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Line of beauty is a term and a theory in art or aesthetics used to describe an S-shaped curved line (a serpentine line) appearing within an object, as the boundary line of an object, or as a virtual boundary line formed by the composition of several objects. This theory originated with William Hogarth (18th-century English painter, satirist, and writer), and is an essential part of Hogarth's theory of aesthetics as described in his 1753 book The Analysis of Beauty. According to this theory, S-shaped curved lines signify liveliness and activity and excite the attention of the viewer as contrasted with straight lines, parallel lines, or right-angled intersecting lines, which signify stasis, death, or inanimate objects.
![](http://upload.wikimedia.org/wikipedia/commons/thumb/9/9f/Serpentine_lines_from_William_Hogarth%27s_The_Analysis_of_Beauty.jpg/220px-Serpentine_lines_from_William_Hogarth%27s_The_Analysis_of_Beauty.jpg)
In contrast to grand compositional lines, which are regularly found in Baroque or Rococo art, the serpentine line is not primarily dictating the whole composition of a canvas. Instead, the line should be understood as being found in specific subject matter, like the human figure. A composition is created by employing various kinds of lines in various relations to each other without destroying its simplicity.
Gallery
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The line of beauty denoted on Hogarth's 1751 Beer Street sign painter.
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An illustration from the title page of The Analysis of Beauty.
See also
editExternal links
edit- William Hogarth's The Analysis of Beauty (1772 edition)
- Art Fundamentals