Roc Nation’s Post

Absolutely love the creativity behind this campaign! The strategic placement of the Deadpool & Wolverine billboard right next to Heinz's Ketchup & Mustard ad is nothing short of genius.  It’s a perfect example of how clever visual storytelling and context can create a memorable, impactful marketing moment. This kind of innovation doesn’t just grab attention it makes the brand unforgettable. As a Digital Marketing Executive, this is the kind of creative thinking that excites me and drives successful campaigns. Kudos to the team that pulled this off! #MarketingMagic #CreativeGenius #BrandStrategy

This is marketing genius at its best! 😂 When pop culture meets clever brand positioning, you get something like this. Heinz nailed it by leveraging the iconic pairing of ketchup and mustard with the dynamic duo from the Deadpool franchise. Not only does this create a memorable connection between the products and the movie, but it also highlights the power of contextual advertising. It’s a reminder that the best marketing often comes from understanding your audience's cultural touchpoints and turning them into something fun, relatable, and engaging. #Marketing #Branding #ContextualAdvertising #PopCulture #CreativeMarketing

Go check out my billboard! #ellerudisilllawfirm

Learn one key creative tip from a billboard topping musician. It's me. He wants you to hire me. Montell Jordan was on the top of charts forts 7 consecutive weeks with his song "This is how we do it." And getting Montell to be my wing man is how I do it. #artdirection #creative #advertising

New Post: Linkin Park Debuts at No. 1 on Rock & Alternative Airplay Chart With ‘Friendly Fire’ - https://lnkd.in/gjyEpn-U - The fifth No. 1 debut in the history of Billboard’s Rock & Alternative Airplay chart belongs to Linkin Park, whose “Friendly Fire” premieres atop the March 9-dated tally. “Friendly Fire” bows with 7.9 million radio audience impressions earned Feb. 23-29, according to Luminate. The last song to debut at No. 1? Linkin Park’s “Lost,” which started atop the Feb. 25, 2023-dated survey. In fact, Linkin Park owns three of the five No. 1 debuts since the ranking began in 2009. The group notched the first when “The Catalyst” debuted atop the Aug. 21, 2010, list. The other No. 1 starts belong to Foo Fighters’ “Rope” (March 12, 2011) and Green Day’s “Oh Love” (Aug. 4, 2012). Linkin Park now boasts five No. 1s on Rock & Alternative Airplay, tying The Black Keys and Imagine Dragons for the fifth-most in the chart’s history. Foo Fighters lead all acts with 11. Most No. 1s, Rock & Alternative Airplay 11, Foo Fighters 7, Green Day 6, Cage the Elephant 6, twenty one pilots 5, The Black Keys 5, Imagine Dragons 5, Linkin Park 4, Red Hot Chili Peppers 3, Weezer Linkin Park’s other Rock & Alternative Airplay No. 1s are “New Divide” in 2009 and “Burn It Down” in 2012, both of which debuted at No. 2. Concurrently, “Friendly Fire” launches at No. 8 on Mainstream Rock Airplay and at No. 9 on Alternative Airplay. It’s the band’s 19th top 10 on each tally. On the latter, Linkin Park pulls into sole possession of the sixth-most top 10s in the chart’s 35-year history. Foo Fighters lead with 30. Most Top 10s, Alternative Airplay 30, Foo Fighters 28, Red Hot Chili Peppers 26, Green Day 23, U2 21, Weezer 20, Pearl Jam 19, Linkin Park 18, Pearl Jam 17, Muse 17, The Smashing Pumpkins As “Friendly Fire” was released Feb. 23, the song is also expected to appear on the multimetric Hot Rock & Alternative Songs ranking via its first-week streams and sales, in addition to its radio airplay. All Billboard charts dated March 9 will update on Billboard.com on Tuesday, March 5. “Friendly Fire” was originally recording during sessions for One More Light, Linkin Park’s 2017 final studio album, before the death of frontman Chester Bennington that year. The song will be on Papercuts, the band’s singles collection spanning its career, due April 12. - #news #business #world -------------------------------------------------- Download: Stupid Simple CMS - https://lnkd.in/g4y9XFgR -------------------------------------------------- or download at SourceForge - https://lnkd.in/gNqB7dnp

Was reflecting on the total eclipse yesterday and it instantly reminded me of the amazing Jaffa Cakes advert from 1999 (the year Vivid was founded!) Yes, it was a TV ad - but today it would be equally at home on Instagram and TikTok - it's only the medium that has changed and great ideas live on. I wonder how much of todays content will stand the test of time? Or does it not need to in an instant gratification led society? What are your thoughts? #digitalmarketing #advertising #brand #socialmedia https://lnkd.in/eYJJfmhu

New Post: Sum 41 Ends Record Break Between No. 1s on Alternative Airplay Chart With ‘Landmines’ - https://lnkd.in/g9NMvAyp - After more than two decades away, Sum 41 is back at No. 1 on Billboard’s Alternative Airplay chart, as “Landmines” crowns the tally dated March 9. It’s Sum 41’s second Alternative Airplay ruler, after “Fat Lip” reigned for a week in August 2001. That break of 22 years, five months and three weeks between No. 1s is by far the longest in the chart’s 35-year history, surpassing the 13 years and six months that The Killers waited between “When You Were Young” in October 2006 and “Caution” in April 2020. In between “Fat Lip” and “Landmines,” the Deryck Whibley-fronted Sum 41 charted nine Alternative Airplay titles, paced by the No. 7-peaking “Still Waiting” in 2003, with a pair of additional top 10s in “In Too Deep” (No. 10, 2001) and “We’re All to Blame” (No. 10, 2004). Upon its debut in October, “Landmines” marked Sum 41’s first appearance since “Screaming Bloody Murder,” which reached No. 37 in 2011. “Landmines” takes over No. 1 on Alternative Airplay from Blink-182‘s “One More Time,” which sported a 20-week run atop the chart, tying it with Portugal. The Man‘s “Feel It Still” for the most weeks at No. 1 in the chart’s history. Concurrently, “Landmines” lifts 40-37 in its second week on Mainstream Rock Airplay. On the all-rock-format, audience-based Rock & Alternative Airplay chart, it rises 6-5 with 4.8 million audience impressions, up 11%, Feb. 23-29, according to Luminate. It’s Sum 41’s top-performing song on the ranking, which began in 2009, having surpassed the No. 46 showing for “Out for Blood” in 2019. “Landmines” is the lead single from Heaven :x: Hell, Sum 41’s eighth studio album and first since 2019’s Order in Decline, due March 29. It’s billed as the band’s final release, as the group, which formed in Ontario in 1996, plans to disband following a final tour supporting the LP. All Billboard charts dated March 9 will update on Billboard.com Tuesday, March 5. - #news #business #world -------------------------------------------------- Download: Stupid Simple CMS - https://lnkd.in/g4y9XFgR -------------------------------------------------- or download at SourceForge - https://lnkd.in/gNqB7dnp

New Post: Drake Extends One of His Most Impressive Hot 100 Records - https://lnkd.in/gQWnW9eM - Drake holds numerous records on the Billboard Hot 100, including most top five, top 10, top 20 and top 40 hits. In addition to that, he extends his record this week for the most songs to reach the Hot 100 in the 66-year history of the chart. “No Face” and “Circadian Rhythm” debut at Nos. 60 and 69, respectively, becoming his 337th and 338th career entries. Here’s an updated look at the artists with the most Hot 100 entries (through the chart dated Sept. 14): 338, Drake 264, Taylor Swift 207, Glee cast 200, Future 186, Lil Wayne 161, Kanye West 148, Nicki Minaj 141, Lil Baby 118, Chris Brown 118, Travis Scott 112, Eminem “Circadian Rhythm” appears on Drake’s new project 100 Gigs, which he released last month. The two other songs on the release, “It’s Up” with 21 Savage and Young Thug, and “Housekeeping Knows,” featuring Latto, debuted and peaked at Nos. 28 and 85 three weeks ago. Another track from the set, “Blue Green Red,” reached No. 63 three weeks ago, but has since been removed from streaming services. How has Drake been able to chart an incredible 338 total songs on the Hot 100 in his career? That’s, of course, largely due to streaming. Billboard began incorporating streaming figures toward the Hot 100 in 2007. Spotify was then added to the equation in 2012, and YouTube was added in 2013. Before streaming, acts generally promoted one single at a time on radio, while also working the physical-only marketplace. Since Drake is so massive — and since his career rise largely coincided with these changes — he’s been able to drop 20-song albums and chart all of its songs at the same time. Other artists such as Taylor Swift, Morgan Wallen and Bad Bunny have also benefited. Wallen, in fact, holds the all-time record for the most songs to chart on the Hot 100 in a single week, with 36 on March 18, 2023 (after releasing One Thing at a Time). Drake held the record before him, with 27 on July 14, 2018. - #news #business #world #jobs #school #passion

When something evokes memories, you know it's special. This billboard takes me back in time. At the same time, it conveys the essence of the show - pure magic! Props to Rhubarb and OUTFRONT Media for this playful installation. #oohadvertising #creativeadvertising #advertisingandmarketing

New Post: Four Oscar Telecasts Have Won Emmys as the Year’s Best Variety Program: Here’s What Happened on Those Shows - https://lnkd.in/g_T9AGuF - The Oscars have been televised every year since 1953, but only four times has the show received a Primetime Emmy as the year’s best variety program. It first happened in 1979, and again in 1988, 1991 and 2024. The name of category has changed over the years, but the intent has not — to honor the year’s best music/variety program. The hosts of these four shows were, respectively, Johnny Carson, Chevy Chase, Billy Crystal and Jimmy Kimmel. Carson, Crystal and Kimmel are high on the list of the greatest Oscar hosts of all time, which is not incidental to the fact that these shows won. Music plays a big part in the Oscars — and all four of these winning programs featured memorable musical performances. The 1979 show featured three of the very hottest stars in pop music at the time: Donna Summer, Olivia Newton-John and Barry Manilow. The 1988 show featured Bill Medley & Jennifer Warnes, Little Richard and the unlikely teaming of Starship and Gloria Estefan. The 1991 show featured Madonna, Reba McEntire and Jon Bon Jovi. The 2024 show featured two performances from Barbie. Billie Eilish and Finneas performed “What Was I Made For?,” which won the Oscar for best original song. Ryan Gosling and Mark Ronson headlined an elaborate production number of “I’m Just Ken,” which stole the show. We’ve prepared this list showing highlights of these four winning programs. One sad note: We can track the show’s declining ratings over the years. The first three shows here all drew more than 40 million viewers in the U.S., but the number had plummeted to 19.5 million viewers for the 2024 show as younger viewers stopped watching four-hour award shows, deciding the best parts will be everywhere and who cares about the rest? I see the logic, but that doesn’t mean I like it. These are the Oscars. Respect must be paid! Here, let’s take a closer look at these four winning programs. - #news #business #world #jobs #school #passion