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Netflix's latest "What We Watched" is out. CocoMelon was the top kids IP by a loooong way, followed by Little Angel. Both YouTube originated shows, with Pinkfong also ranking strongly. There's something interesting about the nature of IP formation here. Netflix have invested a lot in original kids shows, but fair to say their biggest success has come from being a follower of breakout trends on social video? Is it a problem that NFLX aren't incubating greenfield evergreen IPs? Or a benefit of scale that they can afford to cream off the most successful competitors in YouTube's cambrian content explosion? https://lnkd.in/etRYWpCm

ALIENATION: Those who are interested in how brainwashing, programming, and alienation works, I suggest watching the documentary, "Stolen Youth: Inside the Cult at Sarah Lawrence." The documentary demonstrates how adults (Ivy League graduates) could be alienated from their parents, loved ones, and society by a program of brainwashing and programming. It is a chilling reminder of the phenomenon of alienation. And these are adults ... one can only imagine what could happen to children who are victims of brainwashing and programming. Parental Alienation is no different than being in a CULT. The link to the documentary is here: https://lnkd.in/e2VJZgdH

"Not only is kids’ entertainment a powerful tool for shaping young attitudes and minds, but it can lead the way in terms of demonstrating social progression." In a recent C21 article, CEO of Incredible Film Danielle Raaphorst discusses the important influence that kids entertainment has on emotional development and the responsibility that comes with creating content for young audiences. Follow the link below for Danielle's article. Thanks Karolina Kaminska #kidscontent

Be interested, not interesting. Something I always have to remind myself. As a performer with people pleaser tendencies, I want to entertain. That’s not a bad thing, but it’s good to remember to listen 2x more than we talk. ALSO, who knew that Willard Scott was Bozo the Clown?! (For those that don’t remember, there was a time when clowns were all over kids programming and not just in our nightmares.) #realestate #commercialrealestate #realestateinvestment #realestateinvesting #clowns #entertainment

Introvert Guide : Modes of Viewers’ Migration.  The relationship between Afternoon programming and Primetime programming may exhibit an inverse relationship, a parallel relationship or a contradictory relationship. Identifying the mode of the relationship has its distinct advantage on how viewers migrate from one slot to the next or perhaps how viewers determine ratings in terms of the two varying corridors.  An inverse relationship may create a condition where gender, age and social class as factors inversely dictate the migration of viewers within succeeding corridors. Perhaps, determining the initial stratified  ratings grids and its average ratings will mirror how inverse the relationship between afternoon and primetime programs. More or less, correct reading may translate to managing viewers’ expectations and engagement as well. Philippine Television Programming used to have contradictory tone in terms of daytime and nighttime programming. Eventually, upon the advent of Latin Teleseryes, programming moved to an inverse relationship. At the moment,  what we have is a parallel relationship. Where migration is primarily dictated by age ... secondary by  gender  and lastly by social class. This kind of hierarchy is continuously moving in terms of concerns.  What is essential is to spot the red flags of this migration in order to facilitate a much more strategic programming plan and far more comprehensive development of stories as well as content generation. #Viewership #ratings #audiencemigration #engagement #creativity #branding #marketing #promotion #tvnetworks #writing #television #primetime #tvprogramming #kapuso #kapatid #kapamilya

𝗖𝗮𝘁𝗰𝗵 𝘁𝗵𝗲𝗺 𝘆𝗼𝘂𝗻𝗴, 𝘄𝗮𝘁𝗰𝗵 𝘁𝗵𝗲𝗺 𝗴𝗿𝗼𝘄, 𝗮𝗻𝗱 𝘀𝗽𝗲𝗻𝗱 𝗯𝗶𝗹𝗹𝗶𝗼𝗻𝘀 Everyone wants to market to the young, affluent, and who like to spend! There is another demographic, they are not young, don’t own any assets or spend but their needs have created IPs worth billions. I am talking about the preschoolers, they don’t own any assets or money, instead they have doting parents who will fulfil their every wish. If to remind you, the IP for Elsa and Anna in Frozen, Peppa Pig, Masha and the Bear and Bluey now run in billions. You don’t even have to look further homegrown brands like Chota Singham and Chote Bheem are worth a lot with them appearing on bottles, school bags, tv show licensing and what not. Voot Kids, which was part of Voot, probably had a dominance on programming (license deals for OTT) for this segment. There is another reason for the rise in the value of the IPS – OTT platforms. A lot of content is available on Youtube and Netflix. Both the platforms have a kid’s mode. No wonder Chu Chu Tv at the time of writing had over 900 million subscribers. Bluey and Peppa Pig interestingly are on both Netflix and Youtube. I grew up watching Mowgli in Jungle book, Duck Tales and one Potli Baba! What did you grow up watching? #kids #preschoolers #ott #youtube #netflix #peppapig #bluey #chuchutv #chotabheem #voot #chotasingham #mashaandthebear 

The Walt Disney Company has made a significant change in the status of Family Guy, once considered a flagship animated show on Fox. This move has sparked speculation about the potential cancellation of the beloved and irreverent series created by Seth MacFarlane. Since its unexpected success with The Simpsons, Fox Network has been a dominant force in animated programming across broadcast channels. Their "Animation Domination" block of Sunday programs, which includes Family Guy along with other shows like The Simpsons, Bob’s Burgers, The Great North, Krapopolis, and Grimsburg, has been a cornerstone of their lineup since 2005, with occasional breaks. While The Simpsons has consistently held a higher critical acclaim compared to Family Guy, there's no denying that at some point, the Seth MacFarlane series became a cultural phenomenon in the world of animated shows. Following the antics of the Griffin family—Peter (voiced by MacFarlane), Lois (voiced by Alex Borstein), Meg (voiced by Mila Kunis), Chris (voiced by Seth Green), Stewie (also voiced by MacFarlane), and the talking dog Brian (voiced by MacFarlane)—Family Guy has amassed a loyal following over its 22 seasons and 400+ episodes. Seth MacFarlane's success extended beyond Family Guy, with multiple series and movies to his credit including American Dad, the Ted franchise, and The Orville. Despite its established popularity, Fox has announced a significant change by moving Family Guy from its traditional Sunday slot to Wednesdays and excluding it from the upcoming fall schedule. This decision coincides with the promotion of newer series like Universal Basic Guys, which has already been approved for a second season before its debut. This move hints at Fox's strategic planning to introduce fresh content and potentially phase out older shows like Family Guy, now in its 23rd season. Fox Television Network President Michael Thorn, while acknowledging the importance of Family Guy to the network, has not indicated a reduction in episode orders for the next season. He hinted at a possible return to Sundays in the future, emphasizing a relaunch for the show's fans. Fox CEO Rob Wade attributed the change for Family Guy to modern media trends such as streaming, indicating a shift in scheduling strategies. Despite these explanations, the decision to move Family Guy from its prime Sunday spot often raises concerns about the show's future. In conclusion, while the future of Family Guy may seem uncertain amidst these changes, its history of revival after being canceled before leaves room for speculation about what's to come.

The Walt Disney Company has made a significant change in the status of Family Guy, once considered a flagship animated show on Fox. This move has sparked speculation about the potential cancellation of the beloved and irreverent series created by Seth MacFarlane. Since its unexpected success with The Simpsons, Fox Network has been a dominant force in animated programming across broadcast channels. Their "Animation Domination" block of Sunday programs, which includes Family Guy along with other shows like The Simpsons, Bob’s Burgers, The Great North, Krapopolis, and Grimsburg, has been a cornerstone of their lineup since 2005, with occasional breaks. While The Simpsons has consistently held a higher critical acclaim compared to Family Guy, there's no denying that at some point, the Seth MacFarlane series became a cultural phenomenon in the world of animated shows. Following the antics of the Griffin family—Peter (voiced by MacFarlane), Lois (voiced by Alex Borstein), Meg (voiced by Mila Kunis), Chris (voiced by Seth Green), Stewie (also voiced by MacFarlane), and the talking dog Brian (voiced by MacFarlane)—Family Guy has amassed a loyal following over its 22 seasons and 400+ episodes. Seth MacFarlane's success extended beyond Family Guy, with multiple series and movies to his credit including American Dad, the Ted franchise, and The Orville. Despite its established popularity, Fox has announced a significant change by moving Family Guy from its traditional Sunday slot to Wednesdays and excluding it from the upcoming fall schedule. This decision coincides with the promotion of newer series like Universal Basic Guys, which has already been approved for a second season before its debut. This move hints at Fox's strategic planning to introduce fresh content and potentially phase out older shows like Family Guy, now in its 23rd season. Fox Television Network President Michael Thorn, while acknowledging the importance of Family Guy to the network, has not indicated a reduction in episode orders for the next season. He hinted at a possible return to Sundays in the future, emphasizing a relaunch for the show's fans. Fox CEO Rob Wade attributed the change for Family Guy to modern media trends such as streaming, indicating a shift in scheduling strategies. Despite these explanations, the decision to move Family Guy from its prime Sunday spot often raises concerns about the show's future. In conclusion, while the future of Family Guy may seem uncertain amidst these changes, its history of revival after being canceled before leaves room for speculation about what's to come.

And which streamer hasn't bothered to highlight ANY of its Emmy winners in app? That would be Max. Not even a mention above scroll on the main page or featured programming slider. Spoiler Alert: Burying major award wins isn't good marketing, UI or retention strategy. #CaseyBloys #hbo #hbomax #max #emmys #succession #thewhitelotus #thelastofus #streamingtv #userinterface #subscriberretention https://lnkd.in/eskzCvpF

The Story of Teen Titans: How the Creators Thought It Up Delve into the creative decisions behind the ending of Teen Titans, a beloved show that left an indelible mark on its audience. Discover why the creators chose to conclude the series on their own terms, exploring themes, developing characters, and leaving a lasting legacy. Join us as we unravel the thought process behind this decision. #TeenTitansLegacy #CreatorsMindset #TVShowEndings #CreativeDecisions #CharacterDevelopment #LegacyBuilding #TVSeriesFinale #Storytelling #TeenTitansFans #EndingOnYourOwnTerms