VFX supervisor Leo Costa joins Coffee & TV London With a 20-year career spanning commercial, episodic and feature projects, Costa has held longstanding roles at The Mill, MPC, Framestore and others. More here: https://lnkd.in/ehqSQNjp
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Just in Comscore, Inc.! #DeadpoolAndWolverine surpasses $1Bn at the global box office, becoming the 31st film from Disney Studios (including 3 Fox films pre-acquisition) and the 11th title in the Marvel Studios Cinematic Universe (including 2 for Sony) to reach this milestone. • With Pixar Animation Studios' #insideout2 and #deadpoolmovie, The Walt Disney Company now has the top 2 movies of the year and back-to-back $1Bn hits, the only studio ever to release back-to-back $1B films in a given year. • Disney is home to more than half of all $1Bn+ movies ever released (31 out of 55 - 28 Disney releases plus 3 Fox films pre-acquisition). • Marvel Studios is responsible for more $1Bn+ films than any studio outside of The Walt Disney Studios itself. Comscore Movies
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They say the best VFX work, is the work you never even notice. Take this still, for instance—no VFX, right? Check out the ORIGINAL shot in my comments, and see for yourself 💁🏻♀️ From erasing imperfections to enhancing atmospheres, there's usually a team you never even think about, (working tirelessly in dark rooms 🙏🏻 ), to create the perfect visuals in your favourite Films, TV shows & Commercials - without you even realising it. So if your visuals aren't quite hitting the spot - Maybe you just need a bit of Black (Lab Films) Magic, from our very own dark room specialists ✨ 🎬 Black Lab Films - Pre, Shoot & Post Services #InvisibleVFX #BehindTheMagic #PostProduction
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Founder at @Mumbai-Miracle-films Filmmaker | Writer | Social Media Growth | Brand Collaboration | Video Production | Advertising Campaigns
🎬📺 Evolution of Cinema, OTT Films, Cinema Hall 🎥🍿 🌟 🎬 While the accessibility and diversity of OTT films have undoubtedly enriched our cinematic experiences, it's essential to acknowledge the profound impact this shift has had on the traditional cinema-going experience. Gone are the days of eagerly anticipating the latest release at the local cinema hall, surrounded by fellow movie buffs and immersed in the magic of the big screen. 🌟🎬 As OTT platforms continue to gain momentum, drawing audiences away from cinema halls, the dynamics of the film industry are undergoing a significant transformation. The allure of instant gratification, coupled with the ability to tailor viewing experiences to individual preferences, has inevitably led to a decline in foot traffic at traditional theatres. 🌟🎬 However, amidst the changing landscape, it's crucial to recognize the enduring charm and irreplaceable allure of the cinema hall experience. The communal aspect of watching a film on the big screen, the immersive sound and visuals, and the sense of anticipation and excitement that fills the air – these are elements that simply cannot be replicated in the confines of our living rooms. Lights, camera, action no matter where we watch, let's keep the magic of cinema alive! 🌟🎥 #Cinema #OTT #FilmIndustry #MovieMagic #Streaming #FilmConsumption #CinemaExperience #Storytelling #EntertainmentIndustry #FilmLovers
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For me, this one kind of came out of nowhere. But after a little research, seems this is one of those projects that survived the proverbial ‘development hell.’ 2003 - Original novel released. Late 2000s - Cartoon Network tries to do as a live-action/CG hybrid. Never happened. 2019 - Paramount acquires rights to make animated feature, Carlos Baena (an animation veteran of ILM and Pixar, but someone who never directed a full big budget feature) attached to direct. Mikros Animation locked as the production studio. 2020 - Baena replaced with Raman Hui (Monster Hunt, Monster Hunt 2 live-action director, and long time animation director who worked on everything from Antz, to Shrek (1 & 2) to the original Puss in Boots. 2020-2023 (?) Film completes somewhere during these three years, but the theatrical release is cancelled due to COVID-19. Jan. 16th, 2024 - 2 weeks before the Feb. 2nd release, Paramount drops the first trailer for a streaming release on Paramount+. Having said that, I’m impressed by the superstar mostly-Asian cast (Henry Golding, Lucy Liu, Sandra Oh, Michelle Yeoh, Bowen Yang, and Elemental’s Leah Lewis to name a few). But, there’s also a certain generic flavor to this that seems a result of older material that’s gone through too many sets of notes, revisions, and creative compromises with what-must-have-been a less-than-Pixar-or-Disney-level production budget. As always, I want projects to succeed. But, the last minute trailer and lack of more extensive marketing does worry me a bit. And if I may offer my personal opinion, the whole ‘Let’s put the hero on the poster with headphones and a skateboard’ seems a little pandering. Has anyone else heard about this one? Am I being too harsh? Thoughts? #animation #cartoons
The Tiger's Apprentice | Official Trailer | Paramount+
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Director & Producer specializing in Concept Development, Writing, Creative Strategy for Marketing & Entertainment | Comedy, Documentary, Promotions
Cinematic productions with stunts and visual effects? Check. Simple, no-frills videos that deliver the message? Also check. Versatility is my superpower — it’s how to keep things fresh, fun, and unforgettable every time. Check out this theater ad for Deadliest Catch, filmed at Warner Bros Studios. https://lnkd.in/gAsugskz Betcha thought we were really in the ocean, huh? #VideoProduction #CreativeMarketing #CreativeDirection #ScriptWriting #CreativeConcept #VideoDirection
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Did you know that even though Barbie made more money at the box office, more people went to see The Super Mario Bros. Movie? Find out why in our comprehensive analysis of moviegoers that analyzes 2023 movie ticket sales based on MPAA rating, box office ranking, audience composition, and more! "While 2023 was a challenging year for the cinema industry, considering the more-than-100-day strike by the Writers Guild and Screen Actors Guild impacting release calendars, the year ended on a good note, with 23% more people going to the movies than the previous year..." Click below to read more. #cinema #barbenheimer #movies #consumerbehaviour #dataanalysis #movietheater #admissions #analysis
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We shared one of our two TV commercials for Together recently but did you notice the CGI? We made this little CGI behind-the-scenes to highlight the VFX work we undertook along with full production. View the full project here 👇 https://lnkd.in/evkF7m3v #CGI #VisualEffects #VFX #FilmMaking #VisualEffects 🎥 A Studio Hansa project __________________________________
Studio Hansa opens doors with Together - CGI
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Hello everyone! Discover why Hollywood's VFX quality outperforms Indian VFX in our latest video. We explore the crucial factors such as budget allocations, the storied history of Hollywood's VFX industry, and the disparity in facilities. Join us for an insightful analysis into the world of visual effects and film production. Link:https://lnkd.in/gw_WdU7Y #HollywoodVFX #IndianVFX #VFXIndustry #FilmProduction #VisualEffects #BudgetImpact #IndustryAnalysis"
Why HOLLYWOOD is better than INDIAN VFX?
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MARTIN GROVE'S HOLLYWOOD REPORT FOR 7/7/24: It was all about ME over the long July 4th weekend as moviegoers spent $122M+ to see DESPICABLE ME 4. Hollywood's summer boxoffice recovery is now so undeniably clear that a local newspaper that was quick to pronounce the film business dead a month ago just advised readers that movies aren't dead anymore! Driven by Universal/Illumination Entertainment's DM4, the weekend marketplace totaled $156.5M, per Comscore Senior Media Analyst Paul Dergarabedian, up 1.1% from the prior weekend and up 18% vs. this time last year. Comscore's year to date tally has 2024 at $3.903B, down 17% from $4.697B in 2023. The previous weekend, 2024 was down 19% vs. 2023. Meanwhile, back at the multiplexes: The PG animated DM4 was a big lure for families over the holiday weekend. For many people in heat wave cities, air conditioned movie theatres were also a great way to beat the heat. The $122.6M they spent seeing DM4 over five days ($75M for three days) put it in first place at 4,428 theatres ($16,938). Hollywood handicappers started out expecting $120M for five days, but pulled that back to $112.5M as the long weekend began and then returned to $120M by Saturday. Internationally, DM4 did $107M in 73 territories, bringing its worldwide cume to $229.6M. DM4 should be nicely profitable for Universal/Illumination given that its budget was reportedly just $100M -- about half of what other studios' animated movies are costing these days. Although Rotten Tomatoes critics hate it at 54%, that clearly doesn't matter. What counts is that audiences are laughing at 90%. DM4's tracking best with women under 25 (14 points over norm) and next best with men under 25 (12 points over norm). Disney/Pixar's INSIDE OUT 2 was #2 in weekend four with $30M for three days (-48%) at 3,760 theatres ($7,979). IO2, which reportedly cost $200M to produce, has grossed a wildly successful $533.8M domestic and $1.217B worldwide Paramount/Platinum Dunes' PG-13 horror prequel A QUIET PLACE: DAY ONE was third in weekend two with $21M for three days (-60%) at 3,688 theatres ($5,694). ONE, which reportedly cost $70M, has done $94.4M domestic and $178.2M worldwide. Lionsgate/Roadside Attractions' R rated violent Indian action crime drama KILL opened dead in 16th place to $384K for three days ($550K for four days) at 827 theatres ($465). RT critics are an enthusiastic 89% and audiences are okay at 85%. It's tracking below norm for all demos. As for next weekend: Sony/Apple Studios' PG-13 rom-com FLY ME TO THE MOON, starring Scarlett Johansson, is the coming weekend's only new wide studio opening. It's arriving at about 3,000 theatres and is tracking below norm for all demos. No RT scores yet. Johansson plays a marketing pro hired to stage a back-up fake Moon landing when the White House says NASA's mission is too important to fail. (See more at www.ZAMM.com) #movies #boxoffice #martingrove #despicableme4
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My love for cinema started since childhood. Today is a great achievement for graduating with a diploma in advanced compositing for TV broadcast from Proline Film Academy.
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