User:Erik Zachte/Museum Boerhaave

Museum Boerhaave

Established	1931
Location	Lange Sint Agnietenstraat 10 Leiden, Netherlands
Type	History of science museum
Collection size	25 rooms, 211 showcases, approx. 3000 objects
Visitors	42,187 (2008)
Director	Dirk van Delft
Curator	Hans Hooijmaijers
Public transit access	Central Station Leiden (10 minutes walk, 900 meter)
Website	www.museumboerhaave.nl

Introduction

Museum Boerhaave is a museum of the history of science and medicine, based in Leiden, the Netherlands. The museum hosts a collection of historical scientific instruments from all disciplines, but mainly from medicine, physics, and astronomy.

This museum is located in a building that was originally a convent in central Leiden. It includes a reconstructed traditional anatomical theatre. It also has many galleries that include the apparatus with which Heike Kamerlingh Onnes first liquefied helium (in Leiden), the electromagnet equipment used by Wander Johannes de Haas (a Leiden physicist) for his low-temperature research, and an example of the Leiden jar, among many other objects in the extensive collection.

The museum is named after Herman Boerhaave, a Dutch physician and botanist who was famous in Europe for his teaching at Leiden and lived to a great age, receiving brilliant students from all over Europe, including Peter the Great, Voltaire and Linnaeus.

History

Boerhaave Museum’s history began in 1907, when a Historical Exhibition of Natural Science and Medicine was held in the Academy Building Academiegebouw (Leiden) of Leiden University. The many objects in the exhibition came from all the learned corners of the country. It was a great success and there were immediately calls to set up a permanent science history exhibit.

In 1928 a foundation was initiated by physicist Claude August Crommelin, who worked at Leiden university, for a museum for the history of natural sciences. The aim of the museum was described in the preliminary statutes of the foundation: "the collection of instruments, tools, slides and specimens, documents and other objects, which are important for the history of the natural sciences; to look after these objects, describe them and keep them in a museum which is to be located in Leiden". The sciences to be represented included: Astronomy, Physics, Chemistry, Botany, Zoology, Pharmacy, all medical sciences - including Physiology, Anatomy etcetera, and Mathematics.

In 1931 the museum opened as "The Dutch Historical Museum of the Natural Sciences" (Het Nederlandsch Historisch Natuurwetenschappelijk Museum). To the view of Crommelin, the museum was to become a national museum: the 's Gravesande-Musschenbroek collection would form the starting point, to which collections form other institutes were to be added.

In 1947 the museum, which was in fact a private foundation, became formally a national museum. It was renamed to "The Dutch National Museum for the History of the Natural Sciences" (Rijksmuseum voor de Geschiedenis van Natuurwetenschappen). An advisory board was installed in which members of Dutch universities would take seat. It underlined the ambition to become a national museum, not a museum solely connected to the Leiden University. The plan was to merge collections of all scientific institutes in one museum, but this did not truely succeed.

From 1967 on it became clear that a new location was needed to properly display the collection: the former nunnery of St Caecilia. With the prospect of a new location the name of the Museum was changed to "Museum Boerhaave". However, it took more than twenty years before the museum finally moved.

Collection

Note: section development in progress

The Boerhaave Museum is running a project to document approx. 3000 objects in its collection online, with pictures and descriptions for every single object. In April 2010 the site featured over 1750 objects, ordered by room and showcase. This overview is in large part based on the museum's online documentation.

The museum has 25 rooms, which are by and large organised chronologically, with thematical subgroupings per room.

16th-17th Century

The anatomical theatre at Leiden University in the early 17th century

Reconstruction of the anatomical theatre (1988)

Room 3: The Golden Age
Project note: high res version of the picture in the museum's own collection would be preferable.

0 Museum Foyer

Gapers (wooden heads miming the swallowing of pills) and other shop signs for pharmacies and druggists. Also a 'dictionary of health': a tall book-shaped wooden chest (1660) filled with simples (basic substances used in medicine).

1 The Leiden Anatomical Theater

The anatomical theatre at Leiden University in the early 17th century

The room shows a reconstruction (1988) of the Theatrum Anatomicum (anatomical theatre) (built 1596). A richly decorated instrument chest (1670) which belonged to the Leiden surgeon's guild. A small collection of objects (largely Egyptian antiquities) that survived from the now gone Leiden Theatrum (one of the oldest museums of Europe ) are shown as well. On the wall three paintings: one depicting the magistrates of the Catharina and Caecilia Hospitals (the latter now houses the museum), a second showing a Prussian peasant from whom a 10 inch sword, swallowed in a drinking bout, has surgically been removed, a third showing renowned surgeon and designer of medical instruments Cornelis Solingen (1680). One of Solingen's inventions (part of the collection) was a screw to unindent a soldiers skull who had been hit by a bullet. Often in those days bullets did not fully penetrate a skull, merely deformed it.

2 Drawn from life

Four large allegoric paintings (± 1610) show in stages how the appreciation of a patient for his physician declines, from being a true savior when the illness is at its height, towards being a devil when the bill has been delivered. Three solid figures of Saints Cosmas and Damian, patrons of doctors and pharmacists. Six anatomical books and drawings (1520-1570) and six books on herbs (1480-1590) testify how in the Renaissance there was an urge to study life diligently and not take traditional beliefs for granted. A large collection of baked and painted apothecary jars (1550-1650) and (often ornamented) cast-iron and bronze mortars (1350-1700).

3 The Golden Age

Spring driven pendulum clock, designed by Huygens, built by instrument maker Salomon Coster (1657) , and manuscript Horologium Oscillatorium

Room 3: The Golden Age

18th Century

A 'battery' of four Leyden jars connected in parallel. The semicircular scale attached to the central output teminal is a pith ball electrometer that gives a rough measure of the charge.

4 The University of Leiden. Boerhaave and ‘s Gravensande

5 The University of Leiden. Linnaeus and Van Musschenbroek

Carl Linnaeus published his famous Systema Naturae in 1735, during his 3 year stay in Holland, in which he also earned a degree in medicine, and closely worked together with Boerhaave. At display are paintings of Linnaeus and Boerhaave. Also 18th century models and scientific measuring instruments: models that demonstrate basic physics principles, and instruments: several antique thermometers, a barometer, a theodolite and several pyrometers. Also two antique globes (one showing the heavens, one earth) and two mirror telescopes. The room is conamed after the brothers van Mussenbroeck: Pieter a professor, credited with the invention of the first capacitor in 1746: the Leyden jar, and Jan a famous instrument maker, who shipped his hand crafted precision thermometers all over Europe.

6 The wonders of nature

Over 30 antique microscopes are shown, most from the 18th century, in a large variety, with different solutions for lighting the subject and minimization of lens defects (e.g. chromatic aberration): simple, compound and reflecting microscopes, so called English microscopes (renowned for their quality), solar microscopes (which project their image on a wall, using sunlight only). Several wooden cabinets with microscopic slides are testimony of the craftmanship than went into collections of ready made samples, which at the time were highly fashionable among well-to-do citizens who took an interest in scientific developments.

7 Collection: The Albinus Brothers

The room is dedicated to famous 18th-century anatomist Bernhard Siegfried Albinus and his brother and successor Frederik Bernhard Albinus, showing a few of the over 750 wet and dry anatomical samples that Bernhard Siegfried collected, and a wide variety of medical instruments (most 1670-1700) collected by his brother: several amputation saws and knifes, cauterizing irons, a wide variety of forceps and clamps, spatula's, an elevator, a bullet extractor and brace, several (drill) crowns, two drills, a lenticular, several elevatoriums, a chuck key, a coach screw, a retractor, lithotomy scoops, a Phimosis knife, gorgerets, a catheter, a bistoury cache, a combined syringotome and seton needle, a wound retractor, lithotomy directors, probes, a tobacco enema

8 Collection: Sebaldus Justinus Brugmans

Sebald Justinus Brugmans was a Dutch botanist, physician and professor of natural sciences. As an army physician he became notable for his battle against unsanitary conditions, and spread of contagious diseases. The room shows a large collection of fish skins ('the protected body'), human skulls (some affected by accident or disease), animal skulls (mainly birds) and a variety of other anatomic samples, including some foetusses in a jar.

10 Hendrik Bosch’s collection of medicine, Butterfly cabinet

The room houses a large simples cabinet (1760), from Amsterdam physician Hendrik Bosch. Also a large cabinet with butterflies (1760) (content lost) from Christiaan Sepp and son, who published a work on butterflies and insects in several volumes (1762-1860).

19th Century

9 Collection: Nature in drawers and cabinets

A large collection of shells. Four book shaped boxes (1809), out of a collection of 150, each box made of wood of a particular tree or shrub and filled with its wood, leaves, seeds and fruits. Also on display cases with butterflies and beetles. Lastly a portrait of Abraham Nieuwland (1780).

11 Collection: Theodoor Gerard van Lidth de Jeude

Shown are a collection of 19th century animal organ specimens (protected against decay with wax and varnish) which had been prepared for research (e.g. comparative anatomy), and educational purposes (e.g. veterinarian school). Also shown are anatomical drawings from that same period. Many specimens and drawings are from large mammals, cattle but even more large mammals of non European origin.

12 Collection: Repositories of the animal kingdom

The room shows wax models of human and animal brains (1850-1870), prepared for educational purposes. Also display boxes with carefully arranged human hand bones and foot bones, and several skeletons of small animals. Also some 25 jars containing animals in preservative fuels (alcohol, formalin), some anatomically prepared to show inner organs (1830-1910). Part of the collection in the room was prepared by Jan van der Hoeven (1802-1868), professor of Zoology, Comparative Anatomy, Anthropology, Mineralogy and Geology at the University of Leiden. His portrait is on display. Van der Hoeven studied members of 'exotic races' (as it was called at the time), and produced a large amount of visual materials (drawings, engravings, lithographs). Three of these visual studies are on display.

13 Collection: Petrus Koning

Anatomical wax models by Petrus Koning (1787-1834), anatomical gouaches

14 Temporary exhibition space

15 Temporary exhibition space

16 Electricity and light

A 'battery' of four Leyden jars connected in parallel.

This room is dedicated to the scientific and technical progress in fields of electricity and optics in the 19th Century. Inventions like telegraphy and the camera had a revolutionary and lasting impact on everyday life.

The room shows a collection of microscopes (compound, binocular, achromatic, inverted) (1730-1860) and attributes. A set of instruments for optical chemical analysis (1850-1900): a crystal goniometer, a polarimeter, a saccharimeter, a spectroscope, a bunsen burner, a solution tube, gas-discharge tubes. Devices to study, demonstrate and explain the physical qualities of light: prisms and lenses, a heliostat and carbon arc lamp (with clockwork)(1820-1870). A collection of applied optics: a camera, sextant, stereoscope, several telescopes, mechanical lantern slides, a repeating reflecting circle (?), a phantascope (two discs, one with slits, one with images, which when rotating in opposite directions create a cinematographic effect), a projection latern (1770-1860). Several telescopes: achromatic telescopes (1770 and 1850) and a reflecting telescope (1830). Several electrostatical devices: batteries composed of leyden jars and electrical machines (1770-1800) that were used to generate electricity. A variety of electrostatic toys and experimentation kits (1770-1820) to amuse and educate the public. Some show cases still to do.

17 Zander Devices

Devices for physiotherapy using the method of Swedish physician Gustav Zander, developed ca. 1865. These devices featured on two world exhibitions. Their succes led to 120 Zander institutes world-wide.

18 Specialisation in medicine

19 The Anatomical world of Dr Auzoux

French doctor Louis Auzoux (1797 – 1870) pioneered the use of papier-mâché for highly detailed and colored anatomical models, with detachable parts, which allowed mass production for educational purposes. A selection of the many models on display: many human body parts, for example a box set with a model of female sexual organs plus almost 20 embryonic stages, models of the womb for every month of pregnancy. For purposes of comparative anatomy: models of brain or nervous system of diverse animals, models of blood circulation in diverse animals (e.g. a turtle, a crocodile), models of stomach or alimentary canal (e.g. octopus, honey bee).

20th Century

20 Chemistry: The Netherlands First Nobel Prize

Jacobus Henricus van 't Hoff

Dutch scientist Jacobus Henricus van 't Hoff (1852–1911) was the first person to receive the Nobel Prize in Chemistry, for his discovery of the laws of chemical dynamics and osmotic pressure in solutions.

In the room hangs a painted protrait of van 't Hoff. His golden Nobel prize medal, and a lab journal are also shown. Also a variety of elementary equipment for a chemical laboratory: a distilling apparatus for water (1860), dilatometers, thermometers, hydrometers, alcohol meters, an oleometer, a colorimeter (1880), pycnometers (some with thermometer, pipettes, burettes, volumetric flasks, a boiling flask, a spectral burner and spectroscope (1880), polarimeters, a kipp generator (1850), sample collections of experimental chemicals (some in wooden boxes), an evaporating basin, gas burners, an oxyhydrogen voltmeter, apparatus for electrolysis, an analytical balance, cork presses, a refractometer (1910), a flash point apparatus for petroleum, a circular slide rule.

21 Physics: Factories of Science

Hendrik Lorentz

Pieter Zeeman

Diederik van der Waals

Heike Kamerlingh Onnes

In the early years of the 19th Century, 4 Dutch physicists received a Nobel Prize in quick succession. This room is dedicated to their work and legacy.

• In 1902 Hendrik Lorentz (1853-1928) and Pieter Zeeman (1865-1943). For their combined work on and discovery of the Zeeman effect, where spectral lines split under the influence of a magnetic field.
• In 1910 Johannes Diderik van der Waals (1837-1923) thermodynamicist famous for his work on an equation of state for gases and liquids.
• In 1913 Heike Kamerlingh Onnes (1853-1926). Onnes was the first to liquefy helium (1908), and the discoverer of superconductivity. For many years his laboratory was the coldest place on earth.

Paul Ehrenfest, Hendrik Lorentz and Niels Bohr visit Heike Kamerlingh Onnes (1919) in the cryogenic lab. Some instruments are now in the museum (room 21)

On display are a helium liquefier and associated tools, devices to measure superconductivity (e.g. rheostats), and to automatically record measurements: a cathode tube, a thermograph, drum recorders and a paper tape recorder.

Also large (from todays perspective) devices, mostly made from wood and copper, to measure and display electricity (1900-1930): volt meters, a resistance box, radio valves, a universal bridge, mirror galvanometers, a quadrant electrometer .

Apparatusses to study radiation: a Wilson cloud chamber, an electrometer with ionization chamber, X-ray, cathode-ray and canal ray tubes, a fluorescent lamp.

Equipment to study the properties of light (and radio waves in general), including the wave–particle duality (most 1900-1910): a slit, a polarizer, a photo-electric cell, a Fresnel double mirror, lenses, a induction coil, a photosensitive resistor, a spectroscope, an oscillograph , a wireless receiver, a microphone, standards of self-induction.

Also Zeeman's Nobel Prize diploma and medal and a lab diary, an electromagnet with polar pieces, 3D plaster models to visualize thermodynamic properties (e.g. phase transitions).

22 Medicine: man as machine

Pieces at display include: a gigantic microtome, the first heart-lung machine (prototype) by inventor Jacob Jongbloed (1948), the first kidney dialysis machine by inventor Willem Johan Kolff, X-ray equipment, an iron lung, galvanometer tools, a bow and arrow used to draw ultra thin quartz fibres (by shooting away a droplet of molten quartz), the original golden Nobel Prize medal from Willem Einthoven (for developing the first practical electrocardiogram in 1903)

23 Astronomy: Celestial Accounting

24 Microscopy: new ways

The room houses two electron microscopes (1947-1950) and related equipment (gold vaporiser, lens, object holders, a cooler, a goniometer), a collection of compound and specimen microscopes (some binocular) (1840-1870) plus accompanying microscope lamps and a tool box, a binocular polarisation microscope (1850), several microtomes (a.o. a cryomicrotome) and ultramicrotomes, a phase contrast microscope, a fluorescence microscope (plus several epi-illuminators, to exploit the difference between emitted and reflected light frequencies that some substances display), compound microscope with transformer in camera installation, a photomicroscope (photo camera with inverted microscope), a boxed collection of microscopic specimens (1870).

Library

Note: see for inspiration e.g. American_Museum_of_Natural_History

Activities

Research

Note: see for inspiration e.g. American_Museum_of_Natural_History

Location

Part of Leidens old town, with Leiden Centraal railway station in North-West corner, castle De Burcht in South-East corner, Museum Boerhaave marked in red.

Before moving in 1991, the museum was located in the former Boerhaave Laboratory at the Steenstraat 1, Leiden, a building which belonged to the Leiden Academic Hospital (Leiden Academisch Hospital), now part of LUMC, Leiden University Medical Center. This location of the museum now houses the National Museum of Ethnology.

To create better housing the former nunnery of Saint Cecilia was bought by the Government Buildings Agency (Rijksgebouwendienst). This historic building has had various functions over time. The building dates from the early 15th century. The building had become municipal property after the Protestant Reformation and shortly before 1600 was converted into a pest house and lunatic asylum. The Leiden Academic hospital was founded in this location between 1636 and 1639 . After extensive restoration and expansion, the building is in use as a museum since 1991.

Images

The anatomical theatre at Leiden University in the early 17th century

Reconstruction of the anatomical theatre (1988)

Spring driven pendulum clock, designed by Huygens, built by instrument maker Salomon Coster (1657) , and manuscript Horologium Oscillatorium

External links

• Museum Boerhaave website (in English)
• Morbid Anatomy: Wedding at the anatomical theatre!