Do the Oscars Still Mean Anything?
Showy distraction is a key part of the awards’ DNA, but they’re also a motivator for those who make movies.
Amy Weiss-Meyer
Amy Weiss-Meyer is a senior editor at The Atlantic.
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Illustration by The Atlantic. Sources: Getty. Confronting the Unbelievable
A photograph that dramatizes the power of nature
Irina Rozovsky What Do You Do When You Realize You’re Ruining the Earth?
Lydia Kiesling’s new novel presents us with an individual who goes to great lengths to justify the harm she’s doing.
Illustration by Paul Spella / The Atlantic. Source: Getty. Judy Blume Goes All the Way
A new generation discovers the poet laureate of puberty.
Erika Larsen for The Atlantic The Story of Marion Ehrlich
Reconstructing the life of the teenager whose name appears on our December cover
The Jewish Museum Berlin, Gift of Harry Kindermann Is She a Fluke? A Token? A Trailblazer?
When women enter the frame
Science Photo Library / NASA The Power of Trump’s Magnetism in One Photo
Capturing the intensity of a crowd’s adulation
Peter van Agtmael / Magnum What Stephen Sondheim Knew About Endings
His work was strongest when it lingered in the pain of knowing that no ever after lasts long.
Douglas Elbinger / Getty ‘We Didn’t Need Money. We Needed Paper Cranes.’
After 9/11, the kids from a school near Ground Zero were briefly, weirdly, famous for their proximity to tragedy. What has this anniversary season meant to them?
Getty; Reading Rainbow / PBS; The Atlantic What New York Looked Like After 9/11
Photographs from before the smoke cleared
Eugene Richards
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