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Affective Analysis of Professional and Amateur Abstract Paintings Using Statistical Analysis and Art Theory

Published: 30 June 2015 Publication History

Abstract

When artists express their feelings through the artworks they create, it is believed that the resulting works transform into objects with “emotions” capable of conveying the artists' mood to the audience. There is little to no dispute about this belief: Regardless of the artwork, genre, time, and origin of creation, people from different backgrounds are able to read the emotional messages. This holds true even for the most abstract paintings. Could this idea be applied to machines as well? Can machines learn what makes a work of art “emotional”? In this work, we employ a state-of-the-art recognition system to learn which statistical patterns are associated with positive and negative emotions on two different datasets that comprise professional and amateur abstract artworks. Moreover, we analyze and compare two different annotation methods in order to establish the ground truth of positive and negative emotions in abstract art. Additionally, we use computer vision techniques to quantify which parts of a painting evoke positive and negative emotions. We also demonstrate how the quantification of evidence for positive and negative emotions can be used to predict which parts of a painting people prefer to focus on. This method opens new opportunities of research on why a specific painting is perceived as emotional at global and local scales.

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cover image ACM Transactions on Interactive Intelligent Systems
ACM Transactions on Interactive Intelligent Systems  Volume 5, Issue 2
Special Issue on Behavior Understanding for Arts and Entertainment (Part 1 of 2)
July 2015
144 pages
ISSN:2160-6455
EISSN:2160-6463
DOI:10.1145/2799389
Issue’s Table of Contents
Permission to make digital or hard copies of all or part of this work for personal or classroom use is granted without fee provided that copies are not made or distributed for profit or commercial advantage and that copies bear this notice and the full citation on the first page. Copyrights for components of this work owned by others than ACM must be honored. Abstracting with credit is permitted. To copy otherwise, or republish, to post on servers or to redistribute to lists, requires prior specific permission and/or a fee. Request permissions from [email protected]

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Publication History

Published: 30 June 2015
Accepted: 01 February 2015
Revised: 01 December 2014
Received: 01 April 2014
Published in TIIS Volume 5, Issue 2

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Author Tags

  1. Abstract Paintings
  2. Emotion Recognition
  3. Eye tracking
  4. Visual Art

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  • Refereed

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  • FIRB S-PATTERNS projects
  • Italian Ministry of University and Research (MIUR) through the “Active Ageing at Home”

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