Rei Inamoto’s Post

Being on the ground at Cannes Lions International Festival of Creativity, here’s my initial dispatch: In 2010, Cannes Lions dropped the word “advertising.” It made sense at the time because there were starting to be so many new forms of advertising that didn’t fit the old mold. Branding-wise, I believe it was a great positioning move. Since then, the festival has grown tremendously. It now attracts so many people from so many different job functions and companies, not just agencies and production companies. So many new categories have been added also. Naturally, I thought there would be way more creative work entered into the show. Not so. Almost 40% less creative work. Does that mean this industry is now less about the work and creativity? Creatives used to own the word creativity. That may have been true in the context of advertising. However, in a borderless, always-on world where anyone can create, creativity no longer belongs to creatives only. I made this point to a strategist friend of mine near the Croisette today. He said candidly. It never did. #CannesLions #creativity #advertising

  • No alternative text description for this image
David Charles Rodrigues

Creative Director & Filmmaker - Omnivore Series on APPLE TV // Neymar:The Perfect Chaos on Netflix // Tribeca Award Winner Gay Chorus Deep South on Paramount+ // Represented by @unitedtalentagency

2mo

Honestly I think it’s because agencies are the ones that care most about Cannes and they now have way lower budgets to invest in shows like this as retainer clients and high paying projects lessen year over year. I also think that now that brands have taken most of the top tier talent in-house they have a more business minded and product building view of creativity where awards matter way less than a successful launch. For me it’s a sign of both economic tightening and maturity of the market. But what do I know I’m an outsider now :)

David Charles Rodrigues

Creative Director & Filmmaker - Omnivore Series on APPLE TV // Neymar:The Perfect Chaos on Netflix // Tribeca Award Winner Gay Chorus Deep South on Paramount+ // Represented by @unitedtalentagency

2mo

As a counter point Sundance, Berlinale and TriBeCa Film Festivals had record years of submissions in 2024. TriBeCa had 13.856 entries and only 118 films made the festival, out of those, only 40 feature films.

Like
Reply
Marc Shillum

Helping people, organizations and the planet derive the most value from the least amount of resources. Founding CXO Matternet, Former CXO RH, former Condé Nast and eBay. Author, 'Brands as Patterns'

2mo

My interjection, creativity always belonged to creative people - but creative people were never limited to agencies. But the maxim that creativity is everywhere is just plain rubbish — creativity is a craft skill, it belongs to those who perfect the craft.

Nicole Ingra

Global Director of Insights & Strategy | Workshop Leader | Speaker

2mo

It never did, and awards (everywhere) try to give the illusion that it does. Maybe the entries being so much lower is result of a wider industry trend of budgets being slashed. Less effectively creative work as a result & less money to try their luck in awards where usually the same companies win over and over. But maybe also an opportunity to see value elsewhere. Yes, awards will be always a booster, especially long established and coveted ones. But what else could be a good sign, if not measure, of abundant creativity?

Joos Khor

Head of Office at We Are Social | Plant Amateur at Home | Anti-Grownup at Heart

2mo

Indeed. The late Sir Ken Robinson put it aptly - children are born creative geniuses, the problem is we educate them out of creativity. Pablo Picasso said the same thing. I don't know when creatives started seeing themselves as some Shaolin monks who are the elite few in the world who have read the secret book 🤷🏻♂️

Sorry I keep exceeding the limit.

  • No alternative text description for this image
Like
Reply
See more comments

To view or add a comment, sign in

Explore topics