creating the article to highlight such a large event in Iraq, and getting it featured on the Main Page, I hereby award you the Current Events Barnstar. —MESSEDROCKER (talk) 06:24, September 1, 2005 (UTC)
Anna Bartels (1869–1950) was a Swedish operatic soprano and mezzo-soprano. She made her debut at the Royal Swedish Opera in 1897 in the title role of Friedrich von Flotow's Martha. Engaged by the company for the next 20 years, she appeared in many Swedish premieres, such as Musette in Puccini's La bohème (1901), Marianne in Richard Strauss's Der Rosenkavalier (1920) and La Ciesca in Puccini's Gianni Schicchi (1920). Other works in which she appeared include The Merry Wives of Windsor, The Magic Flute, Don Giovanni and Carmen. Bartels is also remembered for her appearances in concerts and lieder recitals. She was awarded the Litteris et Artibus medal in 1923 for her contributions to Swedish culture. This 1901 photograph by the Swedish photographer Ferdinand Flodin shows Bartels in her role as Musette.Photograph credit: Ferdinand Flodin; restored by Adam Cuerden
KEN LIVINGSTONE: you've just had 80 years of westernintervention into predominantly Arab lands because of the western need for oil. We've propped up unsavourygovernments, we've overthrownones we didn't consider sympathetic. And I think the particular problem we have at the moment is that in the 1980s ... the Americans recruited and trained Osama Bin Laden, taught him how to kill, to make bombs, and set him off to kill the Russians and drive them out of Afghanistan.
They didn't give any thought to the fact that once he'd done that he might turn on his creators.
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