SugaringLA is coming to the greater Kansas City!
We're excited that sugaringLA's elevated hair removal solution is coming to the community of Town Center and Leawood, Kansas. SugaringLA offers an all-natural, organic sugaring method that is set to transform the beauty industry, and we're thrilled to have this new addition be part of the movement.🌿✨
Learn more about sugaringLA's unique approach to hair removal and how you can be part of this exciting franchise opportunity: https://bit.ly/49ol4ry 🔗
My last podcast I talked about the latest issue about Aldi, which I love. Even though I have spent fifty years in restaurants. I have had experience in Local food and grocery stores. The important fact is there are parallels in Grocery and they are become masters of many types of food service. Very important to find and sign up for this trade journal. Michael Kinney owner of Savory Advisor podcast!
From Day One, Pigtails & Crewcuts, the 80-plus-unit kids salon franchise that offers quality haircuts for boys and girls aged zero to 12, provides unparalleled support for its franchisees. New salon owners have direct access to a Franchise Support Specialist (FSS) team, who are there to provide personalized guidance through the pre-launch phase to the grand opening and beyond. The team harnesses over 75 years of collective expertise to guide franchisees through every aspect of this business, including training, quality assurance, day-to-day operational support, marketing plans and financial performances, budgets, and KPIs.
“Our team prides themselves on the support process and always being readily available for any questions,” said Morgan Saimeri, Operations Support Coordinator for Pigtails & Crewcuts. “We’re great at holding their hand throughout the process, making it less nerve-wracking or overwhelming for first-time franchisees.”
To learn more about our unmatched support and our outstanding team, please visit the link below to read the full article!
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#pigtailsandcrewcuts#haircutsforkids#franchisesupport
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https://lnkd.in/eiveCS-B
It has been awhile since I have posted and today I have some news to share with you.
I'm thrilled to introduce you to Gilly, the adorable mascot of my newly rebranded business, GoGilly Sales! After much deliberation and the wise counsel of a seasoned marketing professional, I've realized the importance of an active LinkedIn presence. And what better way to kick things off than with the help of my trusty companion?
Gilly embodies the spirit of GoGilly Sales: approachable, energetic, and always ready to help and eat treats. As the face of our brand, Gilly will accompany us on our journey to provide exceptional sales solutions tailored to your unique business needs.
Follow our LinkedIn page to stay updated on our latest offerings, industry insights, and a sprinkle of Gilly's charm. Together, we're committed to empowering businesses with the tools they need to succeed.
#GoGillySales#SalesMascot#BrandMascot#MarketingRebranding#promotionalproducts#womenownedbusiness#smallbusiness#shoplocal
Helping companies stand out with Print, Branded Merch and Apparel Solutions; Certified Professional "ORS": Oddball Request Specialist, with a strong Healthcare Background
New Episode on The Art of Franchise Marketing with host, Madeleine Zook and President of The DRIPBaR, Kory Angelin. Kory specializes in guiding individuals to comprehend that success is rooted in delivering exceptional customer experiences, equipping them to coach and educate others at an elevated level.
Discover the crucial aspects of a successful wellness franchise, including aligning expectations, establishing clear sales processes, and nurturing a unified culture here: https://lnkd.in/epNawta5
It's pretty incredible this franchise, despite its fits and starts, has continued since 2011. I'm personally a fan of the technical development that went into #MoCap, though a lot of the first film or two, relied heavily on that as backup. A lot of it ultimately had to be done by hand.
MoCap is not a salvo to get 100% I/O, there are always animators finessing the MoCap data. Simply put, it was not an easy thing to do: recalibrate human anatomy and movement (despite training to move like various species), to creatures of various sizes and capability of movement that isn't really possible for humans to execute.
That doesn't diminish the incredible looking work, and I hope the franchise lands not only on some strong footing, but also has the guts to move away from becoming too predictable.
Don't simply modify the originals with digital apes as opposed to prosthetics (despite the one by #TimBurton going all out with #RickBaker, giving it his absolute all, 23 years ago!), the world has moved on considerably since Charlton Heston was shouting at apes in 1968.
It would be unwise to just "port" something out of complete laziness, because it will fail to resonate with audiences some 60 years later. It's not as if that content hasn't been available for home viewing decades. It's also a very different world that should have a subsequently appropriate change of trajectory.
It's pretty incredible this franchise, despite its fits and starts, has continued since 2011. I'm personally a fan of the technical development that went into #MoCap, though a lot of the first film or two, relied heavily on that as backup. A lot of it ultimately had to be done by hand.
MoCap is not a salvo to get 100% I/O, there are always animators finessing the MoCap data. Simply put, it was not an easy thing to do: recalibrate human anatomy and movement (despite training to move like various species), to creatures of various sizes and capability of movement that isn't really possible for humans to execute.
That doesn't diminish the incredible looking work, and I hope the franchise lands not only on some strong footing, but also has the guts to move away from becoming too predictable.
Don't simply modify the originals with digital apes as opposed to prosthetics (despite the one by #TimBurton going all out with #RickBaker, giving it his absolute all, 23 years ago!), the world has moved on considerably since Charlton Heston was shouting at apes in 1968.
It would be unwise to just "port" something out of complete laziness, because it will fail to resonate with audiences some 60 years later. It's not as if that content hasn't been available for home viewing decades. It's also a very different world that should have a subsequently appropriate change of trajectory.
New Episode on The Art of Franchise Marketing with host, Madeleine Zook and President of The DRIPBaR, Kory Angelin. Kory specializes in guiding individuals to comprehend that success is rooted in delivering exceptional customer experiences, equipping them to coach and educate others at an elevated level.
Discover the crucial aspects of a successful wellness franchise, including aligning expectations, establishing clear sales processes, and nurturing a unified culture here: https://lnkd.in/epNawta5
It's pretty incredible this franchise, despite its fits and starts, has continued since 2011. I'm personally a fan of the technical development that went into #MoCap, though a lot of the first film or two, relied heavily on that as backup. A lot of it ultimately had to be done by hand.
MoCap is not a salvo to get 100% I/O, there are always animators finessing the MoCap data. Simply put, it was not an easy thing to do: recalibrate human anatomy and movement (despite training to move like various species), to creatures of various sizes and capability of movement that isn't really possible for humans to execute.
That doesn't diminish the incredible looking work, and I hope the franchise lands not only on some strong footing, but also has the guts to move away from becoming too predictable.
Don't simply modify the originals with digital apes as opposed to prosthetics (despite the one by #TimBurton going all out with #RickBaker, giving it his absolute all, 23 years ago!), the world has moved on considerably since Charlton Heston was shouting at apes in 1968.
It would be unwise to just "port" something out of complete laziness, because it will fail to resonate with audiences some 60 years later. It's not as if that content hasn't been available for home viewing decades. It's also a very different world that should have a subsequently appropriate change of trajectory.
