Papers by KALLIOPE BAIRAMI
ΔΩΔΕΚΑΝΗΣΙΑΚΑ ΧΡΟΝΙΚΑ ΚΘ, 2021
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Τέχνης ἐμπειρία Nέα Αρχαιολογικά Ευρήματα και Πορίσματα ΤΙΜΗΤΙΚΟΣ ΤΟΜΟΣ για την Καθηγήτρια Γεωργία Κοκκορού–Αλευρά, 2020
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ΣΠΟΝΔΗ ΑΦΙΕΡΩΜΑ ΣΤΗ ΜΝΗΜΗ ΤΟΥ Γ. ΔΕΣΠΙΝΗ, ΜΟΥΣΕΙΟ ΜΠΕΝΑΚΗ - 12o ΠΑΡΑΡΤΗΜΑ, 2020
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Books by KALLIOPE BAIRAMI
The Hellenistic society of the Rhodian metropolis, a naval aristocracy (Gabrielsen), dedicated br... more The Hellenistic society of the Rhodian metropolis, a naval aristocracy (Gabrielsen), dedicated bronze statues of their members in the sanctuaries and public buildings and used marble and -occasionally-lartios lithos to carve portrait-statues originally for funerary use and in a later period also for honorific purposes, figures of deities and decorative sculpture for the houses and the parks. The artists, local and itinerant, from Athens, the islands and the Asia Minor, established artistic workshops on Rhodes, some of them active for three centuries and for more than one generation. The impact of Rhodian art is evident on the islands of the Aegean and the cities of Asia Minor, due to the expansion of the Rhodian Peraia. Together with Pergamon, Rhodes emerges as a productive artistic centre of the Hellenistic era, creating statuary types and combining them with landscape elements. The radiance of its art is evident in the late Hellenistic period in Rome, the new capital of the world, where the Rhodian artists create mythological statuary groups set in grottoes.
This volume presents the large-scale Rhodian sculpture of the Hellenistic and Roman period through the publication of sixty unpublished sculptures of life size or larger than life size, together with forty-five sculptures already published. The sculptures are grouped according to their statuary type (gods, mortals and portraits), while those unable to be firmly identified due to their fragmentary condition are grouped under the category ‘uncertain identification’. The presentation of the sculptures is further supplemented by a technical description and an analysis of stylistic characteristics according to chronological development. Excavation data, wherever available, are also provided.
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Symposia, Conferences, Workshops by KALLIOPE BAIRAMI
Karia and the Dodekanese, CULTURAL INTERRELATIONS IN THE SOUTHEAST AEGEAN II Early Hellenistic to Early Byzantine Edited by BIRTE POULSEN, POUL PEDERSEN AND JOHN LUND, 2021
Karia and the Dodekanese, Vol. II, presents new research that highlights cultural interrelations ... more Karia and the Dodekanese, Vol. II, presents new research that highlights cultural interrelations and connectivity in the Southeast Aegean and western Asia Minor over a period of more than 700 years. roughout Antiquity, this region was a dynamic meeting place for eastern and western civilizations.
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A great many so-called Late Roman unguentaria have been found in Rhodes; most of them still remai... more A great many so-called Late Roman unguentaria have been found in Rhodes; most of them still remain unpublished. This preliminary report provides a brief overview of them, although their study requires more comprehensive treatment because almost half of the 130 Late Roman unguentaria found in Rhodes so far are stamped. If we reflect that of the 501 found in Sagalassos only 21 are stamped, or of Saraçhane, where only 50 out of a total of 504 are stamped, the case of Rhodes calls for greater attention, as will hopefully it will be revealed from their final study now in progress. Their presence on the island raises questions concerning their origin. It seems most likely that they were collected from various scattered workshops and sold at centers such as Ephesus. Another aspect of their function, albeit rare in Rhodes, would be the funerary one. The existence of monogrammatic stamps on some of the unguentaria has only occasionally been noticed in past research, leaving many gaps in their interpretation. The stamps relate to the manufacturer of the object, the producer of the content or the control of the whole network through state officials.
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Papers by KALLIOPE BAIRAMI
Books by KALLIOPE BAIRAMI
This volume presents the large-scale Rhodian sculpture of the Hellenistic and Roman period through the publication of sixty unpublished sculptures of life size or larger than life size, together with forty-five sculptures already published. The sculptures are grouped according to their statuary type (gods, mortals and portraits), while those unable to be firmly identified due to their fragmentary condition are grouped under the category ‘uncertain identification’. The presentation of the sculptures is further supplemented by a technical description and an analysis of stylistic characteristics according to chronological development. Excavation data, wherever available, are also provided.
Symposia, Conferences, Workshops by KALLIOPE BAIRAMI
This volume presents the large-scale Rhodian sculpture of the Hellenistic and Roman period through the publication of sixty unpublished sculptures of life size or larger than life size, together with forty-five sculptures already published. The sculptures are grouped according to their statuary type (gods, mortals and portraits), while those unable to be firmly identified due to their fragmentary condition are grouped under the category ‘uncertain identification’. The presentation of the sculptures is further supplemented by a technical description and an analysis of stylistic characteristics according to chronological development. Excavation data, wherever available, are also provided.