#MaxMaraArtPrize for Women presents Dominique White | Deadweight Whitechapel Gallery 2 July - 15 September 2024 Collezione Maramotti 27 October 2024 – 16 February 2025 --- Dominique White, winner of the ninth edition of the Max Mara Art Prize for Women, presents a new body of work, Deadweight, realised during a six-month residency organised by #CollezioneMaramotti. A thought-provoking exploration of rebellion and transformation, Deadweight comprises four large-scale sculptural works which continue the artist's interest in creating new worlds for ‘Blackness’ and fascination with the metaphoric potency and regenerative power of the sea. The title of the project derives from a nautical term which collapses everything on a ship into a single unit which determines the ship’s ability to float and function as intended. White deliberately inverts this, offering disruption as opposed to stability - a reckoning with the tipping point of the ship to offer the possibility of emancipation through abolition. Discover more and watch the video about the Italian residency of Dominique White: https://lnkd.in/dx_XxdrP
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{My story about point shoes} Part III. What do we observe today? ~ Today, I observe that children stand on pointe shoes at the age of 5, and at 7 years old they dance complex variations. How do I feel about this? Well… ~ Firstly: it is bad for the anatomical structure of the foot, by this period the legs have not yet strengthened. In the future, the concept of "sore feet" will appear earlier than it should. ~ Secondly: before standing on the toes, children need to prepare their whole body, especially their legs and feet, for this. ~ Thirdly: give the children childhood. Ballet is a complex and adult art form. Children develop in it quite quickly, since they are faced not only with rapid physical development, but also moral. Everything will come in due time. Of course, there are also advantages. The sooner you master the technique, the concept of "rising to pointe shoes" will become like "walking in sneakers." But for this to really be true, you need to put in a lot of effort and time. • “Foot cast of A.Pavlova”,1913.Boris Frödman-Cluzel #pointshoes #balletspace #firststep #ballettwien #balletstory #balletart #balletdancer #artist #ballerina #balletpictures #ballerinastory #balletwithkseniia
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Curator @John Randle Centre for Yoruba History and Culture's Project; PhD candidate (Geoarchaeology)
This is a masterpiece.
The Beautiful Black GODDESS ❤️❤️❤️ Wisdom is gifted, talent is honed, and craft is elevated in practice. When you see all elements embodied in a piece of art in a metal sculpture you become a witness to an enduring mechanical feast and festival. In 100 years, the artist will expire, but the art will continue to inspire and stand as a testament to creativity and ingenuity.... The work by Nigerian metal sculptor Dotun Popoola, embodies the beauty of a black goddess. Her long braids cascade down her back, a symbol of strength and heritage. Large ball earrings adorn her ears, reflecting tradition and elegance. With each movement, the sculpture exudes grace and power, reminiscent of ancient goddesses revered for their wisdom and resilience. The intricate details capture the essence of her essence, celebrating the richness of African culture and the timeless allure of black beauty. In her presence, one cannot help but be captivated by the majesty of the black goddess incarnate. A fitting tribute to cap Women's History Month. #TATHOTS #Afriphile #art #sustainability #reusereducerecycle #cop29azerbaijan #cop29 #unitednations #blackwomen VC: dotun David popoola
