Main Title | Holy Mother (e22406) |
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Official Title | x-jat |
Official Title | ja |
Official Title | tr |
Official Title | fr |
Official Title | fi |
Official Title | cs |
Official Title | pl |
Official Title | ru |
Official Title | th |
Relation | Song | in Episodes | Rating | Credit | Staff | Comment |
---|---|---|---|---|---|---|
opening | Undo | 26-41, OP3 | N/A (8) | Vocals/Performed by (歌手) | Cool Joke | |
Lyrics (作詞) | Ishikawa Hiroya | |||||
Music Composition (作曲) | Ishikawa Hiroya | |||||
Music Arrangement (編曲) | Yayoshi Junji | |||||
ending | Motherland | 26-41, ED4 | N/A (5) | Vocals/Performed by (歌手) | Crystal Kay | |
Lyrics (作詞) | H.U.B. | |||||
Music Composition (作曲) | Yanagiman | |||||
Music Arrangement (編曲) | Matsubara Ken |
Credit | Name | in Episodes | Comment |
---|---|---|---|
Main Animator (メインアニメーター) | Tomioka Takashi | 30-51 | |
Sound Work (音響制作) | Techno Sound | ||
Sound Effects (音響効果) | Kurahashi Shizuo | Sound Box (サウンドボックス) | |
Editing (編集) | Itabe Hiroaki | Jay Film (ジェイ・フィルム) | |
Assistant Producer (アシスタントプロデューサー) | Kurosu Reo | 31-36, 38-42, 44-48, 50-51 | |
Planning (企画) | Takahashi Toshihiro | 4-51 | |
Planning Assistance (企画協力) | Kurashige Nobuyuki | ||
Matsuzaki Takeshi | |||
Shimomura Yuuichi | |||
Watanabe Tetsuya | |||
Yamanishi Tahei |
Script/Screenplay (脚本) | Aikawa Shou | 1-3, 7-8, 13-16, 21-22, 25, 29-32, 36, 39-51 | |
Storyboard (絵コンテ) | Nakatsu Tamaki | 19, 29, 41, 49 | |
Episode Direction (演出) | Nakatsu Tamaki | 19, 29, 41, 49 | |
Animation Direction (作画監督) | Itou Hideki | 3, 11, 19, 27, 35, 41, 47 | |
Oguri Hiroko | 3, 13, 21, 35, 41, 47 | ||
Key Animation (原画) | Seki Akiko | 3-4, 11, 18-19, 27, 35, 41, 47 | |
Hattori Satoshi | 3-4, 11, 19, 27, 35, 41, 47 | ||
Sakura Create | 3-4, 11, 19, 27, 35, 41, 47 | ||
Sekiguchi Ryousuke | 3-4, 11, 19, 27, 35, 41, 47 | ||
Komito Yukiyo | 3, 11, 19, 35, 41, 46, 50 | ||
Usui Rie | 3, 35, 41, 47 | ||
Sakazaki Tadashi | 5, 7, 13, 25, 41, OP3-OP4 | ||
Yamamoto Atsushi | 5, 15, 29, 41, 49 | ||
Yabuki Kayoko | 9, 19, 35, 41 | ||
Katou Masato | 11, 19, 27, 35, 41, 47 | ||
Okazaki Hiromi | 11, 35, 41, 47 | ||
Takechi Hitomi | 19, 33, 41, 47, 51 | ||
Itou Hideki | 25, 35, 41, 47, 51, OP2-OP3 | ||
Takagi Jun | 28, 31, 37, 39, 41, 43, 46, 49, 51 | ||
Fukuoka Hidenori | 33, 39, 41, 50 | ||
Oguri Hiroko | 33, 41, 47, 51 | ||
Saitou Hisashi | 34, 41 | ||
Kitamura Mayumi | 35, 41, 47 | ||
Nakahara Hisafumi | 37, 41 | ||
Kubo Satoshi | 41 | ||
Shimoda Kouichi | 41 | ||
Tsuzuki Yukako | 41 | ||
Ishii Tomomi | 41, 47 | ||
2nd Key Animation (第二原画) | Hosogaya Akira | 19, 27, 41 | Sakura Create (作楽クリエイト) |
Saitou Kaori | 31, 34, 41 | ||
Uchiyama Midori | 37, 40-41, 43, 45 | ||
Kumaoka Toshiharu | 40-41 | ||
In-Between Animation Inspection (動画検査) | Suzuki Fumiko | 2, 5, 9, 13, 17, 21, 25, 29, 33, 37, 41, 45, 47, 50 | |
In-Between Animation (動画) | Takano Keiko | 1-3, 5-7, 11, 13, 15, 17-19, 21, 23, 29, 34, 37, 41, 43, 45 | |
Hayashi | 1-3, 5, 7, 9, 17, 25, 41 | ||
Shimada Teizou | 1-2, 5, 9, 13, 17-19, 21, 23, 25, 27, 29, 31, 35, 37, 41, 49-51 | ||
Masuko Hiromi | 1-2, 9, 13, 17-19, 21, 23, 25, 29, 31, 33-35, 37, 41, 47, 50-51 | ||
Sakura Create | 1, 3, 11, 15, 17, 19, 27, 31, 35, 41, 47 | ||
Frontline | 1, 5-7, 9, 11-13, 15, 17, 19, 23, 25, 27, 33, 40-41, 43-47, 49-51 | ||
Triple A | 2, 9, 11, 13, 15, 17-19, 21, 23, 25, 27-29, 31, 33, 35, 37, 39, 41, 43, 45, 47, 49-51 | ||
Yamada Emiko | 3, 11, 19, 27, 35, 41, 47 | ||
Mori Ayako | 3, 27, 35, 41, 47 | ||
Tokunaga Kaori | 3, 27, 35, 41, 47 | ||
Suzuki Fumiko | 9, 11, 13, 17, 19, 21, 23, 25, 29, 31, 33, 35, 37, 40-41, 43, 46-47, 49-51 | ||
Takahashi Yuuko | 17-19, 25, 27, 35, 41 | ||
Hoshi Kimiko | 17, 25, 27, 29, 31, 33, 37, 40-41, 45, 50 | ||
Yano Miyuki | 17, 25, 27, 29, 31, 33, 37, 40-41, 45, 50-51 | ||
Ikeuchi Naoko | 19, 27, 35, 41, 47 | ||
Studio Takuranke | 25, 29, 31, 35, 37, 41, 45, 47, 51 | ||
Anime Toro Toro | 37, 41, 47 | ||
Shinoda Miyuki | 41, 47 | ||
萩原真美 | 41, 47 | ||
Colour Design Assistance (色彩設計補佐) | Kobayashi Miho | 1-51 | |
Colour Specification (色指定) | Gotou Yukari | 1, 3, 7, 11, 15, 18-19, 23, 27, 29, 31, 33, 35, 37, 39, 41, 43, 45, 47, 50-51 | |
Finishing/Clean-up (仕上げ) | MI | 1-3, 5, 7, 9, 11, 13, 15, 17-19, 21, 23, 25, 27, 29, 31, 33, 35, 37, 39, 41, 43, 45-47, 49-51 | |
Nakamura Naomi | 1, 3, 5, 7, 13, 15, 17, 19, 21, 25, 27, 29, 31, 33, 35, 37, 39, 41, 45-47, 49-51 | ||
Ishikawa Naoki | 1, 5, 11, 13, 15, 18, 23, 27, 29, 31, 33, 35, 37, 39, 41, 43, 45-47, 49, 51 | ||
Kawamura Tooru | 1, 7, 13, 19, 21, 27, 33, 41, 46, 50 | ||
Yamazaki Kumiko | 1, 7, 15, 21, 27, 33, 41, 46, 50 | ||
Yoshida Haruka | 1, 7, 15, 21, 27, 33, 41, 47 | ||
Nomaguchi Asami | 1, 7, 17, 21, 27, 33, 41, 47 | ||
Narasaki Yoshitaka | 2, 9, 17, 21, 27, 33, 41, 47, 51 | ||
Andou Ayumi | 2, 11, 17, 23, 29, 35, 41, 46, 49 | ||
Hiraide Mayumi | 5, 13, 18, 23, 29, 35, 41, 47 | ||
Katou Akemi | 5, 13, 29, 41, 49 | ||
Yamamoto Mizue | 41 | ||
Kumagai Mami | 41, 50 | ||
岡部早苗 | 41, 50 | ||
Art (美術) | Akahori Chisato | 1, 3, 5, 9, 11, 13, 17, 19, 21, 25, 27, 29, 33, 35, 37, 41, 43, 47, 49 | |
Inoue Kyou | 1, 3, 9, 11, 13, 17, 19, 21, 25, 27, 29, 33, 35, 37, 41, 43, 47, 49 | ||
Kihara Yuuji | 1, 3, 9, 11, 13, 17, 19, 21, 25, 27, 29, 33, 35, 37, 41, 43, 47, 49 | ||
Nishi Toshiki | 1, 3, 9, 11, 13, 17, 19, 21, 25, 27, 29, 33, 35, 37, 41, 43, 47, 49 | ||
Nemoto Kuniaki | 7, 9, 11, 13, 17, 19, 21, 25, 27, 29, 33, 35, 37, 41, 43, 47, 49 | ||
Hashimoto Kazuyuki | 9, 11, 13, 17, 19, 21, 25, 27, 29, 33, 35, 37, 41, 43, 47, 49 | ||
Unno Yuki | 9, 11, 13, 17, 19, 21, 25, 27, 33, 35, 41, 43, 47, 49 | ||
Nagamine Aiko | 29, 41, 43, 47, 49 | ||
Art Design Assistance (美術設定補) | Kanehira Kazushige | 1-51 | |
Background Art Processing/Scanning (背景デジタル処理) | Kawamoto Ayu | 1, 3-5, 7, 11, 13, 15, 18-19, 21, 23-25, 27, 29, 31, 33, 35, 37, 39, 41, 43, 45, 47, 49 | |
Hirata Hiroaki | 1, 3-5, 7, 13, 15, 18-19, 21, 23-25, 27, 29, 31, 33, 35, 37, 39, 41, 43, 45, 47, 49 | as 平田浩明 in ep 5 | |
Background Art Manager (背景管理) | Kusanagi | 1, 3-5, 7, 10-11, 13, 15, 18-19, 21, 23-25, 27, 29, 31, 33, 35, 37, 39, 41, 43, 45, 47, 49, 51 | Kusanagi |
Special Effects (特殊効果) | Hoshi Miyako | 1-51 | |
Kakita Yukiko | 1-51 | T2 | |
Photography (撮影) | Takahashi Tomohiro | 1-50 | |
Fukushi Susumu | 1-51 | ||
SANG JAE-YOUP | 1-51 | ||
Shitara Nozomi | 1-51 | ||
T2 Studio | 1-51 | ||
Kong Ji-Won | 24-28, 30, 32-34, 40-44 | ||
Editing Assistant (編集助手) | Takahashi Ayumu | 1-51 | Jay Film (ジェイ・フィルム) |
Film Editing (ビデオ編集) | Fujita Tetsurou | 13, 15-51 | Qtec (キュー・テック) |
Sound Work Manager (音響制作担当) | Nakashima Tomoko | 1-51 | |
Recording (録音) | Yamada Fujio | 1-51 | |
Recording Assistant (録音助手) | Tobase Enishi | 1-51 | Aoi Studio (アオイスタジオ) |
Recording Studio (録音スタジオ) | Aoi Studio | 1-51 | |
Publicity (宣伝) | Andou Hitomi | 1-51 | |
Kobatake Kimikazu | 1-51 | ||
Minami Masae | 1-51 | ||
星島裕樹 | 1-51 | ||
Design Manager (設定制作) | Anzai Takebumi | 1-51 | |
Production Desk (制作デスク) | Ogasawara Muneki | 1-51 | |
Ooyabu Yoshihiro | 1-51 | ||
Assistant Production Manager (制作進行) | 舘原真道 | 3, 11, 19, 27, 35, 41, 47 | |
Production Office Work (制作事務) | Tezuka Rie | 1-51 |
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