Whitehouse Post’s Post

Here’s article from Hollywood reporter on the changes to this years cohort.

It’s a terrifying thought—the possibility of making a masterpiece, only to face roadblocks over rights issues. When bringing your #creative projects to life, understanding media clearances is essential! Whether it's using that perfect track in your latest #film, showcasing a well-known brand, or featuring a landmark location, obtaining the necessary permissions is vital to avoid legal setbacks. Dive into our latest #KrakenCove blog post and learn how to navigate the often-murky waters of staying in the clear. https://lnkd.in/gz7uuFnb

Media clearances—they're more than just paperwork, they're your ticket to safely showcasing your creative vision. Whether you're featuring a popular brand or capturing the perfect dramatic shot of an iconic city landmark, knowing the ins and outs of securing permissions is crucial to keeping your #videoproduction on track and avoiding costly setbacks. Our latest blog post breaks it all down, exploring what needs clearance, who to ask, and how to say please when it comes to IP. Don't miss it! #KrakenCove

The real achievement of this this blog post and article is in putting my own picture at the front -:)

I enjoy each of my roles because it requires being present. Being present as a reporter fosters storytelling. It means one is fluid and open to where the story takes you. It means having situational awareness. One variable change can alter the way one tells a story. Other times, having conversations with the interviewee takes the story in a completely different direction. Being present as a producer is a portion of the way a show comes alive. I may have a show stacked a certain way but if my guest/co-anchor and I are having a moment I want it to breathe. Being present as an anchor is essential. Once that on-air sign is lit it is go-time. And all one should do is interact & address in real-time segments, conversations & anything the control room displays in videos or graphics. Being present is part of the magic. Some of that magic is in this #BoldenBlitz: Jan. 29 - Feb. 2 #MiniDemoReel #Reporter #Anchor #Producer #Host #Broadcaster

Why does the Beckham doc have so many Emmy nominations? Yes it was nostalgic like so many retrospective pop/sports docs at the moment. But it wasn’t well made, so why noms particularly for Directing and Editing? The jump cutting. I’d be the first to admit that jump cutting in interviews has its place in digital and social content, but not in a feature documentary on a streaming platform. Shoot your coverage and shoot your cutaways! The piecing together of stories from multiple interview set ups. Now this is no doubt down to the availability of the talent and not being able to cover everything in a single sitting. But in a feature doc why not create an IV set up or style that at least has an aesthetic through line across the series. When you see David starting a story in one place, talking about it in another and finishing the story somewhere else…it’s no better than a hastily edited Talent show VT where each line of narrative sync is taken from a different interview on a different day. Really great story telling is having a total grasp of everything and nailing it…and not feeling like the producers are getting into the edit, realising they’re missing things and having to go back again. The actuality - shot on beautiful prime lenses but feeling completely staged. The primes do not allow the ability to cover conversations rapidly and naturally. I like Tim Cragg’s work in the Netflix doc Encounters though. The puff piece story telling with certain contributors just not given the right to reply to what’s being said. The industry is forcing creatives to stay in their genre/platform lanes more than ever before. Talented programme makers are being turned down because ‘they haven’t made a show for a streamer’, suggesting that there is a gold creative and editorial standard to streaming platforms. There isn’t, and total mediocrity like the Beckham doc is being rewarded by a major awards body. We are operating in a culture where everyone will humble brag the launch of something, myself included. But in the case of the EMMYS, I do not think this doc deserves this recognition and it’s OK to say why. #beckham #emmys #documentary #filmmaking #awards #netflix #directing #editing #cinematography #television #streaming #sport #sportsdocumentary

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One of the things that's so great about the kind of law I practice is working so closely with truly talented and creative people. The work, the process, the creation - my left side brain can only barely comprehend it all. Christine, congratulations on the wrap of Visionary and your work with Kraft Heinz, can't wait to see what you come up with next! #creators #creatives #director #law #entertainmentlaw

#MickeyMouse's first iteration is now available in the public domain – here's what you can and can't do with the sea-faring mouse: __________ #disney #copyright #steamboatwillie #mickey #publicdomain #theconversation #fanfiction

Buvaaz introduces the Creator Economy, a series spotlighting creator stories and struggles creators go through in Africa. Lets Go 🚀