Talking Heads was an American rock band formed in 1975 in New York City.[2] The band was composed of David Byrne (lead vocals, guitar), Chris Frantz (drums), Tina Weymouth (bass) and Jerry Harrison (keyboards, guitar). Described as "one of the most critically acclaimed bands of the '80s," Talking Heads helped to pioneer new wave music by combining elements of punk, art rock, funk, and world music with "an anxious yet clean-cut image".[6]
Talking Heads | |
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Background information | |
Also known as | The Artistics, Shrunken Heads, the Heads |
Origin |
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Genres | |
Discography | Talking Heads discography |
Years active |
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Manager | Gary Kurfirst |
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Spinoffs | |
Past members | |
Website | talkingheadsofficial |
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Byrne, Frantz, and Weymouth met as freshmen at the Rhode Island School of Design, where Byrne and Frantz were part of a band called the Artistics.[1]: 24 The trio moved to New York City in 1975, adopted the name Talking Heads, joined the New York punk scene, and recruited Harrison to round out the band. Their debut album, Talking Heads: 77, was released in 1977 to positive reviews.[8] They collaborated with the British producer Brian Eno on the acclaimed albums More Songs About Buildings and Food (1978), Fear of Music (1979), and Remain in Light (1980), which blended their art school sensibilities with influence from artists such as Parliament-Funkadelic and Fela Kuti.[6] From the early 1980s, they included additional musicians in their recording sessions and shows, including guitarist Adrian Belew, keyboardist Bernie Worrell, singer Nona Hendryx, and bassist Busta Jones.
Talking Heads reached their commercial peak in 1983 with the U.S. Top 10 hit "Burning Down the House" from the album Speaking in Tongues. In 1984, they released the concert film Stop Making Sense, directed by Jonathan Demme. For these performances, they were joined by Worrell, the guitarist Alex Weir, the percussionist Steve Scales and the singers Lynn Mabry and Ednah Holt.[6] In 1985, Talking Heads released their best-selling album, Little Creatures. They produced a soundtrack album for Byrne's film True Stories (1986), and released their final album, worldbeat-influenced Naked (1988), before disbanding in 1991. Without Byrne, the other band members performed under the name Shrunken Heads, and released an album, No Talking, Just Head, as the Heads in 1996.
In 2002, Talking Heads were inducted into the Rock and Roll Hall of Fame. Four of their albums appeared in Rolling Stone's list of the 500 Greatest Albums of All Time in 2003, and three of their songs ("Psycho Killer", "Life During Wartime", and "Once in a Lifetime") were included among the Rock and Roll Hall of Fame's 500 Songs That Shaped Rock and Roll.[9] Talking Heads were also number 64 on VH1's list of the "100 Greatest Artists of All Time".[10] In the 2011 update of Rolling Stone's list of the "100 Greatest Artists of All Time", they were ranked number 100.[11]
History
edit1973–1977: Early years
editIn 1973, Rhode Island School of Design students David Byrne (guitar and vocals) and Chris Frantz (drums) formed a band, the Artistics.[1]: 28 [12] Fellow student Tina Weymouth, Frantz's girlfriend, often provided transportation. The Artistics dissolved the following year, and the three moved to New York City, eventually sharing a communal loft.[13] After they were unable to find a bassist, Weymouth took up the role. Frantz encouraged Weymouth to learn to play bass by listening to Suzi Quatro albums.[14] Byrne asked Weymouth to audition three times before she joined the band.[15]
The band played their first gig as Talking Heads, opening for the Ramones at the CBGB club on June 5, 1975.[2] According to Weymouth, the name Talking Heads came from an issue of TV Guide, which "explained the term used by TV studios to describe a head-and-shoulder shot of a person talking as 'all content, no action'. It fit."[16] Later that year, the band recorded a series of demos for CBS, but did not receive a record contract. However, they drew a following and signed to Sire Records in November 1976. They released their first single in February the following year, "Love → Building on Fire". In March 1977, they added Jerry Harrison, formerly of Jonathan Richman's band the Modern Lovers, on keyboards, guitar, and backing vocals.[17] Gary Kurfirst started managing the Talking Heads in 1977.[18]
The first Talking Heads album, Talking Heads: 77, received acclaim and produced their first charting single, "Psycho Killer".[19] Many connected the song to the serial killer known as the Son of Sam, who had been terrorizing New York City months earlier; however, Byrne said he had written the song years prior.[20] Weymouth and Frantz married in 1977.[21]
1978–1980: Collaborations with Brian Eno
editMore Songs About Buildings and Food (1978) was Talking Heads' first collaboration with the producer Brian Eno, who had previously worked with Roxy Music, David Bowie, John Cale and Robert Fripp;[22] the title of Eno's 1977 song "King's Lead Hat" is an anagram of the band's name. Eno's unusual style meshed with the group's artistic sensibilities, and they began to explore an increasingly diverse range of musical directions, from psychedelic funk to African music, influenced prominently by Fela Kuti and Parliament-Funkadelic.[23][24][25] This recording also established the band's relationship with Compass Point Studios in Nassau, Bahamas. More Songs About Buildings and Food included a cover of Al Green's "Take Me to the River". This took Talking Heads into the public consciousness and gave them their first Billboard Top 30 hit.[25]
The collaboration continued with Fear of Music (1979), with the darker stylings of post-punk rock, mixed with white funkadelia and subliminal references to the geopolitical instability of the late 1970s.[25] Music journalist Simon Reynolds cited Fear of Music as representing the Eno-Talking Heads collaboration "at its most mutually fruitful and equitable".[26] The single "Life During Wartime" produced the catchphrase "This ain't no party, this ain't no disco".[27] The song refers to the Mudd Club and CBGB, two popular New York nightclubs of the time.[28]
Remain in Light (1980) was heavily influenced by the afrobeat of the Nigerian bandleader Fela Kuti, whose music Eno had introduced to the band. It explored West African polyrhythms, weaving these together with Arabic music from North Africa, disco funk, and "found" voices.[29] These combinations foreshadowed Byrne's later interest in world music.[30] In order to perform these more complex arrangements, the band toured with an expanded group, including Adrian Belew and Bernie Worrell, among others, first at the Heatwave festival in August,[31] and later in their concert film Stop Making Sense.[citation needed]
During this period, Weymouth and Frantz formed a commercially successful splinter group, Tom Tom Club, influenced by the foundational elements of hip hop,[32] and Harrison released his first solo album, The Red and the Black.[33] Byrne and Eno released My Life in the Bush of Ghosts, which incorporated world music, found sounds and a number of other prominent international and post-punk musicians.[34]
Remain in Light's lead single, "Once in a Lifetime", became a Top 20 hit in the UK, but initially failed to make an impression in the US. It grew into a popular standard over the next few years on the strength of its music video, which Time named one of the greatest of all time.[36][37]
1981–1991: Commercial peak and breakup
editAfter releasing four albums in barely four years, the group went on a recording hiatus, and nearly three years passed before their next release, although Frantz and Weymouth continued to record with the Tom Tom Club. In the meantime, Talking Heads released a live album The Name of This Band Is Talking Heads, toured the United States and Europe as an eight-piece group, and parted ways with Eno,[38] who went on to produce albums with U2.[22]
1983 saw the release of Speaking in Tongues, a commercial breakthrough that produced the band's only American Top 10 hit, "Burning Down the House".[39] Once again, a striking video was inescapable owing to its heavy rotation on MTV.[40] The following tour was documented in Jonathan Demme's Stop Making Sense, which generated another live album of the same name.[41] The tour in support of Speaking in Tongues was their last.[42]
I try to write about small things. Paper, animals, a house… love is kind of big. I have written a love song, though. In this film, I sing it to a lamp.
—David Byrne, interviewing himself in Stop Making Sense[43]
Three more albums followed: 1985's Little Creatures (which featured the hit singles "And She Was" and "Road to Nowhere"),[44] 1986's True Stories (Talking Heads covering all the soundtrack songs of Byrne's musical comedy film, in which the band also appeared),[45] and 1988's Naked. Little Creatures offered a much more American pop-rock sound as opposed to previous efforts.[46] Similar in genre, True Stories hatched one of the group's most successful hits, "Wild Wild Life", and the accordion-driven track "Radio Head".[47] Naked explored politics, sex, and death, and showed heavy African influence with polyrhythmic styles like those seen on Remain in Light.[48] During that time, the group was falling increasingly under David Byrne's control and, after Naked, the band went on "hiatus".[6] In 1987 Talking Heads released a book by David Byrne called What the Songs Look Like: Contemporary Artists Interpret Talking Heads Songs with HarperCollins that contained artwork by some of the top New York visual artists of the decade.
In December 1991, Talking Heads announced that they had disbanded.[6] Frantz said that he learned that Byrne had left from an article in the Los Angeles Times, and said: "As far as we're concerned, the band never really broke up. David just decided to leave."[49] Their final release was "Sax and Violins", an original song that had appeared earlier that year on the soundtrack to Wim Wenders' Until the End of the World. Byrne continued his solo career, releasing Rei Momo in 1989 and The Forest in 1991.[30] This period also saw a revived flourish from both Tom Tom Club (Boom Boom Chi Boom Boom and Dark Sneak Love Action)[50] and Harrison (Casual Gods and Walk on Water), who toured together in 1990.[51]
1992–present: Post-breakup and reunions
editWeymouth, Frantz, and Harrison toured without Byrne as Shrunken Heads in the early 1990s.[52] In 1996, they released an album, No Talking, Just Head, under the name the Heads. The album featured a number of vocalists, including Gavin Friday of the Virgin Prunes, Debbie Harry of Blondie, Johnette Napolitano of Concrete Blonde, Andy Partridge of XTC, Gordon Gano of Violent Femmes, Michael Hutchence of INXS, Ed Kowalczyk of Live, Shaun Ryder of Happy Mondays, Richard Hell, and Maria McKee.[53] It was accompanied by a tour with Napolitano as the vocalist. Byrne took legal action to prevent the band using the name The Heads, which he saw as "a pretty obvious attempt to cash in on the Talking Heads name".[54] The band briefly reunited in 1999 to promote the 15th anniversary re-release of Stop Making Sense, but did not perform together.[55]
Harrison produced records including the Violent Femmes' The Blind Leading the Naked, the Fine Young Cannibals' The Raw and the Cooked, General Public's Rub It Better, Crash Test Dummies' God Shuffled His Feet, Live's Mental Jewelry, Throwing Copper and The Distance to Here, and No Doubt's song "New" from Return of Saturn.[56] Frantz and Weymouth have produced several artists, including Happy Mondays and Ziggy Marley. The Tom Tom Club continue to record and tour intermittently.[57]
Talking Heads reunited to play "Life During Wartime", "Psycho Killer", and "Burning Down the House" on March 18, 2002, at the ceremony of their induction into the Rock and Roll Hall of Fame, joined on stage by the former touring members Bernie Worrell and Steve Scales.[58] Byrne said further work together was unlikely, due to "bad blood" and being musically "miles apart".[59] Weymouth has been critical of Byrne, describing him as "a man incapable of returning friendship"[59] and saying that he did not "love" her, Frantz and Harrison.[14] In 2020, Frantz published a memoir about his relationship with Weymouth, Remain in Love, which covered the band's conflicts.[60]
In September 2023, Stop Making Sense was rereleased in IMAX with remastered sound and picture to coincide with the film's 40th anniversary.[61] The band members reunited that month for a Q&A at the Toronto International Film Festival, following limited showings of the film in theaters,[60][62] and gave subsequent interviews together to promote the rerelease.[63] With regard to the possibility of a reunion tour, Harrison told the Los Angeles Times: "Right now, we're concentrating on Stop Making Sense and how much fun we're having revisiting the film. We're living in the moment, so that's all we're thinking about."[64] In January 2024, Billboard reported that Talking Heads had turned down an $80 million offer for a reunion tour, which would have included a performance at Coachella.[65]
Influence
editAllMusic stated that Talking Heads, one of the most celebrated bands of the 1970s and 1980s,[6] by the time of their breakup "had recorded everything from art-funk to polyrhythmic worldbeat explorations and simple, melodic guitar pop".[6] Talking Heads' art pop innovations have had a long-lasting impact.[66] Along with other groups such as Devo, Ramones, and Blondie, they helped define the new wave genre in the United States.[67] Meanwhile, their more cosmopolitan hits like 1980's Remain in Light helped bring African rock to the western world.[68]
Talking Heads have been cited as an influence by many artists, including Eddie Vedder,[69] LCD Soundsystem,[70] Foals,[71] the Weeknd,[72] Vampire Weekend,[73] Primus,[74] Bell X1,[75] the 1975,[76] the Ting Tings,[77] Nelly Furtado,[78] Kesha,[79] St. Vincent,[80] Danny Brown,[81] Trent Reznor[82] and Franz Ferdinand.[83] Radiohead took their name from the 1986 Talking Heads song "Radio Head",[84] and cited Remain in Light as a critical influence on their 2000 album Kid A.[85] The Italian filmmaker and director Paolo Sorrentino, receiving the Oscar for his film La Grande Bellezza in 2014, thanked Talking Heads, among others, as his sources of inspiration.[86]
Members
edit- David Byrne – lead vocals, guitar (1975–1991, 2002)
- Chris Frantz – drums, percussion, backing vocals (1975–1991, 2002)
- Tina Weymouth – bass, backing vocals (1975–1991, 2002)
- Jerry Harrison – keyboards, guitar, backing vocals (1977–1991, 2002)
Additional musicians
edit- Adrian Belew – lead guitar, vocals (1980–1981)
- Alex Weir – guitar, vocals (1982–1984)
- Bernie Worrell – keyboards, backing vocals (1980–1984, 2002; died 2016)
- Raymond Jones – keyboards (1982)
- Busta Jones – bass (1980–1981; died 1995)
- Steve Scales – percussion, backing vocals (1980–1984, 2002)
- Dolette McDonald – vocals, cowbell (1980–1982)
- Nona Hendryx – vocals (1980, 1982)
- Ednah Holt – vocals (1983)
- Lynn Mabry – vocals (1983–1984)
- Stephanie Spruill – vocals (1984)
Timeline
edit![](http://upload.wikimedia.org/wikipedia/en/timeline/3lt7hdv5v5j1tqlugx32hfvb38g5wbd.png)
Discography
edit- Talking Heads: 77 (1977)
- More Songs About Buildings and Food (1978)
- Fear of Music (1979)
- Remain in Light (1980)
- Speaking in Tongues (1983)
- Little Creatures (1985)
- True Stories (1986)
- Naked (1988)
See also
editReferences
edit- ^ a b c Gans, David (December 1985). "Chapter One: Providence". Talking Heads: The Band & Their Music (First ed.). Avon Books. ISBN 978-0380899548. LCCN 85047829. OCLC 12938771. OL 2552512M. Retrieved January 4, 2023 – via Internet Archive. p. 24:
When it came time to select a college and a course of study, Byrne eventually chose the Rhode Island School of Design.
- ^ a b c Talking Heads Rock and Roll Hall of Fame, retrieved November 23, 2008
- ^
- Erlewine, Stephen Thomas. "Talking Heads: Biography". AllMusic. Retrieved April 27, 2014.
- Jack, Malcolm (September 21, 2016). "Talking Heads – 10 of the best". The Guardian.
- ^
- Marks, Craig; Weisbard, Eric (1995). Spin Alternative Record Guide. Vintage Books.
- Simon Reynolds. Rip It up and Start Again: Postpunk 1978–1984. Penguin Books (2005) p. 163.
- ^
- Erlewine, Stephen Thomas. "Talking Heads: Biography". AllMusic. Retrieved April 27, 2014.
- Holden, Stephen (February 28, 1999). "MUSIC; They're Recording, but Are They Artists?". The New York Times. Retrieved July 17, 2013.
- ^ a b c d e f g h Erlewine, Stephen Thomas. "Talking Heads: Biography". AllMusic. Retrieved April 27, 2014.
- ^ "Head Games: 'Talking Heads: Chronology'" (PDF). PopMatters. February 22, 2012. Archived from the original (PDF) on April 27, 2015. Retrieved September 14, 2016.
- ^ Demorest, Stephen (November 3, 1977). "Talking Heads '77". Rolling Stone. Retrieved August 3, 2019.
- ^ "The Songs That Shaped Rock and Roll". The Rock and Roll Hall of Fame and Museum. Archived from the original on March 17, 2010. Retrieved January 12, 2008.
- ^ "The Greatest – Ep. 215". vh1.com. Archived from the original on September 10, 2015. Retrieved April 29, 2015.
- ^ "100 Greatest Artists of All Time". Rolling Stone. 2011. Retrieved January 8, 2016.
- ^ Gittins, Ian, Talking Heads: Once in a Lifetime: the Stories Behind Every Song, Hal Leonard Corporation, 2004, p. 140. ISBN 0-634-08033-4, ISBN 978-0-634-08033-3.
- ^ Simon Reynolds. Rip It up and Start Again: Postpunk 1978–1984. Penguin Books (2005) p. 159.
- ^ a b Tina Talks Heads, Tom Toms, and How to Succeed at Bass Without Really Trying Gregory Isola, Bass Player, retrieved December 6, 2008.
- ^ Jacques, Adam (March 17, 2013). "How We Met: Chris Frantz & Tina Weymouth". The Independent. Archived from the original on May 26, 2022. Retrieved December 3, 2020.
- ^ Weymouth, Tina (1992). In Sand in the Vaseline. CD liner notes, p. 12. New York: Sire Records Company
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- ^ a b c Simon Reynolds. Rip It up and Start Again: Postpunk 1978–1984. Penguin Books (2005) p. 163.
- ^ Simon Reynolds. Rip It up and Start Again: Postpunk 1978–1984. Penguin Books (2005) pp. 163–164.
- ^ Janovitz, Bill. "Life During Wartime – Song Review". Allmusic. Retrieved April 25, 2014.
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- ^ a b Ankeny, Jason. "David Byrne | Biography". Allmusic. Retrieved April 25, 2014.
- ^ Robins, Jim (September 6, 1980). "Expanded Talking Heads Climax Canadian New Wave Festival". The Michigan Daily.
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- ^ "The 100 most important American musical works of the 20th century". NPR. Retrieved May 5, 2014.
- ^ Simon Reynolds. Rip It up and Start Again: Postpunk 1978–1984. Penguin Books (2005) p. 169.
- ^ Sanburn, Josh (July 26, 2011). "The 30 All-TIME Best Music Videos". Time. Retrieved May 5, 2014.
- ^ Simon Reynolds. Rip It up and Start Again: Postpunk 1978–1984. Penguin Books (2005) pp. 169–170.
- ^ DeGagne, Mike. "Burning Down the House – Talking Heads – Song Review". Allmusic. Retrieved April 25, 2014.
- ^ Johnston, Maura. "Sick Of It All (16) Battles Talking Heads (8) As SOTC's March Madness Takes A Trip To CBGB". Village Voice. Retrieved April 25, 2014.
- ^ Light, Alan (January 25, 2010). "All-TIME 100 Albums". Time. Retrieved April 25, 2014.
- ^ Milward, John. "The Many Faces And Artistic Endeavors Of The Talking Heads David Byrne And His Mates In The Band Are Keeping Busy – Together, With 'Naked', And On Their Own". Philly.com. Retrieved April 25, 2014.
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- ^ Boehm, Mike (September 10, 1992). "x-Heads Say They Got Byrned: Split Still Miffs Frantz, Weymouth, Even Though Tom Tom Club Keeps Them Busy". Los Angeles Times.
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- ^ Christensen, Thor (May 22, 1990). "Harrison starts to find own voice". The Milwaukee Journal. Archived from the original on May 4, 2016. Retrieved January 12, 2016.
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- ^ Sragow, Michael (April 27, 1999). "Talking Heads talk again". Salon. Retrieved December 3, 2021.
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- ^ Greene, Andy (October 23, 2012). "Flashback: Talking Heads Reunite for One Night Only". Rolling Stone. Retrieved May 4, 2014.
- ^ a b Blackman, Guy (February 6, 2005). "Byrning down the house". The Age. Australia. Retrieved October 3, 2009.
- ^ a b Greene, Andy (August 16, 2023). "Talking Heads to Appear Together for First Time in 21 Years". Rolling Stone. Retrieved August 17, 2023.
- ^ "Stop Making Sense". imax.com. August 16, 2023. Retrieved September 24, 2023.
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the new release's remastered sound and picture, projected in... IMAX
{{cite web}}
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Further reading
edit- Bowman, David (April 3, 2001). This Must Be the Place: The Adventures of Talking Heads in the Twentieth Century (First ed.). New York: HarperEntertainment. ISBN 978-0380978465. LCCN 00046082. OCLC 44914246. OL 7435999M. Retrieved January 3, 2023 – via the Internet Archive.
- Byrne, David (September 12, 2012). How Music Works. San Francisco: McSweeney's. ISBN 978-1936365531. LCCN 2017561795. OCLC 746834427. OL 26882017M. Retrieved January 3, 2023 – via the Internet Archive.
- Frantz, Chris (July 21, 2020). Remain in Love: Talking Heads, Tom Tom Club, Tina (Illustrated ed.). New York: St. Martin's Publishing. ISBN 978-1250209221. LCCN 2020002700. OCLC 1137735530. OL 28244911M.
- Reese, Krista (1982). The Name of This Book Is Talking Heads. London: Proteus Books. ISBN 0-86276-057-7.
- Steenstra, Sytze (2010). Song and Circumstance: The Work of David Byrne from Talking Heads to the Present. New York and London: Continuum Books. ISBN 978-08264-4168-3.
- Talking Heads; Olinsky, Frank (1987). What the Songs Look Like: Contemporary Artists Interpret Talking Heads Songs. New York: Harper & Row. ISBN 0-06-096205-4..
- Wilcox, Tyler (October 3, 2016). "Talking Heads' Road to Remain in Light". Pitchfork.
External links
edit- Official website
- Talking Heads at Curlie
- Entry at 45cat.com
- Talking Heads at AllMusic
- Talking Heads discography at Discogs
- Talking Heads at IMDb
- Talking Heads discography at MusicBrainz