Vivaldi Four Seasons

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The Four Seasons

by Vivaldi
The Four Seasons is a set of four concertos, named after each
one of the seasons of the year.

It was written in the Baroque era.

Each concerto consists of three movements and they are very


programmatic i.e. different themes represents specific scenes
or events through sound. If you listen closely, it’s not hard to
hear a harvest-time barn dance, slippery winter ice, birds
singing, growling thunder and a sudden storm. Certain
segments of this are extremely popular and you will definitely
recognise them.

Listening list:
Spring 1st movement
Summer 3rd movement
Autumn 1st movement
Winter 2nd movement
Antonio Vivaldi
Italy
(1678-1741)
Vivaldi’s father was a violinist at St
Mark’s Cathedral in Venice.
Although he saw to it that his son
received a sound musical training, he
encouraged him to be a priest.
Antonio was ordained in 1703, and
soon became known as Il Prete Rosso
(the “Red Priest”) because of the fiery
colour of his hair.
But his church career was extremely
brief. While celebrating Mass he would
leave the alter, then return a short while
later. Some claimed that musical ideas
would come into his mind and he would
slip into the sacristy to write them down;
Vivaldi himself later explained that he
sometimes suffered from attacks of
asthma. Whatever the reason, from then
on he was barred from saying Mass so he
decided to leave the church and give all
his time to music.
He became Director of Music at the
Ospedale della Pietà. This was an
orphanage for girls – but with an
excellent choir and orchestra. The
instrumentalists were many and
varied, and it was for these
musicians that Vivaldi wrote a great
deal of his music. Many of his
compositions were concertos –
pieces for one or more solo
instruments accompanied by a
string orchestra and harpsichord.
The Concerto
We can trace the idea of the concerto back to before
1600. The seeds had been planted in the kind of
pieces Giovanni Gabrielli and other composers had
been writing for two (or more) groups of
instruments. This idea of strong opposition and
contrast led to the concerto grosso. In this, the
composer still contrasted two groups of instruments
– a small group of strings called the concertino, and
a larger group of strings called the ripieno (an Italian
word meaning “full”). Sometimes the concertino
instruments played on their own; sometimes they
were heard in combination with the ripieno group.
Solo concerto
A little later on, the idea of the solo concerto
became more usual. Here, a single solo instrument
was set against the orchestra. The idea of contrast
became sharper still. One of the most exciting
things about a solo concerto is the dramatic
contrast of one against many – the single soloist
against a full orchestra.
Solo concertos were written in three movements:
Fast – Slow – Fast
Vivaldi wrote more than 400 concertos, including
both kinds – the concerto grosso and the solo
concerto.
1 Movement from the
st

“Spring” Concerto
from the Four Seasons
The main theme
(also known as the ritornello theme)
The Baroque Orchestra:
Violin Concerto

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