No Way to Treat a Lady (film)
No Way to Treat a Lady | |
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![]() Film poster | |
Directed by | Jack Smight |
Screenplay by | John Gay |
Based on | No Way to Treat a Lady by William Goldman |
Produced by | Sol C. Siegel |
Starring | |
Cinematography | Jack Priestley |
Edited by | Archie Marshek |
Music by | Andrew Belling Stanley Myers |
Production company | Sol C. Siegel Productions |
Distributed by | Paramount Pictures |
Release date |
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Running time | 108 minutes[1] |
Country | United States |
Language | English |
Box office | $3.1 million (rentals)[2] |
No Way to Treat a Lady is a 1968 American psychological thriller film with elements of black comedy, directed by Jack Smight, and starring Rod Steiger, Lee Remick, George Segal, and Eileen Heckart. Adapted by John Gay from William Goldman's 1964 novel of the same name, it follows a serial killer in New York City who impersonates various characters in order to gain the trust of women before murdering them.
Released in the spring of 1968, the film earned $3.1 million domestically, and received largely favorable reviews from critics, with praise for Steiger's performance and the film's blending of horror and dark humor. Segal was nominated for a BAFTA Award for Best Actor in a Supporting Role for his portrayal as Detective Moe Brummel.
A musical comedy adaptation by Douglas J. Cohen was produced in 1987, and revived Off-Broadway in 1996.
Plot
[edit]Christopher Gill is a serial killer fixated on his late mother, a noted stage actress. Gill preys on older women. A Broadway theatre owner and director, he adopts various disguises in order to put his victims at ease and avoid identification, impersonating characters such as an Irish priest, a policeman, plumber, a flamboyant gay hairdresser, and a transvestite. Once gaining his victims' trust, Gill strangles them to death before painting a pair of lips on their foreheads with garish red lipstick.
Detective Morris Brummell is investigating the murders. Brummel is quoted in the newspaper that the latest murder was well-planned and well-executed. This appeals to Gill's ego, so he starts telephoning Brummel to chat about the murders and the state of the investigation. Brummel is able to elicit a few scraps of information about Gill, but for the most part Gill succeeds in taunting him without giving away his identity.
Away from work, Brummel's own overbearing mother wants her son to be more like his doctor brother and settle down. She is scornful of his career choice. Brummell's new love interest is Kate Palmer, who glimpsed Gill minutes before he committed the first murder, though not well enough to identify him in a way that would aid the investigation. Palmer manages to win over Brummell's mother by claiming she is planning to become Jewish, and by pretending to dominate her son.
In what turns out to be their last phone conversation, Brummel turns the tables on Gill and insults him. Gill subsequently targets Palmer. This is obviously for reasons other than his mother fixation, as Palmer does not fit the profile of his previous victims. He may be jealous of Palmer, or perhaps wants revenge on Brummell for the insults.
Gill attacks Palmer in her apartment, but is forced to flee before he can do her serious harm. During the police manhunt that follows, Gill is seen entering his theatre via a side door. Investigating the sighting, Brummell chats amiably with Gill (the detective at that point cannot be sure the man before him is Palmer's attacker). When he sees in the theatre lobby a painting of an actress with her lips highlighted in deep red lipstick, which Gill volunteers is a portrait of his mother, he knows he has his man.
Brummel confronts Gill with his suspicions, but Gill remains cool. Brummel goes to check out the costume room, and on his way back, as he is passing the theatre stage, Gill attacks him with the backstage rigging. Brummel is staggered, but is able to fatally shoot Gill before he attacks again. In his death swoon Gill revisits the murders he committed, as his deranged mind has recast them.
Cast
[edit]- Rod Steiger as Christopher Gill
- Lee Remick as Kate Palmer
- George Segal as Morris Brummel
- Eileen Heckart as Mrs. Brummel
- Murray Hamilton as Inspector Haines
- Michael Dunn as Mr. Kupperman
- Martine Bartlett as Alma Mulloy
- Barbara Baxley as Belle Poppie
- Irene Dailey as Mrs. Fitts
- Doris Roberts as Sylvia Poppie
- Ruth White as Mrs. Himmel
- Val Bisoglio as Detective Monaghan
- David Doyle as Lieutenant Dawson
- Kim August as Sadie
Production
[edit]Screenplay
[edit]Goldman wrote the original novel while experiencing writer's block, when writing Boys and Girls Together (published in 1964). He was inspired by an article about the Boston Strangler which suggested there might be two stranglers operating, and Goldman wondered what would happen if that were the case and they got jealous of each other.[3]
Development
[edit]In October 1966 it was announced that Sol C. Siegel had signed a three-picture deal with Paramount Pictures, of which the first was to be an adaptation of No Way to Treat a Lady.[4] In December Siegel hired John Gay to adapt the novel into a screenplay.[5] (Jack Smight later said Goldman refused to do the screen adaptation claiming that a novelist should never adapt his or her work for the screen.[6])
In March 1967, Jack Smight signed to direct.[7] By May, Rod Steiger was playing the lead[8] and George Segal joined the cast in June.[9]
Paramount was helmed by Robert Evans at the time, but Smight said he received more assistance from his executive Peter Bart. "He was enormously helpful to me under some very trying circumstances," said Smight.[6]
Tony Curtis was Evans' choice to play the detective, but Smight insisted that the role go to George Segal.[6]
Filming
[edit]Filming started in June and mostly took place in Brooklyn Heights, New York. The original plan was to shoot three weeks in New York and do all interiors at Paramount's studio but in the end Smight and Siegel decided to shoot the entire film in New York.[10]
"It's Steiger's film," said Segal. "He runs around doing all sorts of different roles and I just stop by and watch him... It's a big, comfortable Hollywood production and I have banker's hours."[11]
Eileen Heckart filmed her scenes during the day while appearing at night in You Know I Can't Hear You When the Water's Running.[12]
Filming was completed by September.[13]
Sol Siegel was reportedly unhappy with the ending, but was overruled by the director and star.[14]
The novel was re-issued under Goldman's name in 1968 to coincide with the release of the film. The New York Times called it "dazzling".[15]
Smight was entitled to 15% of the net profits. He says he never received any, but blames this on studio accounting.[6]
Release
[edit]Box office
[edit]No Way to Treat a Lady premiered on March 20, 1968, and grossed $3.1 million at the U.S. box office.[2]
Critical response
[edit]Wanda Hale of the New York Daily News praised the film for Steiger's "tour-de-force performance" and its blending of humor and the macabre.[16] The People critic Ernest Betts likened the film to the works of Alfred Hitchcock, praising Steiger's performance and summarizing: "The film has a macabre humor which just takes the edge off the horror and is sometimes hilarious."[17]
Vincent Canby of The New York Times wrote of the film: "Beneath all the outrageous make-up, hairpieces, disguises and belly laughs in No Way to Treat a Lady, there is a curious and ironic comment about the land of stifling mother love... There is nothing wrong with this sort of sheer sensation for its own sake as long as the gags and Steiger's masquerades maintain their bold effrontery. When they don't, however, as happens with increasing frequency toward the end, the mind begins to wander."[1]
Actor George Segal was nominated for a BAFTA Award for Best Actor in a Supporting Role for his portrayal of Detective Moe Brummel.[18]
Home media
[edit]Paramount Home Entertainment released the film on DVD on September 3, 2002.[19] And available in digital media format at iTunes Store and Google Play Store. Under license from Paramount, Scream Factory released the film on Blu-ray for the first time on December 21, 2021.[20]
Related works
[edit]In 1987, Douglas J. Cohen adapted the film into a musical comedy,[21] which was revived Off-Broadway by the York Theatre Company in 1996.[22] That production was nominated for an Outer Critics Circle Award for Best Musical Revival.[23]
See also
[edit]References
[edit]- ^ a b Canby, Vincent (March 21, 1968). "Screen: Farcical Exercise in Murder: Logic Loses in 'No Way to Treat a Lady' Segal and Steiger Play Hunter and Quarry". The New York Times. Archived from the original on December 18, 2022.
- ^ a b "Big Rental Films of 1968". Variety: 15. January 8, 1969.
- ^ Tyler, Ralph (November 12, 1978). "'Butch Cassidy' Was: My Western, 'Magic' Is My Hitchcock' 'Magic' Is My Hitchcock". The New York Times. p. D23.
- ^ Martin, Betty (October 11, 1966). "MOVIE CALL SHEET: 'Brigade' Next for Holden". Los Angeles Times. p. C12.
- ^ Martin, Betty (December 5, 1966). "MOVIE CALL SHEET: Christopher Lee Signed". Los Angeles Times. p. D9.
- ^ a b c d Myers, JP (March 8, 2018). "This is the story of Director Jack Smight's life in entertainment written by himself". Medium. Archived from the original on November 26, 2019. Retrieved October 25, 2019.
- ^ Martin, Betty (March 28, 1967). "Smight Will Direct 'Lady'". Los Angeles Times. p. C8.
- ^ Manners, Dorothy (May 12, 1967). "Batman Really Living It Up in London". The Washington Post. p. D12.
- ^ Martin, Betty (June 3, 1968). "Miss Redgrave Star of 'Cyril'". Los Angeles Times. p. B7.
- ^ Yeager, Robert (August 13, 1967). "Rubbernecks Stretch Film-Makers' Patience". Los Angeles Times. p. C13.
- ^ Crawford, Linda (August 13, 1967). "He Likes His Classics Uncensored". Chicago Tribune. p. E14.
- ^ Browning, Norma Lee (July 18, 1967). "Who's Doing What in Hollywood!". Chicago Tribune. p. A3.
- ^ "CBS Film Unit Signs Producer". Los Angeles Times. September 18, 1967. p. D27.
- ^ Haber, Joyce (March 12, 1968). "Steiger Film Role: Mr. Everything". Los Angeles Times. p. C10.
- ^ Boucher, Anthony (April 14, 1968). "Criminals at Large". The New York Times. p. BR22.
- ^ Hale, Wanda (March 21, 1968). "Tour de force for Rod Steiger". New York Daily News. p. 79 – via Newspapers.com.
- ^ Betts, Ernest (May 19, 1968). "A strangler in disguise". The People. p. 10 – via Newspapers.com.
- ^ "Film Nominations 1968". Past Winners and Nominees. British Academy of Film and Television Arts. Archived from the original on December 26, 2007.
- ^ Erickson, Glenn (October 20, 2002). "DVD Savant Review: No Way to Treat a Lady". Archived from the original on December 18, 2022.
- ^ "No Way to Treat a Lady Blu-ray". Shout! Factory. Archived from the original on December 18, 2022.
- ^ Holden, Stephen (June 12, 1987). "No Way to Treat a Lady". The New York Times. Archived from the original on July 22, 2012.
- ^ Marks, Peter (December 23, 1996). "A Lovelorn Detective Tracks a Singing Strangler". The New York Times. Archived from the original on December 18, 2022.
- ^ "Awards Archive - Previous Award Years: 1996-1997". Outer Critics Circle. Archived from the original on April 27, 2009. Retrieved April 14, 2009.
Sources
[edit]- "No Way to Treat a Lady". Time. March 29, 1968. Archived from the original on October 23, 2012. Retrieved March 15, 2008.
External links
[edit]- 1968 films
- 1968 black comedy films
- 1960s comedy thriller films
- 1960s serial killer films
- 1960s comedy mystery films
- 1960s psychological thriller films
- American black comedy films
- American comedy thriller films
- American mystery films
- American police detective films
- American serial killer films
- American films about revenge
- Cross-dressing in American films
- Films based on American novels
- Films based on works by William Goldman
- Films directed by Jack Smight
- Films produced by Sol C. Siegel
- Films scored by Stanley Myers
- Films set in New York City
- Films shot in New York City
- Films with screenplays by John Gay (screenwriter)
- Paramount Pictures films
- 1960s English-language films
- 1960s American films