The Artifact: A Postcard of The Germania Institute “From this hasty sketch the reader can form an idea of the size and capacity of the institute which is estimated, will cost between $12,000 and $13,000 and will not only prove an ornament to that locality but a monument to the liberality and enterprise of the society whose name it bears, and under whose auspices it is erected.” Daily Courier, May 12, 1877. Located at 1003 Lapeer, the cornerstone of the Germania Clubhouse – originally the building’s official title was the Germania Institute – was laid on July 5, 1877. Organized in 1856, according to author James C. Mills: “of all the German societies in Michigan, the Germania stands second to none in the State.” Although this was not the first or only structure constructed by the group at this location, it was the organization’s home for almost a century. The design of the Germania Institute will seem vaguely familiar for those of you who read last week’s artifact post about the East Saginaw Arbeiter Hall. Although constructed several years after the Germania Institute, the Arbeiter was designed by the same architect, Fred W. Hollister. When the Arbeiter Hall was completed, the newspaper remarked on the two buildings’ resemblance. This was almost certainly a deliberate design decision. Separated by only a couple of blocks of residences, the two structures were visual anchors in the neighborhood and were a reminder of the German American heritage of many of the district’s residents. In 1970 the Germania Club constructed a new headquarters at 2099 Wheeler. The new facility included a golf course. The 1877 building was sold and was severely damaged by a fire in 1972. A second blaze in 1973 destroyed the building completely. At its new location, the Germania continued to thrive; however, by 2010 declining membership made the club unsustainable. On January 2, 2011, The Saginaw News reported: “The 154-year-old institution ceased to exist at the stroke of midnight.” The Castle Museum’s collection includes original architectural drawings for the Germania Institute and drawings for later alterations. (Among the many items relating to the Germania in the Castle Museum’s collection are the drawings for the Germania Building, a commercial structure on the southeast corner of East Genesee and South Baum. However, that is another artifact and another story.) #ArtifactSat
The Castle Museum of Saginaw County History’s Post
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Principal Architect at Reflex Architects | Architect & Interior Designer | Specializing in residential and commercial projects
Reflecting on my recent visit to the Van Gogh exhibition through the lens of an architect 🌻 As an architect, I'm constantly inspired by the intersection of art and design, seeking creativity in all its forms. So, when I had the chance to immerse myself in the world of Vincent Van Gogh's art at a recent exhibition, I couldn't pass up the opportunity. Walking through the gallery, I found myself drawn not only to Van Gogh's mesmerizing brushstrokes but also to the architectural elements within his compositions. His use of perspective, light, and space captivated me, offering a new lens through which to appreciate his work. One particular aspect that resonated with me was Van Gogh's depiction of buildings and landscapes. Through his bold use of color and texture, he brought these architectural forms to life, infusing them with a sense of dynamism and emotion that transcends mere representation. As an architect, I couldn't help but admire Van Gogh's ability to capture the essence of his subjects with such depth and intensity. His paintings serve as a reminder of the power of design to evoke emotion and create meaningful experiences for those who inhabit or interact with our built environment. Leaving the exhibition, I felt not only inspired but also reaffirmed in my belief in the profound connection between art and architecture. Van Gogh's legacy reminds us that creativity knows no bounds and that true beauty lies in the ability to express oneself authentically, regardless of the medium. If you're an architect or design enthusiast like myself, I encourage you to seek out opportunities to explore art beyond your usual scope. You never know what new insights and inspiration you might discover along the way. #VanGogh #ArtandArchitecture #ArchitectsInspiration #ArtisticPerspective #LinkedInPost 🎨🌻
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Because Public Art is Important and we all care about it. It's a civilizing influence and common sense. #thewrap #artnews https://lnkd.in/gHB8Abhr "... poignant, ephemeral, mystical, and optically deceptive — these are just some of the words used to describe the most striking public art interventions of 2023. Visionaries like MAD Architects‘ Ma Yansong, Jim Denevan, Anish Kapoor, and el Anatsui shook up the art scene, magnifying their creative genius by transforming seemingly ordinary elements into extraordinarily poetic and show-stopping installations. Whether to celebrate the natural world, breathe new life into derelict architecture, or comment on the tragedy of human realities, each of these artworks emblematize the incredible power of manipulating scale, material, and shape to craft unforgettable masterpieces."
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#NewArticle The palace of Charles V in the Alhambra: graphic analysis of the ‘large plan’ (circa 1532) Antonio Gámiz-Gordo & Antonio-Jesús García-Ortega Around 1526, Emperor Charles V decided to build a new Renaissance palace in addition to the Nasrid palaces in the Alhambra of Granada, a monumental site currently included in the United Nations Educational, Scientific and Cultural Organisation (UNESCO) World Heritage List. In that period, a large floor plan, which is preserved today at the Library of the Royal Palace of Madrid, was drawn to represent the building and its surroundings. Although this anonymous drawing has attracted considerable historiographic interest, a study of the graphical aspects analysed here, namely, paper assemblage, drawing technique, representation system, metrology, graphical scale, dimensioning, and labelling, is lacking. To accomplish this analysis, the original document was carefully examined and digitalised with high definition. This process allowed a comprehensive graphic analysis, utilising other drawings from the same period as a comparative reference and studying for the first time the major characteristics of one of the most relevant architectural drawings of the 16th century. https://lnkd.in/gMvGD_-G
The palace of Charles V in the Alhambra: graphic analysis of the ‘large plan’ (circa 1532) - Built Heritage
built-heritage.springeropen.com
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In Andratx, Serra de Tramuntana, Mallorca, Balearic Islands, Spain, what was once the largest chicken farm in the island chain, has adapted and been repurposed into an art gallery and cultural center. The original chicken coops on the property were converted to an art gallery, studios for visiting artists, and a theater. The main house on the property, which is over 300 years old, has been recently restored to be rused again as a space for visitors to stay as well as an office to oversee everyday activities on the property. The primary structure has been refurbished with the original materials used to build the home, leaving them exposed for a stronger connection to the historic prevalence of the property. An important part of the project was recycling and reusing as much of the original structures and materials as possible. The designers were able to repurpose old furniture, original stone and glass found around the site, and repurpose it within the renovations. Historic preservation and adaptive reuse projects such as this, bring new life and meaning to historical sites while also making sure they are maintained in the long term. While redevelopment can be carbon intensive, it is significantly less damaging than new construction overall. We’re all in this together #sustainability #sustainabledesign #sustainablearchitecture #architecture #architecturaldesign #adaptivereuse #restoration #historicpreservation #recycledmaterials #recycle #design #art #artgallries #culturalspaces #design
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Experienced Education Professional Excited to Begin Contributing to an Education Department at an Informal Education Setting
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Art Deco in 9 Minutes: Why Is It The Most Popular Architectural Style? 🗽
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Born in the post-war period in the United Kingdom, the Brutalism movement was first met with skepticism but has found a new appreciation in the last decade, capturing the imagination of new designers fascinated with the interplay between striking geometric shapes and the exposed raw materials in which they are rendered. From Britain, the movement spread throughout Europe, Southeast Asia, and Africa, gathering different variations influenced by the cultural and socio-economic status of each area. In this article, we delve into the particularities that define Italy's contribution to the Brutalist movement, exploring the style through the lens of Roberto Conte and Stefano Perego. The two photographers have also published a photographic essay on the subject, taking the form of a book titled “Brutalist Italy: Concrete Architecture from the Alps to the Mediterranean Sea”. In the post-war years, Europe was in search of a new identity, based less on enthusiasm and trust in technological innovations, and instead challenging architecture’s role in society. The change in ideology attempted to address the landscape of destruction that followed two consequent world wars, moving to disassociate architecture from politics and assume a more socially conscientious role. The response was a need to scale down and create functionally sound buildings with a minimum of materials or decorations, thus favoring exposed materials and simple shapes.
Between Geometric Shapes and Raw Materials: The Case of Brutalism in Italy
archdaily.com
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"The Grand Tour: Unveiling Architectural Transcendence and Postmodern Playfulness" Journey back to the 17th and 18th centuries, a time when the Grand Tour became a Renaissance rite of passage, a gap year for the elite to traverse Europe. Aristocratic sons, accompanied by bearleaders, explored classics in situ, from Florence's Duomo to Rome's Coliseum, not just for education but for a transformative coming-of-age experience. Amidst stereotypes and debauchery, the Grand Tourers interacted with Europeans, encountering bold women and expanding cultural horizons. Jonathan Richardson's detailed accounts epitomize the cultural exchange, capturing the essence of marble sculptures and paintings. Returning with newfound cultural wealth, these Grand Tourers influenced British culture. Inigo Jones, inspired by European travels, designed iconic British landmarks, fostering Neo-classicism—a prolific architectural style. The Grand Tour's impact on classical architecture transcended borders, influencing landmarks like the United States Capitol Building. Fast forward to the 1970s, Postmodernism emerged as a colorful reaction to Modernism's elitism. Venturi's call for embracing architectural ambiguities and the ordinary influenced this movement. Postmodernism, marked by historical allusions and whimsy, challenged the architectural norm. The UK's response to the classical realm evolved, with Edward Lutyens introducing a unique English classicism. While Modernism and Postmodernism battled, the 1980s witnessed a shift to digital representation, exploring geometry's essence. However, architecture grappled with an identity crisis amid economic agendas and climate change concerns. In this complex narrative, the classical realm, whether European or English, becomes a battleground for establishing our imaginative existence. As we navigate the architectural cosmos, the question lingers: Are we taunting the ancient world or unveiling the profound meaning embedded in our creative journey? #GrandTourLegacy #PostmodernPlayfulness #ArchitecturalEvolution #CulturalInfluence #ClassicalArchitecture #ArchitecturalIdentity
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Artist Specializing in Large-Scale Architecturally-Integrated Art Installations | Transforming Spaces with Art | Partnering with Architects, Developers, and Public Art Administrators
* Proposed Project* Blossom @gordonhuether – University of Rhode Island Fine Arts Center - | Kingston, RI | Laser-Cut Powder-Coated Metal Panels, Dichroic Glass | 14–15'H x 18'W Concept: Blossom takes its name from the form of the work and the metaphor of the blossoming of the creative spirit of artists. The design is meant to provide a respite from the stresses of academic pursuits and a transitional space that will bring students out of their classrooms and studios to the campus beyond. The artwork creates a space for casual gatherings and collaborative study. In addition, the design was inspired by the ‘theater in the round,’ evoking theaters of the ancient Greeks and Romans, and a contemporary theater arrangement where the audience can be fully engaged with the performance. Blossom is a gentle response to the strong architectural forms of the center while its materials of glass and cut steel provide an introduction to the light filled foyer of the new construction. Blossom is also inspired by organic and natural forms. With its eight soaring ‘petals’ grouped to form a circle, the reference to a floral form is clear. The resulting internal space is both sheltered and accessible. The selected materials for Blossom respond to both natural and artificial light sources, so that it remains an activated space throughout the day and night. Four of the petals will have panels of dichroic glass and four will be fabricated with laser-cut metal panels. Dichroic glass is a multi-colored glass that has reflective properties, creating a kaleidoscope reflection of colors when it is hit with light and viewed from different angles. Laser-cut metal has infinite possibilities. Patterns and shapes, whether representational or abstract, can communicate stories, symbols and themes. These patterns will create a symphony of shadow, constantly transforming under qualities of seasonal light and times of day. Blossom is meant to draw the community to meet friends and study or simply enjoy the light and shadows that will fill across the space. https://lnkd.in/gBXK9--4
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