New York Times Advertising’s Post

Hey Team! I’d love for us to have the following pow wow via our platform: E-mailing me is the primary source of communication until I have a few member’s that have signed up via our monthly pertinent survey with multicultural, and diverse literacy work’s listed from The New York Time’s best seller list. I love reading diverse novel’s, and share that love of reading with my fellow colleague’s which has motivated me to begin my bookclub with like mind’s that love literary language, connecting prior knowledge to current event’s, and or; may be developing new innovation’s through research.   I kindly ask that if it is within your ability to log on, and complete the survey I sent you via e-mail two week’s prior to enhance my knowledge on what novel’s you fancy, so that I may have your personal attention regarding educational resources for all of our children…since two member’s have contributed to developing this platform with me; it is in my determination to transform more enlightenment thinker’s to utilize their love for humanity to prepare our lineage.   I am hopeful about transforming innovation’s through research and transferable skill’s for generation’s with my team as we establish unity and peace on Earth. #Satnam [email protected] The essential rhetorical question for our topic of discussion regarding our beautifully written novel’s by our ancestor’s as: memoir’s, journal’s, and thesis document’s…whether you’re reading for information, amusement, to make a skill applicable, or transferable, our context discussion  is: “If language can be woven with symbol’s, why are we taxed on our spirit? Contrary to popular belief we aren’t if we set other’s free with our energy.” Is this a statement, interrogative remark, or declarative conclusion? Thank you for your participation, I sincerely appreciate your continued support. Donation’s are accepted via PayPal to the e-mail provided within the initial paragraph.  I look forward to receiving your reply, oh my I’m so excited! Thank you!

**PICTURES ARE IN!!** THANK YOU to all who joined us this past Saturday for a transformative experience at the Associated Black Charities' 2023 Equity In Action Conference: "The Movement Continues..." This groundbreaking event was tailor-made for corporations, organizations, community leaders, advocates, policymakers, entrepreneurs, and workers who are dedicated to advancing equitable opportunities for Black people. There were workshops and learning experiences for Corporations, Organizations, and their Leaders around · learning how to foster a workplace environment that not only values diversity but also actively redistributes resources and power to promote true equity · challenging traditional norms and learning how to reshape your organization's culture to reflect genuine inclusivity and equity · the pitfalls of performative diversity, equity, and inclusion efforts, and discovering how to drive authentic change that leads to lasting impact · shaping the future of work by defining and cultivating truly equitable workplaces that celebrate diversity and ensure fair treatment for Black professionals looking to · explore strategies to break down barriers, create professional alignment, and foster collaborative growth within the Black community · gain resilience and connect with others who share similar experiences in navigating predominantly non-Black spaces · develop self-assuredness and authenticity to leverage skills and competencies to make a meaningful impact in the workplace for Black entrepreneurs who want to · uncover pathways to overcome financial obstacles and gain access to essential capital, paving the way for Black entrepreneurs and businesses to thrive · explore the dynamic landscape of Black entrepreneurship and gain insights into the future of Black-owned businesses · learn how business accelerators can propel ventures forward and provide a launching pad for success and Master Classes on · embracing the power of creativity as a valuable asset and exploring innovative ways to turn cultural expression into economic opportunities · understanding the significance of circulating economic resources within the Black community and exploring strategies for fostering sustainable economic growth · discovering the secrets to building a compelling and impactful personal and professional brand AND SO MUCH MORE! We did it. Thank you for believing in our vision and the new ways we show up in 2023. Download and post the pictures! Tag us!! Let everyone know...we will be back again next year! https://lnkd.in/eVmRYwKc

The way you frame and justify "diversity," matters. For example, when a governor stated that: ". . .young Black kids growing up in the Bronx who don't even know what the word computer is. . ." followed by, "I want the world opened up to all of them because, when you have their diverse voices innovating solutions through technology, then you're really addressing societies broader challenges. . ." -- this was "positively-framed" (maybe even "well-intentioned") deficit. This was stated in a room of people that did not look like the population whom she was discussing. When you are advocating -- your word choice matters, your messaging matters. Regardless of your intent, what is your impact? How are you framing the subjects of your advocacy? Things to Consider/Note: Create space for the people who are often silenced to share their thoughts and experiences, as opposed to speaking on behalf of others--because that often comes from a place of privilege. Groups of people are not monolithic. Dont attempt to advocate and present messages that are void of critical, socio-cultural / socio-political issues that perpetuate inequalities and ignore social and political realities. You can't "gift" what is a human right--rid yourself of the savior complex. #ConstantReflectionIsKey *These beliefs are my own and are not representative of any organization or company for which I work.

Thank you, Variety, for highlighting what we’ve been working on at Maroon Visions, my television and film production platform. Coming on the success of “Stamped from the Beginning” (Netflix) and “Skin in the Game” (ESPN+), we’ve begun to adapt seven books for the screen. We’re excited about these projects and hope Hollywood will embrace them as much as we have! Authors are foundational to our mission at Maroon Visions, where we are dedicated to freeing the narrative. We are grateful these authors have entrusted us with their work. 📚 Black Against Empire: The History and Politics of the Black Panther Party by Joshua Bloom and Waldo E. Martin, Jr. The rise, fall, power, and politics of the Black Panther Party, one of the most influential and radical organizations of the Black Power Movement. 📚 Torn Apart: How the Child Welfare System Destroys Black Families—and How Abolition Can Build a Safer World by Dorothy Roberts How the child welfare system often punishes rather than protects Black families and how safety for all children requires its abolition. 📚 The Riders Come Out at Night: Brutality, Corruption, and Cover-up in Oakland by Ali Winston and Darwin BondGraham A chronicle of systemic corruption and violence within the Oakland Police Department and decades of failed reform efforts. 📚 Token by Beverley Kendall Tired of being the corporate “token,” an enterprising Black woman starts her own PR firm, encountering unexpected people and challenges along the way. 📚 Black No More by George Schuyler A young Black man becomes White by way of a new medical procedure, reflecting internalized racist ideas amid a world’s fixation on the perceived superiority of White people. 📚 How to Raise an Antiracist by Ibram X. Kendi How caregivers, parents, and teachers can protect the next generation from racist messaging and nurture young people to come of age as antiracist champions of equity and justice. 📚 Black Ghost of Empire: The Long Death of Slavery and the Failure of Emancipation by Kris Manjapra An exploration of state-sanctioned gradual emancipation campaigns that led to nations awarding reparations to enslavers rather than the enslaved. https://lnkd.in/egcGeDxh

I was listening to conservative radio this morning. Chris Plante made an interesting point. Apparently, Kyle Rittenhouse was invited to speak at the University of Memphis. And his speech was interrupted by several Black Lives Matter activists. According to Plante, Rittenhouse was literally chased off campus by these "protesters." In just Googling the subject in order to make sure I got my facts straight, I found that the mainstream media reported that Rittenhouse "stormed off the stage after being confronted." Plante described it as running for his life. Interesting how identical events get reported much differently isn't it? Aside from the issue of whether a conservative can ever give a speech at a college campus without being driven out, Plante made some other interesting observations. Firstly, Plante wondered why Black Lives Matter would be "confronting" Rittenhouse since the three people he shot were all white. Secondly, and perhaps more importantly, since the death of George Floyd, from what Plante called heart failure due to fentanyl, 30,000 black men have been murdered in the country. Yet, these thousands of deaths go virtually unnoticed and unremarked upon by Black civil rights leaders. And while that may be a slight over statement. It is certainly not an exaggeration to say that the one death of George Floyd attracted a lot more attention from the Black community than has all the murders of Black men since. This to me is why is useful to have a free press. It is useful to juxtapose how events and subjects are treated. If you only get one side of the news, you miss a lot. And as I have posited before about articles in the Washington Post, it would seem that journalism these days is in full spin mode with words being weaponized in order to exaggerate points and drive narratives. So, from the Kyle Rittenhouse story, you either come away believing that he "stormed off the stage" when confronted, or he ran for his life when he was chased off stage. Unless there is a video people will choose what to believe based on their biases. Wouldn't it be nice if we could just trust the reporting?

✨ Celebrating Black History Month with Knowledge and Reflection! 📚 In the spirit of Black History Month, let's take a moment to look back and appreciate the progress that has brought us to where we are today. It's not just a time to reflect on history but an opportunity to assess the influence of the past on our present and future. 📖 Book Recommendation: "Stamped from the Beginning" by Ibram X. Kendi I recommend diving into the profound insights of "Stamped from the Beginning" by Ibram X. Kendi. It's a must-read for everyone seeking to understand the origins and motives behind racist sentiments. Don't let the size intimidate you – it's a comprehensive yet fast-paced journey through history. 📚 Accessible Versions for All Ages! Kendi, alongside Jason Reynolds, has also crafted editions tailored for teens ("Stamped: Racism, Antiracism, and You") and early middle-grade readers ("Stamped (for Kids): Racism, Antiracism, and You"). Knowledge knows no age limit, and these versions offer an inclusive opportunity for everyone to engage with this essential narrative. Visit the Rework Workspace Book Nook: Explore the Book Nook on the Rework Workspace to check out this impactful book and discover more enriching reads. Let's celebrate Black History Month by expanding our understanding and promoting a culture of inclusion! #BlackHistoryMonth #KnowledgeIsPower #ReadForChange #ReworkWork

"Books are windows into the ordinary. We read them to see ourselves, to comprehend our lived reality, and sometimes to envision something better." ✒ Anna Gifty Opoku-Agyeman, TIME In "The Heavy Cost of Banning Books About Black Children," Opoku-Agyeman weaves together personal narrative, cultural and political context, and important findings from research by affiliates Anjali Adukia and Alex Eble and their co-authors Emileigh Harrison, Hakizumwami Birali Runesha, and Teodora Szasz: "...popular children’s books published in the past century consistently depict characters with lighter skin color, even when they aren’t white. Additionally, the study highlights the underrepresentation of Black and Latinx characters, while white characters are disproportionately overrepresented. Among 495 mainstream children’s books analyzed, 88% of the depicted faces were identified as white, and 92% of the famous figures mentioned were also classified as white. In contrast, the faces of Asian, Black, Latinx, and Indigenous characters collectively accounted for only about 12%. Surprisingly, even books designed to promote diversity still featured over 50% white faces and famous figures among 635 titles." cc: MiiE Lab #representation #researchmatters #curriculum #analysis

Reesa Tessa draped in Hanifa for The Cut is EVERYTHING and here’s why 🥹 ⬇️ TikTok creator and Storyteller Reesa Teesa slayed DOWN with The Cut as she talked about the ups and downs of her newfound fame. Here’s why this story just ✨works✨ ⭐️ MERGING STORYTELLING STYLES ⇢ The Cut featuring Reesa bridges the gap between two types of storytelling for maximum impact on the masses. Here we have Editorial merging with Social to connect two different types of journalism. The Cut even goes as far as to push a “dating advice” short carousel series on their Instagram, taking advantage of the social media angle as well. I think that doing this shows the importance and value of purposing the stories we want to be told to different channels. ⭐️ CONTROLLING THE NARRATIVE ⇢ We’ve seen so many stories about how Reesa’s been slighted by companies looking to use her story for clout without running her a decent amount (if any) of coin. People have lied about the amount of money she’s received, have given their own two cents about what she should’ve done, or have negated her presence within her story altogether. This feature gives Reesa more chances to tell her own story, again, and get the credit she’s due for it. Gone are the days she has to sit behind a screen and worry about a creator fund as she pours out her life. Publications like The Cut validate that her story is not only worth being told, it’s worth being told accurately. ⭐️PAYING COINS WHERE CREDIT IS DUE ⇢ PAY Black women and then ADD tax👏🏾 I’ll scream it as loud as I have to so the world can hear. Payment isn’t just money. It’s respect, it’s space, it’s time, and it’s effort. You can see the care that The Cut approached Reesa Teesa with to obtain this sit-down interview and exclusive. By setting the example, not only does Reesa get to continue to share her story on her own terms, more black creators like her can envision themselves one day receiving the same opportunity. And THAT means EVERYTHING to me 🥹

According to Penn America, over 30 states in the United States have prohibited certain books by Black authors, both fiction and non-fiction, or have deemed them unsuitable. To encourage visitors and residents to explore Black history and engage with Black narratives, Philadelphia created a small library brand experience throughout the city. What do you think of the design? Check out the colors and typography treatment. Can you see Black people in that design? Will this storytelling experience create empathy and action for African Americans? Indeed, it's possible. Many studies suggest that we can develop empathy through fiction. One of my favorite scholars on this topic is M. C. Green from the University at Buffalo. In a chapter titled "Transportation and Story Effects" in the book "Entertainment-Education Behind the Scenes: Case Studies for Theory and Practice," by Lauren and Falzone, Green wrote, "Individuals may see themselves in story characters, may come to see story characters as friends, or may admire the characters. Through these types of connections, audience members may also change their attitudes and beliefs in accordance with those of a narrative character or story protagonist." Would a campaign telling people to read be more effective? Sometimes, we don't need another ad to make a difference. We can create a small immersive experience to engage people in our conversation. This is my 20th case study on using storytelling to elicit empathy and action. Ref: Frank, Lauren B., and Paul Falzone. Entertainment-Education behind the scenes: Case studies for theory and practice. Springer Nature, 2021. You can read more about the Little Free(DOM) Library in the comments link.