Though she is little known today, Janet Scudder (1869-1940) was one of the most famous American sculptors of her time. Her work was exhibited in numerous World’s Fairs and solo exhibitions, and is still on display at dozens of museums and historic houses including the Metropolitan Museum of Art and Kykuit. Scudder worked tirelessly to break down barriers for women, both in the arts and in public life. As more women entered the arts profession, she advocated for an end to exhibitions segregated by sex. She joined the Paris-based feminist thinkers circle that included Gertrude Stein, Alice B. Toklas, and children’s author Marion B Cochren, who became Scudder’s partner during the last decade of her life. Scudder was also an active member of the Women’s Suffrage movement. In 1912, Scudder completed a bronze statue of Pan, the Greek god of the wild. In ancient Greece, holy sites dedicated to Pan were rarely man-made temples but natural caves. Pan’s installation at Kykuit followed that tradition. “We stood a long time before the rustic grotto where my seated Pan appeared very happily installed,“ Scutter recalled in her 1925 autobiography. “In fact, he looked as though he had been there for ages.” Photo 1: Janet Scudder, Pan, 1912, bronze. Photo by Larry Lederman, 2015 Photo 2: Janet Scudder, ca. 1910-15, Bain News Service. Image courtesy Library of Congress Photo 3: Pan fountain at Kykuit, 2007 #SculpturesofPocantico #Pocantico #Kykuit #westchestercounty #JanetScudder
Rockefeller Brothers Fund’s Post
More Relevant Posts
-
Recent findings from Art UK shed light on shifting trends in public sculpture. In 2023, more living individuals were commemorated than deceased ones, marking a significant departure from previous years. This shift, driven by a desire to celebrate diversity, underscores the evolving landscape of public art. However, amidst this progress, challenges persist. The dominance of statues portraying white men remains prevalent, reflecting deep-seated historical imbalances. Moreover, while there has been a commendable increase in the depiction of black individuals, the representation of other ethnic minorities lags behind. Read more about these findings here: https://lnkd.in/e_iGD5vF #ArtisticExpression #DiversityMatters #PublicSculpture
To view or add a comment, sign in
-
It's a positive shift to see more living individuals being commemorated in public sculptures. It's great to celebrate diversity and give recognition to talents that have been overlooked, especially among black men and women whose stories often go untold. Yet, as Art UK points out, the imbalance remains, with most public sculptures still depicting white men. It's an important reminder of the ongoing need to tackle historical inequalities and ensure the world around us reflects everyone's contributions. https://lnkd.in/dz-x4BgX.
More living than dead people on statues and sculptures in 2023
bbc.co.uk
To view or add a comment, sign in
-
NEW BLOG: From giant pigeons in NYC to what really symbolizes Dallas, this post dives into quirky headlines and creative ideas for city sculptures. 🏙️ #Dallas #CityLife #NewBlogPost
Making Headlines - The Big Gay Architect
https://thebiggayarchitect.com
To view or add a comment, sign in
-
cultural strategist and creator of international partnerships in the arts, fundraiser, advocate for women in art and tech
Highly recommended to read
A real team effort, fresh off the press. 17 essays to better understand the central role women gallerists played in the creation of markets for modern art from 1940 to 1990. From South Africa to Sweden, from Naples to Lisbon, from Los Angeles to Paris, Rome and Venice via New York, we hope you enjoy meeting 17 women who committed their professional lives to the support of the art of their time. #caterinatoschi #bloomsburypublishing #womenartdealers #artmarketstudies #modernart #femmesmarchandesdart #edithhalpert #simonekahncollinet #nellyvondoesburg #peggyguggenheim #berthaschaefer #gabriellacardozo #agneswidlund #konstsalongensamlaren #galeriegmurzynska #galleriadelcavallino #zabriskiegallery #lindagivon #goodmangallery #mizunogallery #clairecopley #margoleavingallery #maryboone #irenebrin #obeliscogallery #topaziaalliata #mariacoccia #ethelinerosa #liarumma #dulcedagro
To view or add a comment, sign in
-
From Charmaine’s Zone, Black Maple Magazine Selected Publication: “she carried with her…a large bundle of wearing apparel belonging to herself”: Slave Dress as Resistance in Portraiture and Fugitive Slave Advertisements This companion is the first global, comprehensive text to explicate, theorize, and propose decolonial methodologies for art historians, museum professionals, artists, and other visual culture scholars, teachers, and practitioners. - By: Dr. Charmaine A. Nelson, Professor of Art History Citation: Flores, T., San Martín, F., & Villaseñor Black, C. (Eds.). (2024). The Routledge companion to decolonizing art history. Routledge. Link ⬇ https://lnkd.in/gZuCVnH2 #Routledge #slaveresistance #enslavedpeople #transatlanticslavery #fugitiveslaveadvertisements #enslavedwomenincanada #freedomseekers #canadianhistory #blackcanadianhistory #decolonizingarthistory #slavedress #slaveportraiture #canadianslavery #quebecslavery #decolonialmethodologies #visualculture #coloniallegacies #arthistory #restorative #americanstudies #representationcomplexities #discursivepraxis #visualpraxis #epistemologies #museumstudies #raceandethnicstudies #culturalstudies #disabilitystudies #womenandgenderstudies #sexualitystudies
“she carried with her…a large bundle of wearing apparel belonging to herself": Slave Dress as Resistance in Portraiture and Fugitive Slave Advertisements - Black Maple
https://blackmaplemagazine.com
To view or add a comment, sign in
-
Executive Dean of Creativity and the Arts @ Shenandoah U | Finder of Mischief Makers | Community Builder | Author & Concert Artist
A fabulous art installation and concept (in the brilliant MONA), illuminating a pressing current conundrum. Can contemporary exclusion address (and meaningfully illuminate) past inequality without perpetuating further undue discrimination? You could say yes, it’s a temporary fix to balance the scales. Or you could argue it’s just more of the same old problem, in a new package. Maybe the sweet spot? A little exclusion, done right, and with an expiration date. Meanwhile, Mona - Museum of Old and New Art gets more (and deserved) attention. A fabulous place to go. (And while you're in Hobart, just take the time and go over to Bruny Island, sit down at Get Shucked, and have the freshest and best oysters you'll eat in your life.) #equalityforall #ethicalquestions #artandjustice #balancingthepast #socialjusticeconversation #thoughtfuldiscourse #inclusionmatters #openhearteddebate #artwithmeaning #genderequality https://lnkd.in/etkqMkki
Ladies Lounge: Judge finds Mona's women-only art exhibit is legal
bbc.co.uk
To view or add a comment, sign in
-
So exciting to see projects from different perspectives
As Monuments Woman Rose Valland’s memoir gets its first English-language release this fall through the work of the Monuments Men and Women Foundation, I am delighted to work with Anna Bottinelli and team to support this important endeavor. Thank you Christie's editorial team and Sarah Done, Andrea Lehmann for this article, which takes a look back at important contributions of women in art restitution, in particular Rose Valland. #restitution #provenance
Celebrating Women in Restitution
christies.com
To view or add a comment, sign in
-
Save the Date Artist Reception August 22nd 6-9PM BLOCK PARTY August 31st 12-6PM Nuestra Belleza Latina by Chris Cortez Letter from the Curator: La Gente is a representation of the people, its land and the collective memories and traumas of its children. Representative of a conversation that centers around belonging without borders and restrictions to fitting into a box in the census which doesn't give us one, a neuvo collectivity emerges with a connection to the ancestral, humanity and close regard to colonization of our peoples. With this in mind we invite you to fuse these notions into the future narrative of collectivity. One breaking borders , divides and separative narratives to create unified hope for the peoples of all diasporas. We begin that dialogue by highlighting La Gente where we try to include the diasporas in BIPOC to demonstrate the complexity to Latinidad. Through inclusivity to hybridity we may begin to mimic the model and conceptualize world citizenship across cities, municipalities and lands. This curation was made possible through the support of the City of Santa Monica Art of recovery grant.
To view or add a comment, sign in
-
Seattle Museum Removes Exhibit Called "Confronting Hate Together" Because it Used "Zionist Language" The Wing Luke Museum in Seattle has succumbed to "pressure" by anti-Israel bigots and decided to remove an exhibit called "Confronting Hate Together" because the bigots claimed the exhibit used "Zionist language" that "sets a dangerous precedent of platforming colonial, white supremacist perspectives and goes against the Museum's mission as a community-based museum advancing racial and social equality." The "pressure" was applied by so-called "pro Palestinian" staffers who threatened to walk off the job and complained that the museum was conflating anti-Zionism with antisemitism. Apparently efforts to revise the exhibit were not enough to satisfy the modern version of the Brownshirts because the exhibit still "conveyed Zionist perspectives." And, yet, it gets even worse . . . Apparently the Jewish Historical Society joined in this decision to remove the exhibit. In other words, a Jewish group was unwilling to stand up for itself and fight back against this utterly despicable display of antisemitism. (NOTE: From reading the article at the link below, it is unclear exactly what role each organization had in this utterly pathetic and repugnant decision). I do not know how else to describe the insanity of the decision to remove this exhibit other than to say the Museum (and Jewish Historical Society) has capitulated to the demands of the very people the exhibit purports to confront and, instead of confronting hate together, it has now perpetuated hate together with the bigots. This is what happens when people are afraid to confront bigotry. This is what happens when people capitulate to the forces of evil by disregarding factual reality (both in terms of history and current events), common sense, and common decency. When weak-kneed people capitulate and succumb to such "pressure" (I wonder if they have enough strength to withstand the force of a feather) they perpetuate false narratives and give a platform for evil doers to convey their sinister messages. We have seen this script before . . . it is what played out in Nazi Germany. This is how antisemitism becomes institutionalized in society.
Seattle Museum, Jewish Groups Agree To Remove Exhibit On ‘Antisemitism’ After Staffers Walked Out On Job Over It
msn.com
To view or add a comment, sign in
-
Project Management Graduate Student at Northeastern University- The Roux Institute || Content Creator with AI Expertise || Train Individuals and Firms in AI Tools || LinkedIn Optimization Expert || Need help? DM me 👇
Did you know that the Statue of Liberty was originally meant to be a symbol of peace between France and the United States? A few days ago, I had the amazing chance to visit the Statue of Liberty in New York, one of the most famous monuments to democracy and freedom. Standing in its presence, I considered its great significance to the American character and rich past. Originally gifted to France in 1886, the monument has long been a ray of hope for millions of immigrants arriving on American coastlines in the late 19th and early 20th centuries. For many, it was the first sight they saw, signaling the start of a new chapter in the country of opportunity. Despite its obvious form, the Statue of Liberty stands for the fundamental ideas of liberty, equality, and the search for a better life. It reminds us of the need for inclusion and the conviction that everyone should have the opportunity to help create a better future. These principles are more crucial in modern society than they were years ago. Professionals, like you and I, may find inspiration in this monument by embracing diversity, supporting innovation, and generating chances for everyone. Let’s continue to uphold the principles Lady Liberty symbolizes: freedom, hope, and the power of community. What does the Statue of Liberty mean to you? Share your thoughts below! #StatueOfLiberty #Leadership #Freedom #Diversity #Inclusivity #Innovation #LinkedInCommunity The Billionaire 💰 ____________________________________________ Need a social media game changer? My AI-powered training delivers 50% ROI. Book me for corporate workshops at fair prices - DM now!
To view or add a comment, sign in
6,603 followers