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{{short description|Spanish actress and singer.}}
{{short description|Spanish actress and singer}}
{{Expand Spanish|Ana Belén|date=March 2011}}
{{Expand Spanish|topic=bio|Ana Belén|date=March 2011}}
{{BLP primary sources|date=June 2009}}
{{BLP primary sources|date=June 2009}}


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{{Infobox person
{{Infobox person
| name = Ana Belén
| name = Ana Belén
| image = Ana Belen.JPG
| image = Ana Belén en los Premios Goya 2017 (cropped).jpg
| caption =
| caption = Ana Belén at the [[31st Goya Awards]] in 2017
| birth_name = María del Pilar Cuesta Acosta
| birth_name = María del Pilar Cuesta Acosta
| birth_date = {{Birth date and age|df=yes|1951|5|27}}
| birth_date = {{Birth date and age|df=yes|1951|5|27}}
Line 18: Line 18:
| occupation = Actress and singer
| occupation = Actress and singer
| years_active = 1961–present
| years_active = 1961–present
| spouse = [[Víctor Manuel]]
| spouse = {{marriage|[[Víctor Manuel]]|1972}}
| domestic_partner =
| domestic_partner =
| children = David and [[Marina San José|Marina]]}}
| children = 2, including [[Marina San José|Marina]]
}}


'''María del Pilar Cuesta Acosta''' (born 27 May 1951, [[Madrid]]), known professionally as '''Ana Belén''', is a Spanish actress and singer.
'''María del Pilar Cuesta Acosta''' (born 27 May 1951), known professionally as '''Ana Belén''', is a Spanish actress and singer. She and her husband are considered symbols of the [[Spanish transition to democracy|Spanish Transition]],{{Citation needed|date=July 2008}} and her songs and albums often feature boldly-titled works with social and political content.


==Life/career==
==Life/career==
Born in 1951, Ana Belén is the oldest of three children. Her father was a cook in Hotel Palace, and her mother worked as doorwoman at an estate.<ref name="official">{{in lang|es}} [http://www.anabelen.es/biografia/inicios-de-su-carrera ANA BELÉN Inicios de su carrera], anabelen.es; accessed 18 March 2015.</ref> Ana Belén studied acting in Spain during her youth and began acting in theatrical and cinematic productions in the mid-1960.<ref>{{Cite web|date=2013-07-14|title=Pilar Acosta, la madre coraje de Ana Belén|url=https://www.vanitatis.elconfidencial.com/noticias/2013-07-14/pilar-acosta-la-madre-coraje-de-ana-belen_491318/|access-date=2020-10-22|website=www.vanitatis.elconfidencial.com|language=en}}</ref>
Born on 27 May 1951 in [[Madrid]], María del Pilar Cuesta Acosta is the eldest of three siblings.<ref name="10min" /> Her father was a cook in Hotel Palace, and her mother worked as doorwoman at an estate.<ref name="official">{{in lang|es}} [http://www.anabelen.es/biografia/inicios-de-su-carrera ANA BELÉN Inicios de su carrera], anabelen.es; accessed 18 March 2015.</ref><ref>{{Cite web|date=2013-07-14|title=Pilar Acosta, la madre coraje de Ana Belén|url=https://www.vanitatis.elconfidencial.com/noticias/2013-07-14/pilar-acosta-la-madre-coraje-de-ana-belen_491318/|access-date=2020-10-22|website=www.vanitatis.elconfidencial.com|language=en}}</ref> Cuesta made her feature film debut in ''{{ill|Zampo y yo|es}}'' (1966) starring as a girl named Ana Belén alongside [[Fernando Rey]];<ref name="10min" /> Cuesta took the character's name of Ana Belén as her stage name from then on.<ref name="10min" />


While working on the film ''Morbo'' by [[Gonzalo Suárez (director)|Gonzalo Suárez]], she met [[Víctor Manuel]], marrying him in 1972 in [[Gibraltar]]. At this time she also started her career as a singer, releasing several successful albums. She appeared in various films: ''La petición'' by [[Pilar Miró]]; ''Emilia parada y fonda'' by [[Angelino Fons]]; ''El buscón'' by Luciano Berriatúa; ''La oscura historia de la prima Montse'' by Jordi Cadena; ''La criatura'' by [[Eloy de la Iglesia]], and ''Sonámbulos'' by [[Manuel Gutiérrez Aragón]]. {{citation needed|date=March 2015}}
After working in the film ''Morbo'' by [[Gonzalo Suárez (director)|Gonzalo Suárez]] with [[Víctor Manuel]], Ana Belén married the latter on 13 June 1972 in [[Gibraltar]].<ref>{{Cite web|url=https://www.revistavanityfair.es/sociedad/articulos/boda-ana-belen-y-victor-manuel/44980|website=[[Vanity Fair (magazine)|Vanity Fair]]|title='Morbo', Gibraltar y el inicio de un matrimonio modelo: la boda de Ana Belén y Víctor Manuel|first=Raquel|last=Piñeiro|date=16 May 2020}}</ref> At this time she also started her career as a singer, releasing several successful albums. She appeared in various films: ''La petición'' by [[Pilar Miró]]; ''Emilia parada y fonda'' by [[Angelino Fons]]; ''El buscón'' by Luciano Berriatúa; ''La oscura historia de la prima Montse'' by Jordi Cadena; ''La criatura'' by [[Eloy de la Iglesia]], and ''Sonámbulos'' by [[Manuel Gutiérrez Aragón]].{{citation needed|date=March 2015}}


In 1986, Ana Belén, alongside songwriter Víctor Manuel,<ref>{{Cite news|last=Director|first=Cartas al|date=1982-11-19|title=Ana Belén y Víctor Manuel|language=es|work=El País|url=https://elpais.com/diario/1982/11/20/opinion/406594803_850215.html|access-date=2020-10-22|issn=1134-6582}}</ref> performed the song "La Puerta de Alcalá". The single remained at the top position in Spain for seven weeks in summer 1986. In 1991, she recorded ''Como una novia'', her first album that did not include any songs composed or adapted by Víctor Manuel. In 1997, she released a new album, ''Mírame'', of her own songs and duets and which went on to become the best-selling album of her solo career. In autumn of 1996, she – along with Joan Manuel Serrat, Miguel Ríos, and Víctor Manuel – set ticket sales records throughout Spain with their "El gusto es nuestro" tour. In 1998, Belen commemorated [[Federico García Lorca]]'s centenary by releasing two albums under the title of ''Lorquiana'', a collection of poems and popular songs by Lorca. The following year another album was released ''Ana Belén y [[Miguel Ríos]] cantan a [[Kurt Weill]]'', and she had a role in the Tele 5 series, ''Petra Delicado''. {{citation needed|date=March 2015}}
In 1986, Ana Belén, alongside songwriter Víctor Manuel,<ref>{{Cite news|date=1982-11-20|title=Ana Belén y Víctor Manuel (letter to the editor)|language=es|work=El País|url=https://elpais.com/diario/1982/11/20/opinion/406594803_850215.html|issn=1134-6582}}</ref> performed the song "La Puerta de Alcalá". The single remained at the top position in Spain for seven weeks in summer 1986. In 1991, she recorded ''Como una novia'', her first album that did not include any songs composed or adapted by Víctor Manuel. In 1997, she released a new album, ''Mírame'', of her own songs and duets and which went on to become the best-selling album of her solo career. In autumn of 1996, she – along with [[Joan Manuel Serrat]], [[Miguel Ríos]], and Víctor Manuel – set ticket sales records throughout Spain with their "El gusto es nuestro" tour. In 1998, Belen commemorated [[Federico García Lorca]]'s centenary by releasing two albums under the title of ''Lorquiana'', a collection of poems and popular songs by Lorca. The following year another album was released ''Ana Belén y [[Miguel Ríos]] cantan a [[Kurt Weill]]'', and she had a role in the Tele 5 series, ''Petra Delicado''. {{citation needed|date=March 2015}}


==Discography==
==Discography==
Line 98: Line 99:
* '''2015'''
* '''2015'''
** ''Canciones regaladas'' (with Víctor Manuel)
** ''Canciones regaladas'' (with Víctor Manuel)
* '''2019'''
* '''2018'''
** ''Vida''
** ''Vida''
* '''2021'''
** ''Ana Belén 70''


== Filmography==
== Filmography==
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{| class="wikitable sortable"
{| class="wikitable sortable"
|-
|-
! Year !! Title !! Role !! Notes !! {{Tooltip|Ref.|Reference(s)}}
! '''Year''' || '''Film''' || '''Director''' || Notes
|-
|-
| {{center|1966}} || ''{{ill|Zampo y yo|es}}'' || Ana Belén || Feature film debut || {{center|<ref name="10min">{{Cite web|url=https://www.diezminutos.es/famosos-corazon/famosos-espanoles/news/g16406/ana-belen-vida/?slide=2|website=[[Diez Minutos]]|page=1–2|date=27 June 2017|title=Ana Belén en 10 pistas}}</ref>}}
| 1965 || [[Zampo y yo]] || [[Luis Lucia]] ||
|-
|-
| {{center|1971}} || ''[[Spaniards in Paris|Españolas en París]]'' (''Spaniards in Paris'') || Isabel || || {{center|<ref>{{Cite book|url=http://www.ub.edu/congresocine/wp-content/uploads/2015/06/ACTAS-IV-CONGRESO-INTERNACIONAL-DE-HISTORIA-Y-CINE-DOCUMENTAL.pdf|publisher=[[University of Barcelona|Universitat de Barcelona]]|location=Barcelona|page=272|editor-first=Josep Maria|editor-last=Caparrós Lera|editor-first2=Magí|editor-last2=Crusells|editor-first3=Francesc|editor-last3=Sánchez Barba|first=Ana|last=Asión|chapter=Retratos de la emigración española a través del cine de ficción: ''Españolas en París'' (1971)|title=Memoria histórica y cine documental: Actas del IV Congreso Internacional de Historia y Cine|year=2015}}</ref>}}
| 1971 || [[Spaniards in Paris]] || [[Roberto Bodegas]] ||
|-
|-
| 1971 || [[Aunque la hormona se vista de seda]] || [[Vicente Escrivá]] ||
| {{center|1971}} || ''{{ill|Aunque la hormona se vista de seda|es}}'' || || ||
|-
|-
| 1972 || [[Morbo (film)|Morbo]] || [[Gonzalo Suárez (director)|Gonzalo Suárez]] ||
| {{center|1972}} || ''{{ill|Morbo (film)|ca|Morbo|lt=Morbo}}'' || || ||
|-
|-
| 1973 || [[Separación matrimonial]] || [[Angelino Fons]] ||
| {{center|1973}} || ''Separación matrimonial'' || || ||
|-
|-
| 1973 || [[Al diablo, con amor]] || [[Gonzalo Suárez (director)|Gonzalo Suárez]] ||
| {{center|1973}} || ''{{ill|Al diablo, con amor|es}}'' || || ||
|-
|-
| 1974 || [[Tormento (film)|Tormento]] || [[Pedro Olea]] ||
| {{center|1974}} || ''[[Tormento (film)|Tormento]]'' (''Torment'') || Amparo || || {{center|{{Sfn|Schwartz|2008|p=41}}}}
|-
|-
| {{center|1974}} || ''{{ill|Vida conyugal sana|es}}'' || || ||
| 1974 || [[A flor de piel (short film)|A flor de piel]] || [[Luis Eduardo Aute]] ||
|-
|-
| {{center|1974}} || ''[[The Love of Captain Brando|El amor del capitán Brando]]'' (''The Love of Captain Brando'') || Aurora || || {{center|<ref>{{Cite journal|url=http://portal.amelica.org/ameli/jatsRepo/195/1951601009/html/index.html|first=Ana|last=Asión Suñer|journal=Revista la Tadeo DeArte|publisher=[[Universidad de Bogotá Jorge Tadeo Lozano|Editorial Utadeo]]|title=Memoria y reflexión en el cine de Jaime de Armiñán|issn=2422-3158|volume=5|issue=5|year=2019|pages=134–141 |doi=10.21789/24223158.1550|doi-access=free}}</ref>}}
| 1974 || [[Vida conyugal sana]] || [[Roberto Bodegas]] ||
|-
|-
| {{center|1975}} || ''{{ill|¡Jo, papá!|ca|Jo, papá}}'' || Pilar || || {{center|{{sfn|Asión Suñer|2019}}}}
| 1974 || [[The Love of Captain Brando]] || [[Jaime de Armiñán]] ||
|-
|-
| {{center|1976}} || ''{{ill|La petición|es}}'' || Teresa || || {{center|<ref>{{Cite book|chapter-url=https://books.google.com/books?id=QBizJeAQe3kC&pg=PA158|page=158|title=El Cine: otra dimensión del discurso artístico|editor-first=José Luis|editor-last=Caramés Lage|editor-first2=Carmen|editor-last2=Escobedo de Tapia|editor-first3=Jorge Luis|editor-last3=Bueno Alonso|publisher=[[University of Oviedo|Universidad de Oviedo. Servicio de Publicaciones]]|location=Oviedo|volume=1|year=1999|isbn=84-8317-201-1|last=Cureses|first=Marta|chapter=Román Alís: Recuperación de la música cinematográfica española de los años 80}}</ref>}}
| 1975 || [[Jo, papá]] || [[Jaime de Armiñán]] ||
|-
|-
| {{center|1976}} || ''Emilia... parada y fonda'' || Emilia || || {{center|<ref>{{Citation |url=https://blocs.xtec.cat/filmodidactica/files/2009/03/el-cuento-y-el-cine.pdf|page=92|first=Josep|last=Martínez Ollé|title=El cuento literario y el cine|journal=Making of: Cuadernos de cine y educación|issn=1137-4926|issue=28|year=2004}}</ref>}}
| 1976 || [[La petición]] || [[Pilar Miró]] ||
|-
|-
| {{center|1977}} || ''[[La criatura]]'' || Cristina || || {{center|<ref>{{Cite journal|url=https://journals.openedition.org/criticon/21042?lang=en|title=El prevenido engañado (María de Zayas, 1637) en El jardín de Venus (José María Forqué, 1983)|first1=Victoria|last1=Aranda Arribas|first2=Rafael|last2=Bonilla Cerezo|journal=Criticón|year=2021|issue=143|pages=177–238 |doi=10.4000/criticon.21042|doi-access=free}}</ref>}}
| 1976 || [[Emilia... parada y fonda]] || [[Angelino Fons]] ||
|-
|-
| {{center|1978}} || ''{{ill|La oscura historia de la prima Montse|es}}'' || || ||
| 1977 || [[La criatura]] || [[Eloy De La Iglesia]] ||
|-
|-
| {{center|1978}} || ''[[Sleepwalkers (1978 film)|Sonámbulos]]'' (''Sleepwalkers'') || Ana || || {{center|<ref>{{Cite journal|last=Cerdán|first=Josetxo|year=1992|title=Sonámbulos. Ana a través del espejo|journal=Vértigo. Revista de Cine|issue=3|pages=37|url=https://riunet.upv.es/bitstream/handle/10251/42936/VERTIGO_003-004_009.pdf|location=A Coruña|publisher=Ateneo da Coruña|via=[[Universitat Politècnica de València]]|issn=1131-8023}}</ref>}}
| 1978 || [[La oscura historia de la prima Montse]] || [[Jordi Cadena]] ||
|-
|-
| {{center|1979}} || ''{{ill|Jaque a la dama|es}}'' || || ||
| 1978 || [[Sonámbulos]] || [[Manuel Gutiérrez Aragón]] ||
|-
|-
| {{center|1979}} || ''El Buscón'' || || ||
| 1979 || [[Jaque a la dama]] || [[Francisco Rodríguez Gordillo|Francisco Rodríguez]] ||
|-
|-
| {{center|1980}} || ''Cuentos eróticos'' || || ||
| 1979 || [[El Buscón]] || [[Luciano Berriatua]] ||
|-
|-
| {{center|1982}} || ''[[La colmena (film)|La colmena]]'' (''The Beehive'') || Victorita || || {{center|{{Sfn|Schwartz|2008|p=72}}}}
| 1980 || [[Cuentos eróticos]] || [[Jaime Chávarri]], [[Josefina Molina]], [[Fernando Colomo]] ||
|-
|-
| {{center|1982}} || ''[[Demons in the Garden|Demonios en el jardín]]'' (''Demons in the Garden'') || Ana || || {{center|{{Sfn|Schwartz|2008|p=184}}}}
| 1982 || [[La colmena (film)|La colmena]] || [[Mario Camus]] ||
|-
|-
| {{center|1985}} || ''[[The Court of the Pharaoh|La corte de Faraón]]'' (''The Court of the Pharaoh'') || Lota / Mari Pili || || {{center|{{Sfn|Schwartz|2008|p=89}}}}
| 1982 || [[Demons in the Garden]] || [[Manuel Gutiérrez Aragón]] ||
|-
|-
| {{center|1985}} || ''[[Be Wanton and Tread No Shame|Sé infiel y no mires con quién]]'' (''Be Wanton and Tread No Shame'') || Rosa || || {{center|<ref>{{Cite web|url=https://www.ecartelera.com/noticias/peliculas-imprescindibles-fernando-trueba-59007/|website=ecartelera|first=Miguel Ángel|last=Pizarro|title=De 'Ópera prima' a 'Chico y Rita': Las películas imprescindibles de Fernando Trueba|date=18 January 2020}}</ref>}}
| 1985 || [[La corte de Faraón]] || [[José Luis García Sánchez]] ||
|-
|-
| {{center|1986}} || ''{{ill|Adiós pequeña|es}}'' || Beatriz Arteche || || {{center|<ref>{{Cite book|url=https://books.google.com/books?id=KBt9WvRE4oMC&pg=PA179|page=179|title=Cien abogados en el cine de ayer y de hoy|first1=Ernesto|last1=Pérez Morán|first2=Juan Antonio|last2=Pérez Millán|publisher=[[University of Salamanca|Ediciones Universidad de Salamanca]]|year=2010|isbn=978-84-7800-167-5|location=Salamanca}}</ref>}}
| 1985 || [[Sé infiel y no mires con quién]] || [[Fernando Trueba]] ||
|-
|-
| {{center|1987}} || ''[[The House of Bernarda Alba (1987 film)|La casa de Bernarda Alba]]'' (''The House of Bernarda Alba'') || Adela || || {{center|{{Sfn|Schwartz|2008|p=97}}}}
| 1986 || [[Adiós pequeña]] || [[Imanol Uribe]] ||
|-
|-
| {{center|1987}} || ''[[Divinas palabras (1987 film)|Divinas palabras]]'' (''Divine Words'') || Mari Gaila || || {{center|<ref>{{Cite book|page=99|url=https://books.google.com/books?id=PmMYAgAAQBAJ&pg=PA99|publisher=[[The Scarecrow Press, Inc.]]|title=Great Spanish Films Since 1950|first=Ronald|last=Schwartz|year=2008|location=Lanham|isbn=978-0-8108-5405-5}}</ref>}}
| 1987 || [[The House of Bernarda Alba (1987 film)|The House of Bernarda Alba]] || [[Mario Camus]] ||
|-
|-
| {{center|1988}} || ''{{ill|Miss Caribe|ca}}'' || Alejandra || || {{center|<ref>{{Cite book|chapter-url=https://zaguan.unizar.es/record/88355/files/BOOK-2020-021.pdf|page=169|chapter=El hispanoamericano: el «otro» familiar|first=Isabel|last=Santaolalla|title=Los «Otros». Etnicidad y «raza» en el cine español contemporáneo|date=2005 |isbn=84-7733-753-5|location=Zaragoza|publisher=[[University of Zaragoza|Prensas Universitarias de Zaragoza]]}}</ref>}}
| 1987 || [[Divinas palabras (1987 film)|Divinas palabras]] || [[José Luis García Sánchez]] ||
|-
|-
| {{center|1989}} || ''[[The Flight of the Dove|El vuelo de la paloma]]'' (''The Flight of the Dove'') || Paloma || || {{center|<ref>{{Cite web|url=https://www.elespanol.com/el-cultural/cine/20180718/vuelo-paloma-regresa-incorreccion-politica/323469156_0.html|website=[[El Cultural]]|via=[[El Español]]|date=18 July 2018|first=Javier|last=Yuste|title=El vuelo de la paloma, regresa la incorrección política}}</ref>}}
| 1988 || [[Miss Caribe]] || [[Fernando Colomo]] ||
|-
|-
| {{center|1991}} || ''{{ill|Cómo ser mujer y no morir en el intento|es}}'' || {{N/A}} || Director || {{center|<ref>{{Cite book|title=Cine español de los 90. Diccionario de películas, directores y temático|first=Francisco María|last=Benavent|year=2000|isbn=84-271-2326-4|location=Bilbao|publisher=Ediciones Mensajero|page=165}}</ref>}}
| 1989 || [[The Flight of the Dove]] || [[José Luis García Sánchez]] ||
|-
|-
| {{center|1992}} || ''{{ill|Después del sueño|es}}'' || Ángeles Gutiérrez || || {{center|{{Sfn|Benavent|2000|p=204}}}}
| 1991 || [[Cómo ser mujer y no morir en el intento]] || Ana Belén ||
|-
|-
| {{center|1993}} || ''Rosa rosae'' || Rosa || || {{center|{{Sfn|Benavent|2000|p=505}}}}
| 1992 || [[Después del sueño]] || [[Mario Camus]] ||
|-
|-
| 1993 || [[Rosa rosae]] || [[Fernando Colomo]] ||
| {{Center|1993}} || ''[[El marido perfecto]]'' || || ||
|-
|-
| {{center|1993}} || ''[[Banderas, the Tyrant|Tirano Banderas]]'' (''Banderas, the Tyrant'') || Lupita || || {{center|{{Sfn|Benavent|2000|p=586}}}}
| 1993 || [[El marido perfecto]] || [[Beda Docampo Feijóo]] ||
|-
|-
| {{center|1994}} || ''[[The Turkish Passion|La pasión turca]]'' (''The Turkish Passion'') || Desideria || || {{center|{{Sfn|Benavent|2000|p=451}}}}
| 1993 || [[Banderas, the Tyrant|Tirano Banderas]] || [[José Luis García Sánchez]] ||
|-
|-
| {{center|1996}} || ''[[Libertarias]]'' || Pilar || || {{center|{{Sfn|Benavent|2000|p=336}}}}
| 1994 || [[The Turkish Passion]] || [[Vicente Aranda]] ||
|-
|-
| {{center|1996}} || ''[[Love Can Seriously Damage Your Health|El amor perjudica seriamente la salud]]'' (''Love Can Seriously Damage Your Health'') || Diana || || {{center|{{Sfn|Benavent|2000|pp=68–69}}}}
| 1996 || [[Libertarias]] || [[Vicente Aranda]] ||
|-
|-
| {{center|2001}} || ''[[Antigua, My Life|Antigua vida mía]]'' (''Antigua, My Life'') || Josefa Ferrer || || {{center|<ref>{{Cite web|url=https://www.fotogramas.es/peliculas-criticas/a8717/antigua-vida-mia/|website=[[Fotogramas]]|date=29 May 2008|title=Antigua vida mía}}</ref>}}
| 1996 || [[Love Can Seriously Damage Your Health]] || [[Manuel Gómez Pereira]] ||
|-
|-
| {{center|2004}} || ''[[Things That Make Living Worthwhile|Cosas que hacen que la vida valga la pena]]'' (''Things That Make Living Worthwhile'') || Hortensia || || {{center|<ref>{{Cite journal|year=2017|url=https://www.revistaelectronicalenguaje.com/wp-content/uploads/2017/10/REL-VOL-IV-06-CARLOS-SANZ.pdf|title=La mujer en dos películas españolas|first=Carlos A.|last=Sanz Mingo|journal=Revista Electrónica del Lenguaje|issue=4|page=16}}</ref>}}
| 1999 || [[Cada día hay más besos]] || [[Gregorio Guzmán]] ||
|-
|-
| {{center|2016}} || ''[[The Queen of Spain|La reina de España]]'' (''The Queen of Spain'') || ||
| 2001 || [[Antigua, My Life]] || [[Héctor Olivera (film director)|Héctor Olivera]] ||
|-
| 2004 || [[Cosas que hacen que la vida valga la pena]] || [[Manuel Gómez Pereira]] ||
|-
| 2016 || [[The Queen of Spain]] || [[Fernando Trueba]] ||
|}
|}


Line 205: Line 204:
| 1970 || [[Hora once]] || [[El extraño secreto de Shalken, el pintor]] ||
| 1970 || [[Hora once]] || [[El extraño secreto de Shalken, el pintor]] ||
|-
|-
| 1971 || [[Hora once]] || [[Eleonora]] ||
| 1971 || [[Hora once]] || Eleonora ||
|-
|-
| 1971 || [[Juegos para mayores]] || [[La finca]] ||
| 1971 || [[Juegos para mayores]] || [[La finca]] ||
Line 299: Line 298:
{{Honorary Goya Award}}
{{Honorary Goya Award}}
{{Latin Grammy Lifetime Achievement Award}}
{{Latin Grammy Lifetime Achievement Award}}
{{CEC Honorary Award}}
{{Authority control}}
{{Authority control}}



Latest revision as of 03:35, 11 August 2024

Ana Belén
Ana Belén at the 31st Goya Awards in 2017
Born
María del Pilar Cuesta Acosta

(1951-05-27) 27 May 1951 (age 73)
Madrid, Spain
Occupation(s)Actress and singer
Years active1961–present
Spouse
(m. 1972)
Children2, including Marina

María del Pilar Cuesta Acosta (born 27 May 1951), known professionally as Ana Belén, is a Spanish actress and singer. She and her husband are considered symbols of the Spanish Transition,[citation needed] and her songs and albums often feature boldly-titled works with social and political content.

Life/career

[edit]

Born on 27 May 1951 in Madrid, María del Pilar Cuesta Acosta is the eldest of three siblings.[1] Her father was a cook in Hotel Palace, and her mother worked as doorwoman at an estate.[2][3] Cuesta made her feature film debut in Zampo y yo [es] (1966) starring as a girl named Ana Belén alongside Fernando Rey;[1] Cuesta took the character's name of Ana Belén as her stage name from then on.[1]

After working in the film Morbo by Gonzalo Suárez with Víctor Manuel, Ana Belén married the latter on 13 June 1972 in Gibraltar.[4] At this time she also started her career as a singer, releasing several successful albums. She appeared in various films: La petición by Pilar Miró; Emilia parada y fonda by Angelino Fons; El buscón by Luciano Berriatúa; La oscura historia de la prima Montse by Jordi Cadena; La criatura by Eloy de la Iglesia, and Sonámbulos by Manuel Gutiérrez Aragón.[citation needed]

In 1986, Ana Belén, alongside songwriter Víctor Manuel,[5] performed the song "La Puerta de Alcalá". The single remained at the top position in Spain for seven weeks in summer 1986. In 1991, she recorded Como una novia, her first album that did not include any songs composed or adapted by Víctor Manuel. In 1997, she released a new album, Mírame, of her own songs and duets and which went on to become the best-selling album of her solo career. In autumn of 1996, she – along with Joan Manuel Serrat, Miguel Ríos, and Víctor Manuel – set ticket sales records throughout Spain with their "El gusto es nuestro" tour. In 1998, Belen commemorated Federico García Lorca's centenary by releasing two albums under the title of Lorquiana, a collection of poems and popular songs by Lorca. The following year another album was released Ana Belén y Miguel Ríos cantan a Kurt Weill, and she had a role in the Tele 5 series, Petra Delicado. [citation needed]

Discography

[edit]
  • 1965
    • Zampo y yo
    • Qué difícil es tener 18 años
  • 1973
    • Al diablo con amor (BSO)
    • Tierra
  • 1975
    • Calle del Oso
  • 1976
    • La paloma del vuelo popular
  • 1977
    • De paso
  • 1979
    • Ana
    • Lo mejor de Ana Belén
  • 1980
    • Con las manos llenas
  • 1982
    • Ana en Río
  • 1983
    • Victor y Ana en vivo
  • 1984
    • Géminis
  • 1985
    • BSO La corte de faraón
  • 1986
    • Para la ternura siempre hay tiempo (with Víctor Manuel)
    • Grandes éxitos
  • 1987
    • BSO Divinas palabras
  • 1988
    • A la sombra de un león
  • 1989
    • 26 grandes canciones y una nube blanca
    • Rosa de amor y fuego
  • 1991
    • Como una novia
  • 1993
    • Veneno para el corazón
  • 1994
    • Mucho más que dos
  • 1996
    • 20 exitos
    • El gusto es nuestro
  • 1997
    • Mírame
  • 1998
    • Lorquiana. Popular songs of Federico García Lorca
    • Lorquiana. Poems by Federico García Lorca
  • 1999
  • 2001
    • Peces de ciudad
    • Dos en la carretera
  • 2003
    • Viva L`Italia
  • 2006
    • Una canción me trajo aquí
  • 2007
    • Anatomía
  • 2008
    • Los grandes éxitos... y mucho más
  • 2011
    • A los hombres que amé
  • 2015
    • Canciones regaladas (with Víctor Manuel)
  • 2018
    • Vida
  • 2021
    • Ana Belén 70

Filmography

[edit]

Film

[edit]
Year Title Role Notes Ref.
1966
Zampo y yo [es] Ana Belén Feature film debut
1971
Españolas en París (Spaniards in Paris) Isabel
1971
Aunque la hormona se vista de seda [es]
1972
Morbo [ca]
1973
Separación matrimonial
1973
Al diablo, con amor [es]
1974
Tormento (Torment) Amparo
1974
Vida conyugal sana [es]
1974
El amor del capitán Brando (The Love of Captain Brando) Aurora
1975
¡Jo, papá! [ca] Pilar
1976
La petición [es] Teresa
1976
Emilia... parada y fonda Emilia
1977
La criatura Cristina
1978
La oscura historia de la prima Montse [es]
1978
Sonámbulos (Sleepwalkers) Ana
1979
Jaque a la dama [es]
1979
El Buscón
1980
Cuentos eróticos
1982
La colmena (The Beehive) Victorita
1982
Demonios en el jardín (Demons in the Garden) Ana
1985
La corte de Faraón (The Court of the Pharaoh) Lota / Mari Pili
1985
Sé infiel y no mires con quién (Be Wanton and Tread No Shame) Rosa
1986
Adiós pequeña [es] Beatriz Arteche
1987
La casa de Bernarda Alba (The House of Bernarda Alba) Adela
1987
Divinas palabras (Divine Words) Mari Gaila
1988
Miss Caribe [ca] Alejandra
1989
El vuelo de la paloma (The Flight of the Dove) Paloma
1991
Cómo ser mujer y no morir en el intento [es] Director
1992
Después del sueño [es] Ángeles Gutiérrez
1993
Rosa rosae Rosa
1993
El marido perfecto
1993
Tirano Banderas (Banderas, the Tyrant) Lupita
1994
La pasión turca (The Turkish Passion) Desideria
1996
Libertarias Pilar
1996
El amor perjudica seriamente la salud (Love Can Seriously Damage Your Health) Diana
2001
Antigua vida mía (Antigua, My Life) Josefa Ferrer
2004
Cosas que hacen que la vida valga la pena (Things That Make Living Worthwhile) Hortensia
2016
La reina de España (The Queen of Spain)

Television

[edit]
Year Series/Program Episode Notes
1970 Teatro de siempre La comedia nueva
1970 Teatro de siempre Hamlet en los suburbios
1970 Teatro de siempre Los caprichos de Mariana
1970 Pequeño estudio La trampa
1970 Hora once El extraño secreto de Shalken, el pintor
1971 Hora once Eleonora
1971 Juegos para mayores La finca
1971 Estudio 1 Retablo de las mocedades del Cid
1972 Estudio 1 Romeo y Julieta
1980 Fortunata y Jacinta
1999 Petra delicado
2017 Traición

Stage

[edit]

Awards

[edit]
  • 1971 Best TV actress for Retablo de las mocedades del Cid Fotogramas Award
  • 1972 Special mention for Morbo San Sebastián International Film Festival
  • 1980 Best TV actress for Fortunata y Jacinta Fotogramas de Plata
  • 1980 Best actress for Fortunata y Jacinta TP de Oro
  • 1980 Best actress for La Corte del Faraón Bronce
  • 1980 Chevalier des Arts et des Lettres
  • 1987 Best actress for La Casa de Bernarda Alba and Divinas palabras Fotogramas de Plata
  • 1988 Nominated for Best actress for Miss Caribe Goya Awards
  • 1989 Nominated for Best actress for El vuelo de la Paloma Goya Awards
  • 1991 Nominated for Best director for Como ser mujer y no morir en el intento Premios Ondas
  • 1991 Nominated for Best director debut for Como ser mujer y no morir en el intento Goya Awards
  • 1994 Best song for Contaminame Premios Ondas
  • 1994 Nominated for Best actress for La Pasión Turca Goya Awards
  • 1994 Best Actress for La Pasión Turca Goya Awards
  • 1995 Gold Medal from the Spanish Cinema Academy
  • 1995 Best theatre actress for La bella Helena Fotogramas de Plata
  • 1996 Cadena Dial Award
  • 1997 Best Female soloist. Carlos Gardel Awards
  • 1997 Best actress El amor perjudica seriamente la salud Festival de Peñíscola
  • 1997 Silver Lighthouse Award. Festival de Alfás del Pí
  • 1997 Best Tour El gusto es nuestro Spanish Music Awards
  • 1998 Nominated for Best Spanish female soloist for Lorquiana Premios Amigo
  • 2000 William Layton Award
  • 2001 Woman of the Year. Premios Elle
  • 2001 Nominated Best Spanish female soloist for Peces de ciudad Premios Amigo
  • 2002 Nominated Best female soloist for Peces de ciudad Latin Grammy Awards
  • 2002 Runner up Defensa de dama Premios Mayte of Theatre
  • 2003 Homage by the Instituto Cervantes of Toulouse
  • 2004 Nominated for Best actress Cosas que hacen que la vida valga la pena Goya Awards
  • 2004 Nominated for Best actress Cosas que hacen que la vida valga la pena Fotogramas de Plata
  • 2004 Nominated for Best actress Cosas que hacen que la vida valga la pena Spanish Actors' Union
  • 2004 Best actress Cosas que hacen que la vida valga la pena Premios Turia
  • 2006 Málaga Award. Film Festival of Málaga
  • 2007 Fine Arts Golden Medal presented by the Spanish royal family at Toledo Cathedral
  • 2015 Latin Grammy Awards for Musical Excellence.
  • 2017 Honorary Goya Award.[32]

References

[edit]
  1. ^ a b c d "Ana Belén en 10 pistas". Diez Minutos. 27 June 2017. p. 1–2.
  2. ^ (in Spanish) ANA BELÉN Inicios de su carrera, anabelen.es; accessed 18 March 2015.
  3. ^ "Pilar Acosta, la madre coraje de Ana Belén". www.vanitatis.elconfidencial.com. 2013-07-14. Retrieved 2020-10-22.
  4. ^ Piñeiro, Raquel (16 May 2020). "'Morbo', Gibraltar y el inicio de un matrimonio modelo: la boda de Ana Belén y Víctor Manuel". Vanity Fair.
  5. ^ "Ana Belén y Víctor Manuel (letter to the editor)". El País (in Spanish). 1982-11-20. ISSN 1134-6582.
  6. ^ Asión, Ana (2015). "Retratos de la emigración española a través del cine de ficción: Españolas en París (1971)". In Caparrós Lera, Josep Maria; Crusells, Magí; Sánchez Barba, Francesc (eds.). Memoria histórica y cine documental: Actas del IV Congreso Internacional de Historia y Cine (PDF). Barcelona: Universitat de Barcelona. p. 272.
  7. ^ Schwartz 2008, p. 41.
  8. ^ Asión Suñer, Ana (2019). "Memoria y reflexión en el cine de Jaime de Armiñán". Revista la Tadeo DeArte. 5 (5). Editorial Utadeo: 134–141. doi:10.21789/24223158.1550. ISSN 2422-3158.
  9. ^ Asión Suñer 2019.
  10. ^ Cureses, Marta (1999). "Román Alís: Recuperación de la música cinematográfica española de los años 80". In Caramés Lage, José Luis; Escobedo de Tapia, Carmen; Bueno Alonso, Jorge Luis (eds.). El Cine: otra dimensión del discurso artístico. Vol. 1. Oviedo: Universidad de Oviedo. Servicio de Publicaciones. p. 158. ISBN 84-8317-201-1.
  11. ^ Martínez Ollé, Josep (2004), "El cuento literario y el cine" (PDF), Making of: Cuadernos de cine y educación (28): 92, ISSN 1137-4926
  12. ^ Aranda Arribas, Victoria; Bonilla Cerezo, Rafael (2021). "El prevenido engañado (María de Zayas, 1637) en El jardín de Venus (José María Forqué, 1983)". Criticón (143): 177–238. doi:10.4000/criticon.21042.
  13. ^ Cerdán, Josetxo (1992). "Sonámbulos. Ana a través del espejo" (PDF). Vértigo. Revista de Cine (3). A Coruña: Ateneo da Coruña: 37. ISSN 1131-8023 – via Universitat Politècnica de València.
  14. ^ Schwartz 2008, p. 72.
  15. ^ Schwartz 2008, p. 184.
  16. ^ Schwartz 2008, p. 89.
  17. ^ Pizarro, Miguel Ángel (18 January 2020). "De 'Ópera prima' a 'Chico y Rita': Las películas imprescindibles de Fernando Trueba". ecartelera.
  18. ^ Pérez Morán, Ernesto; Pérez Millán, Juan Antonio (2010). Cien abogados en el cine de ayer y de hoy. Salamanca: Ediciones Universidad de Salamanca. p. 179. ISBN 978-84-7800-167-5.
  19. ^ Schwartz 2008, p. 97.
  20. ^ Schwartz, Ronald (2008). Great Spanish Films Since 1950. Lanham: The Scarecrow Press, Inc. p. 99. ISBN 978-0-8108-5405-5.
  21. ^ Santaolalla, Isabel (2005). "El hispanoamericano: el «otro» familiar" (PDF). Los «Otros». Etnicidad y «raza» en el cine español contemporáneo. Zaragoza: Prensas Universitarias de Zaragoza. p. 169. ISBN 84-7733-753-5.
  22. ^ Yuste, Javier (18 July 2018). "El vuelo de la paloma, regresa la incorrección política". El Cultural – via El Español.
  23. ^ Benavent, Francisco María (2000). Cine español de los 90. Diccionario de películas, directores y temático. Bilbao: Ediciones Mensajero. p. 165. ISBN 84-271-2326-4.
  24. ^ Benavent 2000, p. 204.
  25. ^ Benavent 2000, p. 505.
  26. ^ Benavent 2000, p. 586.
  27. ^ Benavent 2000, p. 451.
  28. ^ Benavent 2000, p. 336.
  29. ^ Benavent 2000, pp. 68–69.
  30. ^ "Antigua vida mía". Fotogramas. 29 May 2008.
  31. ^ Sanz Mingo, Carlos A. (2017). "La mujer en dos películas españolas" (PDF). Revista Electrónica del Lenguaje (4): 16.
  32. ^ "Estas son las mujeres galardonadas con los Premios Internacionales Yo Dona 2018". ELMUNDO (in Spanish). 2018-09-29. Retrieved 2020-10-22.
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