Meow Wolf’s Post

I am pleased to announce my glass sculpture “Dissolution” has been selected Best of Show at Art Fluent’s Beyond the Scars exhibition. 380 artists from across the globe submitted their works for consideration and inclusion, with only 69 works chosen for the exhibition. Of the works included, the juror selected my piece for Best of Show. What an incredible honor! The exhibition description reads: Let’s celebrate the imperfections in art, where every flaw tells a story, and every mistake launches us into the unpredictable beauty of the creative journey. BEYOND THE SCARS invites us to stop and reflect on the raw and the real, pushing us to rethink what perfection means. These works highlight the charm of irregularities and asymmetries, turning so-called defects into striking focal points. Within these stories, emotions, and scars, we find a raw vulnerability that uncovers the true beauty in it all. Dissolution Artist Statement: In this piece I delve into the complex interplay between form and content, exploring themes of confinement, emptiness, and the dissolution of relationships. Crafted from hand-blown glass, the vessel stands as a symbol of containment, yet paradoxically devoid of any functionality. Its sealed form renders it inaccessible, emphasizing a sense of emptiness and impossibility, akin to a discarded mistake left to linger. The crumpled appearance of the glass, reminiscent of discarded paper or refuse, serves as a visual metaphor for the aftermath of broken relationships. Within this vessel of confinement, layers of text emerge, interwoven with the glass like tangled thoughts and emotions. However, upon closer inspection, these seemingly chaotic layers reveal themselves to be fragments of legal documents, specifically separation and divorce papers. The juxtaposition of the fragile, transparent glass with the weighty, bureaucratic language of legal documents underscores the vulnerability and impermanence of human connections. The layers of text, once symbols of commitment and union, now appear as detritus, discarded and relegated to the realm of waste. Through this sculpture, I invite viewers to contemplate the complexities of human relationships, the fragility of communication, and the inevitable disintegration that accompanies separation. As the layers of text and glass converge, they evoke a sense of entrapment within the confines of broken promises and lost hopes, compelling us to confront the haunting emptiness left in their wake.

An interesting mix of mechanics and art. I've always loved interactive artworks.

Analog can be so cool!

If art is only kept for the artist, is it really art? In this post, I share my Artist's Proofs with all of you! Here are a few of my favorite tiny fused glass delights.

DESIGN WORKSTREAM: "HAPPINESS MACHINES" / EDWARD BERNAYS Powered by Restream https://restream.io/ The Piscium Visual Art Digest is a monthly magazine that provides comprehensive coverage of the digital visual arts world. Each issue features news and reviews of exhibitions, interviews with artists, and in-depth articles on trends and developments in the field. The magazine also includes a variety of features, such as artist profiles, art history essays, and travel guides to art destinations. The Piscium Visual Art Digest is a must-read for anyone interested in the visual arts. It is the perfect way to stay up-to-date on the latest developments in the field and to learn about the work of emerging and established artists. Hashtags: #VRart #DrawingDesk #Livestream #Art #Creative #VirtualReality #Painting #Interactive

Murals. Sculptures. And more. Lots of public art. Public art is where I spend a big chunk of my time. I work with communities and organizations to provide public art opportunities for artists. I also make some public art. I've found I prefer working in the public art world. The "canvases" are much larger - sidewalks, sides of buildings, etc.. Your art is seen by a wider range of audience on a daily basis. Public art perks up everyone's day.  Finding opportunities to exhibit your work doesn't have to be limited to traditional gallery spaces. Am I saying, "Ignore the galleries!"? Of course not. But as an artist it makes sense to think beyond the "four white walls". That being said, stay tuned. I have some gallery exhibits showcasing new work coming up later this year. So while I'm a big proponent of public art, galleries are still part of the "being an artist" equation. I've recently been sitting down with Craig Tirey of Slow Down Cowboy studios at Front Street in Dayton, Ohio. We've been recording a podcast series interviewing Dayton artists about being an artist. The topic of alternative venues arises frequently. It is interesting hearing how different artists are finding ways to show (and sell) their art and skills. I’d like to hear your stories about how you approach your art business and finding non-gallery ways to show and sell your art. Comment below. #publicart #artists #art #businessofart

🛒 How do you buy art for the first time? 💡 Here is a short guide to buying your first piece #art #artcollecting #artbuying 

#artissima #turín #art #artist #conceptualart #contemporarypainting #artcontemporain #fair #artgalleries #contemporaryart #giuseppealletto #paris #videoart #3dart #madrid  Contemporary Art: Videoart digital 3d installation in Madrid - Giuseppe Alletto artist Video art can be a difficult medium to grasp and differentiate. It may be confused with art films, as both genres involve moving pictures with artistic endeavors. Video art explores the possibilities of the medium, while film does not. Even to the most seasoned connoisseur, video art can feel inaccessible as it sometimes melds and works hand in hand with other mediums. On top of that, ownership complexities around replicable files had once contributed to art collectors’ reservations in the early years of the medium. But in an ever more digitally savvy world, is video art reaching its zenith? In this article we will delve into what video art is, its history, and evolution. We will examine where the future of this medium is heading in a culture heavily entrenched in moving pictures and digital artworks. Video Art | Video Artists | Jon Kessler What is video art? Video art uses audio-visual technology to generate and manipulate moving pictures to create artwork. It can weave in other art forms such as dance, performance art, music, architecture, and sculpture. Over the last few decades, the fluid nature of video art and an increased demand for digital art by institutions has attracted artists from many disciplines. Experimental filmmakers, choreographers, performance artists, photographers, sound and conceptual artists have gravitated to the medium. How Does Video Art Differ from Film? Both film and video art use experimental techniques. Being more reliant on narrative, film uses moving pictures to tell a story. Video art, on the other hand, uses moving pictures for pure artistic expression. Most cinema, including the art-house variety to some extent, has commercial interests. It is reliant upon financial backers that all have a “say”. This can influence the finished product and impact a director’s artistic vision. Meanwhile, video art is traditionally not reliant on narrative and the specter of commercial appeal is not as present. This allows for an unfettered artistic vision to evolve. Video Art | Video Artists | Italian Futuristic Film The History and Evolution of Video Art Video art started in the 1960’s, emerging from the Fluxus movement which consisted of a network of international avant-garde artists and composers. They shared the common goal of creating “anti-elitist” and “living art,” as outlined in their manifesto penned by the movement’s founder, George Maciunas. The introduction of Sony’s portapack video camera in 1965 made the video production affordable.

DESIGN WORKSTREAM: "HAPPINESS MACHINES" / EDWARD BERNAYS Powered by Restream https://restream.io/ The Piscium Visual Art Digest is a monthly magazine that provides comprehensive coverage of the digital visual arts world. Each issue features news and reviews of exhibitions, interviews with artists, and in-depth articles on trends and developments in the field. The magazine also includes a variety of features, such as artist profiles, art history essays, and travel guides to art destinations. The Piscium Visual Art Digest is a must-read for anyone interested in the visual arts. It is the perfect way to stay up-to-date on the latest developments in the field and to learn about the work of emerging and established artists. Hashtags: #VRart #DrawingDesk #Livestream #Art #Creative #VirtualReality #Painting #Interactive