Loewe’s Post

The New York Times recently published "A Guide of American Museums to Visit This Year." Among the stunning recommendations is the Virginia Jaramillo exhibition, "Principle of Equivalence." This exhibition was organized last summer by the Kemper Museum of Contemporary Art in Kansas City and is now touring the United States. It was a great honor for me to meet Virginia Jaramillo through my collaborations with the Kemper Museum. Can you imagine where the exhibition catalog was printed and bound? Italy, in the Veneto region. As I tour museums and cultural institutions across the USA, this week I am in San Francisco, I make it a point to check where significant art publications originate. Often, they hail from the same region I come from. Since 1450, a robust printing industry has emerged, spreading rapidly across Europe—from Germany to Italy, and then to France, the Netherlands, Spain, Hungary, Poland, Belgium, England, Switzerland, Austria, and Sweden. By 1480, there were an estimated 110 print shops, 50 of which were in Italy. It's estimated that 38% of books printed in Italy and 15% of those printed in Europe in the 15th century were produced in Venice. This is the story of a long tradition, an important form of business, and the #internationalization of enterprises that has innovated over the years and centuries but has always remained in service of contemporary global culture. And which today more than ever is a tool for #sustainability education with an huge learning and engagement power for all ages of museum visitors. Where do we draw the line today between some high craftsmanship products, their history, the sustainability projects of their makers, the messages they convey, the cultural heritage they represent, and the artworks? As a consultant for both foreign and Italian companies specializing in high #craftsmanship and #art, my focus is not only on #compliance in the USA market but also on protecting and promoting their status as #culturalheritage. By fostering collaborations and events with American museums, we elevate these products to instruments of sustainability education, which they inherently are. The benefit is mutual for both parties, businesses and museums, and thanks also to technology it enriches the entire global community. #highcraftsmanshipmeetsart #internazionalizzazione #madeinitaly

INTERNATIONALIZATION-HOW HIGH CRAFTSMANSHIP MEETS ART-AI A few days ago, I had the great honor of being accompanied by the Director of the Nelson Atkins Museum in Kansas City to see the Caravaggio from the collection. As soon as the lights came on, the John the Baptist appeared before me in all its splendor. My mind began to ask the typical questions that any art lawyer would ask: how did it arrive at Kansas City? Who handled the international sale of the artwork? How many times has it been loaned and on what occasions? And then, of course, I naturally connected my thoughts to my project in the USA, "high craftsmanship meets art". I am working in the Italian ceramics linked to the contemporary American art but I realized a new connection. The dialogue between the artwork in the collection and the silk of Como City. Como, one of the favorite Italian places for Americans and the cradle of a quality product, synonymous with excellence in style and the object of desire of the most famous luxury brands. There is so much to tell and exchange between Como and Kansas City about silk culture and history, silk processing, silk craftsmanship, contemporary artists and silk, and the most innovative sustainability projects of the United Nations' 2030 Agenda for Sustainable Development. The museum is the Agora of 2020 years and thanks to new technologies, digitalization, and AI, the dialogue can be shared worldwide. #internationalsale #internationalization #sustainability #Art #AI #internazionalizzazione File:Michelangelo Merisi, called Caravaggio - Saint John the Baptist in the Wilderness - Google Art Project.jpg, Public domain, via Wikimedia Commons.

It’s no secret that we’re firm believers in the transformative effects of creativity. Art isn’t a choice, it’s a necessity. From Einstein to Picasso, humanity's greatest minds recognise that art enables us to hope, process, connect and ultimately, to change the world. This #worldartday we want to celebrate the Bilbao effect. The phenomenon that occurs when a city experiences significant urban transformation, revitalisation economic growth and through the construction of iconic architectural landmarks. It’s named after the extraordinary success of the Guggenheim museum in Spain, which became a catalyst for the city’s renaissance. Bilbao was transformed from a city that struggled to transition from its industrial past and facing economic decline, to a city gaining international recognition for its innovative design, attracting millions of tourists which revitalised the city's economy. More than this, socially the museum redefined the cities image, giving its residents a sense of pride and enhancing Bilbao’s appeal as a desirable place to live and work. Culturally, the Guggenheim Museum Bilbao served as a catalyst for the growth of the city's artistic and creative scene, inspiring the development of new cultural institutions, events, and public spaces. We hope that by developing Create Contemporary Crafts Hub we can inspire our own ripple effect, right here in Camborne.

THE CULTURE. Hip-Hop Art transported from Chicago to the SCHIRN KUNSTHALLE FRANKFURT   62 artworks recently travelled from the USA to Germany to be part of the exhibition “THE CULTURE. Hip-Hop and Contemporary Art in the 21st Century” at SCHIRN KUNSTHALLE FRANKFURT. THE CULTURE was organized by the Baltimore Museum of Art and the Saint Louis Art Museum and celebrates 50 years of Hip-Hop and its profound influence on contemporary art and culture in our society.   The artworks were transported from our hub in Chicago to our home base in Frankfurt more sustainably. 30% of the calculated CO2 emissions were reduced using Sustainable Aviation Fuel (SAF). A further 70% of the calculated CO2 emissions were offset through contributions to high-quality climate protection projects.   This way, we are not only looking back on 50 years of Hip-Hop, but we are also looking forward to a future oriented way of making artwork available to the public by transporting it around the globe in a more sustainable way. „It‘s been a pleasure for Lufthansa Cargo to be the logistic partner for the exhibition THE CULTURE - on a sustainable way. It was a great cooperation. Good Luck for the exhibition,“ says Ashwin Bhat, CEO of Lufthansa Cargo. Enjoy the video for more impressions. #EnablingGlobalBusiness

This is the new building of BAK, or Basis voor Actuele Kunst, an Utrecht-based center known for its highly politicized art. This type of art is often 'against something,' the art of anti; it’s not always clear what this Kunst is exactly opposing, but it is undeniably anti. Coming from the realm of the triumphant art of 'socialistic realism,' I have developed a certain allergy toward such art. However, and because this art was eventually dethroned and replaced by a more pluralistic artscape, I have learned to appreciate the "let all the flowers bloom" attitude. In this sense, I actually liked that BAK previously neighbored the Utrecht Museum of Religious Art (known as Catharijneconvent, https://lnkd.in/eJjU3_Nb), as if balancing the radically old art with the art freshly radical. So, it was a pity to see BAK disappearing - or at least during a few recent trips to Utrecht I saw an entirely different center called Impact (https://impakt.nl) occupying BAK's premises on Lange Nieuwstraat. Fortunately, as I just discovered, BAK wasn't closed; it just moved to this new location on Pauwstraat. Long live Basis voor Actuele Kunst, and I hope there will be another museum found to maintain the balance. Nearby is the Volksbuurtmuseum, the Museum of Working-Class Districts (!); a counterbalance definitely worth considering, especially given the growing ivory-towerization of contemporary art. P.S. Oh no! I discovered, and attended this 'new BAK' through another institution, the Urban Futures Studio of Utrecht University, and didn't think to check BAK's own website (https://lnkd.in/eMHPRyp3). Apparently, there is a real threat looming, if not of a complete closure, but serious funding cuts. Hmmm.

Did You Know About Paris? City of Light: Paris is famously known as the “City of Light,” a title referring to its enlightened art, culture, and academic contributions to the world. Historical Landmarks: The city is dotted with iconic landmarks such as the Eiffel Tower, Notre Dame Cathedral, and the expansive Louvre Museum, home to thousands of works of art including the Mona Lisa. Fashion Capital: Paris holds a pivotal role in the fashion industry, being the birthplace of haute couture and annually hosting Paris Fashion Week. Cafe Culture: Strolling through Paris, you’ll find a vibrant cafe culture, with locals and tourists alike enjoying coffee and pastries at quaint sidewalk cafes. Ancient Origins: Once known as Lutetia during the Roman Empire, Paris has a rich history that spans over two millennia. Printing Revolution: Paris was at the forefront of the printing revolution, with the first book printed in the 1450s, marking a significant turn in the spread of knowledge. For more insightful and engaging content like this, be sure to visit Writeups.in, where a world of exploration and discovery awaits.

Art is part of Ringier's DNA. Art is part of nearly every office space at all Ringier locations in Switzerland - and thus part of the employees' everyday working lives. This is exactly what publisher and art collector Michael Ringier wants to achieve, and the employees seem to appreciate this very much - even outside their offices, as evidenced by the lively participation in an exclusive guided tour of the exhibition "Time - from Dürer to Bonvicini" (currently at the Kunsthaus Zürich) by curator Catherine Hug. The exhibition includes six works of art from the Ringier Collection. In the current issue of DOMO magazine, Michael Ringier says: "Art doesn't have to please. Art is not decoration, it is an idea. It has to be socially relevant. That is why Picasso's "Guernica" from 1937 is still relevant today. By bringing art into the office, we are asking people to do something, in other words, we are taking them seriously, and that is the most important thing for me. 👉 Link to the DOMO Magazine https://lnkd.in/e5tUfMK5 #art #exchange #ideas #change #leadership #action #collection Ringier AG

As a founder deeply invested in redefining beauty norms, I find it fascinating to witness how perceptions of beauty evolve over time and across different cultures. The Wellcome Collection's exhibition, "The Cult of Beauty," delves into this complexity with remarkable nuance. What struck me most about this exhibition is its ability to shed light on the fluidity of beauty standards throughout history. It challenges the notion that beauty is static and universal, reminding us that it is shaped by various factors, from cultural influences to societal norms. By curating over 200 items, including commissioned films and consumer products, the Wellcome Collection offers a thought-provoking exploration of beauty ideals. Through thematic breakdowns and innovative exhibits, it prompts us to question and ultimately reject rigid beauty standards. I'm particularly impressed by the exhibition's commitment to accessibility, ensuring that everyone, regardless of ability, can engage with its rich content. From tactile paths for visually impaired visitors to BSL and audio tours, the Wellcome Collection sets a high standard for inclusive exhibition design. If you're in London, I highly recommend experiencing "The Cult of Beauty" at the Wellcome Collection before it ends on April 28, 2024. It's a powerful reminder that beauty is diverse, dynamic, and ultimately, deeply personal. Let's continue challenging the status quo and embracing the beauty of individuality.

Centre Pompidou to Remain Open in Málaga Until 2034. The Centre Pompidou has secured a new partnership agreement with Málaga’s city council, ensuring its location in the coastal town remains open through 2034. The council will provide the museum with €2.7 million ($2.9 million) annually from 2025 to 2029, and €3.1 million ($3.4 million) annually from 2030 to 2034. The Málaga outpost, which debuted as a pop-up on the waterfront in 2015, features a distinctive brightly colored glass cube by French artist Daniel Buren atop its underground structure. The museum attracted 200,000 visitors in its first year, inspiring other branches of the French institution in cities like Seoul, Shanghai, and AlUla, Saudi Arabia (with Seoul and Saudi branches still pending). Since opening, the Málaga museum has welcomed over a million visitors and seen its agreement renewed twice, first in 2018 for five years, and most recently for ten years. This extension reflects confidence in the Pompidou brand, which has faced recent challenges. In June, the Art Newspaper reported concerns from France’s supreme audit institution, the Cour des Comptes, about the high risk of cost overruns and delays in the Paris museum’s upcoming five-year renovation starting in 2025. Despite these concerns, the Málaga outpost has been praised for its success, even as other international branches were deemed "experimental." Laurent Le Bon, the museum chair, noted that satellites in Brussels, Shanghai, and Jersey City, New Jersey, collectively generated €16 million ($17.4 million) in 2023, compared to just €6 million ($6.5 million) before the pandemic. However, funding for the Centre Pompidou x Jersey City was recently pulled by New Jersey lawmakers, putting its future at risk. #artcollecting #artexhibition #artmuseum #artinvesting #artinvestment #artcollector #artnews #artworld #artmarket #artmarketnews #artauction #artgallery #artfair #arthistory #artworld #fair #worldrecord #modernart #impressionism #postwar #centrepompidou #malaga https://lnkd.in/et4wkVGe

📢New Insights!!! by ARTouch Consulting China’s 2023, post-Covid ‘reopening’ policy did not re-awaken the economy of the ‘sleeping giant’, against a global backdrop of low growth, inflation and higher interest rates, the country’s foreign trade continued to shrink. However, the ‘reopening’ did significantly revive the market and interest for visiting international exhibitions, which had, of course, ground to a halt. Crowded with exhibitions from The MET, Tate, Centre Pompidou, V&A, Thyssen-Bornemisza, Uffizi, Archives Yves Klein, The British Museum, Museum Berggruen and National Gallery, across public and private venues, particularly in Shanghai and Beijing. We recorded 141 international exhibitions presented in Mainland China, Hong Kong and Macau in 2023, some touring, some co-curated, others collections-based collaborations. Attached below is a brief review of this market in 2023, offering insights into this sector and how it might continue to develop in the near future. https://lnkd.in/ePhTN-gU