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‘Tale Of The Land’: Busan Review
The ongoing battle for Indigenous lands in Borneo informs this slow-burn debut
‘MA - Cry Of Silence’: Busan Review
A young textile worker in Myanmar struggles to find her voice against a backdrop of political unrest
‘Kaneko’s Commissary’: Busan Review
Super Eight’s Ryuhei Maruyama stars in this ‘plodding’ prison drama from Japan
‘Travesty’: Busan Review
A city cop finds himself cast adrift in this pointedly political Mongolian hostage thriller
‘Pooja, Sir’: Hamburg Review
A police officer struggles to solve a kidapping case within Nepal’s disenfranchised Madhesi community
‘Uprising’: Busan Review
Busan opens with a sweeping Netflix period actioner co-written by Park Chan-wook
‘Bound In Heaven’: San Sebastian Review
Veteran screenwriter Huo Xin makes her directorial debut with a genre-infused drama about domestic abuse
’How To Make Millions Before Grandma Dies’: Review
A young man forges a fresh relationship with his ailing grandmother in this Thai box office sensation
‘Better Man’: Toronto Review
Robbie Williams gets an inventive biopic treatment by The Greatest Showman’s Michael Gracey
‘Stranger Eyes’: Venice Review
Singapore’s first film to compete at Venice is a closely-observed mystery about a child who has vanished
‘Happyend’: Venice Review
Neo Sora’s fiction debut follows a group of students in near-future Japan as they attempt to disrupt surveillance society
‘Don’t Cry, Butterfly’: Venice Review
A woman turns to the spirits to win back her philandering husband in this enigmatic Vietnamese debu
‘Phantosmia’: Venice Review
Lav Diaz explores the legacy of harm and the power of late-life redemption in his latest meditative work
‘Mistress Dispeller’: Venice Review
A ‘mistress dispeller’ seeks to break up an extramarital affair in this intimate Chinese documentary
‘Cloud’: Venice Review
The cybernet gets viciously real in Kiyoshi Kurosawa’s latest web-inspired thriller
‘Touch’: Review
Focus Features’ pandemic-set drama by Baltasar Kormákur moves between Iceland, London, and Hiroshima
‘Pierce’: Karlovy Vary Review
Two estranged brothers reconnect through fencing in this sharp Taiwan-set ’sophisticated genre piece’
‘The Imaginary’: Annecy Review
Studio Ponoc’s ’appealing, engaging’ anime for Netflix is set in the English countrysde
‘The Colours Within’: Annecy Review
Naoko Yamada’s ’strikingly-lovely’ 2D animation is centred around three high school misfits who decide to form a band
‘Ghost Cat Anzu’: Annecy Review
Manga adaptation veers wildly in tone but is always claw-cuttingly sharp