Today we launched our inaugural Reflect Reconciliation Action Plan (RAP) in Australia, solidifying our commitment to fostering impactful Indigenous partnerships and implementing programs that drive positive social change. The plan is the latest in Block's long-standing focus on supporting Indigenous communities and advancing economic empowerment through greater investment, innovation, and access. Together with our full ecosystem of businesses, including Square, Afterpay, and Cash App, Block plans to take action through engagement, education and training, community partnerships, and cultural awareness initiatives. Over the next 12 months, Block will execute the plans set out in its Reflect RAP to help contribute to a more equitable future. To learn more about Block’s commitments, you can read the full Reflect RAP here: https://lnkd.in/eHtAhsGN The report features artwork, titled Empowered Futures, from Rhonda Sampson, proud Kamilaroi artist specializing in contemporary Aboriginal art.
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Why Invest In... Banksy Banksy is a world-renowned British artist who has single-handedly transformed street art into a widely appreciated genre by both art collectors and investors. The rise of Banksy in the early 2000s signalled an unprecedented acceptance of street art in contemporary art and culture, which has garnered Banksy both global attention and success. Celebrated for his satirical stencilled graffiti, Banksy’s work often provides socio-political commentary on current events. Learn more about investing in art by downloading our Investment Guide here: https://lnkd.in/ekrmviYX
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Social Change Catalyzer, Change Consultant & Facilitator, Principal@Just Act, Social Practice Artist, Certified Presence-Based Leadership Coach, seasoned Theatre of the Oppressed Practitioner-Educator-Mentor
Here's a short excerpt from my article: We are all Civic Artists Adopting the definition of democracy as a creative process transforms everyone’s role into that of civic artist. Guided by a shared vision for social justice that has not yet manifested, through conscious practice we can develop the capacity to be changed by listening and receiving from others, while learning, like theatre artists, to accept that ideas may be preserved, built upon, edited, or edited out. As civic artists, our work becomes a daily, social practice of making, constructively reflecting on that making, then remaking “ways of being in space together that help us see beyond false constructs of superiority and inferiority without asking us to sacrifice what has shaped us" (Brown, 2021). Democracy, therefore, as a social process horizontally activated by civic artists, can be considered the ultimate act of public creativity.
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Performer, choreographer, director, embodiment facilitator, community builder, leadership developer, advocate, change-maker
I agree with Laura Zabel (herself a formidable cultural and civic leader in the arts in the Twin Cities) - it’s heartening to see media coverage that attends to the living reality of artists. There are some exciting examples of innovative solutions in support of keeping artists in the cities they make culturally vibrant through their work. Policies like guaranteed basic income for artists are not unattainable and here are some early signs of successful implementation.
This is an amazing, in-depth article in The Seattle Times -- so great to see a major paper covering the needs of individual artists and culture bearers in this way. And I'm happy to be able to share the impact of Springboard for the Arts Guaranteed Income work as more communities consider how to use basic income to create shared prosperity and greater economic justice. https://lnkd.in/geRQSP2k
How Seattle can keep its artists despite affordability crisis
seattletimes.com
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What do you know about the arts in St. Louis? #CULTURA2023 united over 300 artists, community leaders and key organizations in an exploration of local creativity, cultural engagement, and the impact of the arts on the economy in St. Louis. racstl.org/cultura/ #StLouisArts
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Looking at Canadian's renewing horizon From Pierre-Elliott to Justin, it's clear that Justice cannot be served as needed within the limits of The Rule of law. Law enforcement remains undisposed to serve Justice until Truth's Ministry of Reconciliation guides The Rule of law. Ok people, enough is enough. We must switch from Law Societies exclusive for lawyers, to all-inclusive Law Communities. The only one hope I see, is for Law Societies to become Law Communities that no longer excludes all other legal employees such as police forces and correctional employees as well as all person from the citizenship who ought to also have access to an open door in all meetings. The time for the 100% Protocol has arrived to serve Justice with Truth's Ministry of Reconciliation to oversee The Rule of law. Out of bureaucracy we go and back in the human touch first, then bureaucracy's automation can be put to serve Home Sovereignty No more lawyers in charge of our well being but rather, we replace the client-attorney privilege of secrecy with The Discretion Spectrum. Either Freedom of Speech runs on Speech of Freedom or else noise drowns out intelligence; democracy is drowning! Spectrum of Discretion is required to emerge in governance of lawyer-client secrecy privilege (see comments) https://lnkd.in/g2EVjDUW From First Nations to all Nations, Human Diversity depends on Creator's Reconciliation of All in all... "The need to learn how to compost corrupted colonization to fertilize Pioneering Colonization by which Truth and Reconciliation becomes Truth's Ministry of Reconciliation". Pioneering Colonization gets cultivated from personal to local to global while AI serves and protects The Spiritual Human Constitution from global to local to personal by establishing The Charter of Life's Benefits to govern profit making and distribution. The Spiritual Human Constitution says: Life' Spirit replicates oneness without duplicating uniqueness. AI adds up the global debt and begin to implement Truth's Ministry of Reconciliation to composts all evils generated by the love of money. Materialism becomes Matter-Realization, secured in Inspiration's Safety alive in righteousness, peace and joy in support of personal pioneering, each invested to grow into becoming within the assembling of communal socialization. Dissolve competition into Vocation Restoration Communal Arch supported Hood Motherhood supported by Matriarch + Fatherhood supported by Patriarch + Parenthood supported by Parentriarch = Communal Intimacy for The Hood... Oh look mommy, the shores of sanity, where people live in Completed Economies. They grow in Completion, not competition. Those who gained power with "profit first and last" have disqualified themselves from further decision making... https://lnkd.in/g8EvXjc #lifespirit #truthandreconciliation #truthsministryofreconciliation
ROBBIE ROBERTSON -- STOMP DANCE UNITY
https://www.youtube.com/
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Dori Tunstall published an article in Fast Company outlining three things companies can do to respectfully collaborate with Indigenous artists. 1. Have the humility to just ask "Humility requires that companies give up their sense of superiority and entitlement to approach Indigenous artists as equals. The first step is for companies to ask for collaboration instead of stealing ideas and artistic motifs (i.e. cultural appropriation)" 2. Get into alignment with Indigenous values "Indigenous relationships as the land, where the land and the people are one, represent values distinct from that of many companies, whose profits come from exploiting the land." 3. Share your platform and profits "At the center of decolonization is the willingness of European settlers and their descendants to share the land back with Indigenous peoples." This photo is the sold-out bomber jacket that's a collaboration between Justin Jacob Louis of SECTION 35, and the Canadian brand, Roots. Read the article to learn more.
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At the General Assembly for African Artistry and Innovation, our organization is dedicated to empowering marginalized communities through a unique blend of artistry, innovation, and sustainable development initiatives. At the core of our mission are four key Sustainable Development Goals (SDGs) - SDG 4 (Quality Education), SDG 8 (Decent Work and Economic Growth), SDG 9 (Industry, Innovation, and Infrastructure), and SDG 17 (Partnerships for the Goals). 1. Quality Education (SDG 4): We empower marginalized communities by providing access to quality education and skill development programs that foster creativity, innovation, and lifelong learning. Through artistry and innovation, we aim to equip individuals with the knowledge and tools to succeed in diverse fields and contribute to sustainable development. 2. Decent Work and Economic Growth (SDG 8): We support marginalized communities in accessing employment opportunities, entrepreneurship training, and economic empowerment initiatives. By promoting inclusive economic growth and decent work for all, we strive to reduce inequalities and create pathways to financial independence and stability. 3. Industry, Innovation, and Infrastructure (SDG 9): Our organization champions innovation, creativity, and sustainable infrastructure development within marginalized communities. Through artistry and innovative solutions, we aim to drive economic growth, enhance technological capabilities, and promote sustainable industrialization in alignment with SDG 9. 4. Partnerships for the Goals (SDG 17): We recognize the importance of collaboration, partnerships, and collective action in achieving sustainable development objectives. By fostering partnerships with diverse stakeholders, including artists, innovators, policymakers, and community leaders, we work towards creating a shared vision for empowerment, inclusivity, and social impact. Through our commitment to these four core SDGs, we strive to empower marginalized communities in Africa through artistry, innovation, education, economic growth, and sustainable partnerships. Our organization is dedicated to creating a platform where creativity, empowerment, and sustainable development intersect to drive positive change and foster a more inclusive and equitable society.
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The right to freedom of speech has been the bedrock of American society since our founding, and it must remain the bedrock of our modern public square today. So, let us learn to converse with one another, and may the best idea win. https://lnkd.in/gqbnWYry #freedomofspeech #freedom #thepublicsquare #thefirstamendment
Freedom of Speech and the Modern Public Square - Homeschool Freedom Action Center
https://homeschoolfreedomactioncenter.com
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Join Stone-Olafson, the Rozsa Foundation, and invited panelists to discuss the results of the 2nd wave of research on arts audiences in AB. Alberta continues to be at a crossroads brought by a pandemic that has changed public life and reshaped our economy. This is especially true in the Arts & Culture sector which continues to experience a decline in engagement with events and activities. This work was developed for this sector exclusively. It is designed to provide specific, relevant and reliable facts to support the leaders in the arts & culture sector as they build relevance and grow attendance. Key topic areas from Wave 2: -Exploring arts engagement and general perceptions -Understand audiences’ preferences for content, programming, and ticket purchasing -Understanding opportunities for increasing support and engagement This work is designed to be shared. The ultimate goal is to build on collaboration by sharing resources that can drive smart and focused engagement strategies. All are welcome. For more info and registration: https://lnkd.in/g4tH_Z_b #art #artists #yycarts #alberta #community #rozsafoundation #AudienceEngagement #audience
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In recent years, Latino artists have emerged as powerful voices in the realm of public art. 🖼️ They transform urban landscapes with vibrant murals, thought-provoking sculptures, and interactive installations. After all, these artists draw upon their rich cultural heritage and diverse experiences to create works that resonate with communities, celebrate identity, and provoke meaningful dialogue. By infusing public spaces with their unique perspectives, Latino artists not only redefine the aesthetic of cities but also foster a deeper understanding and appreciation of Latino culture and history. Their contributions are reshaping public art, making it more inclusive, dynamic, and reflective of the multicultural fabric of society: Find out who they are: https://hubs.la/Q02BW_lp0 #HispanicExecMag
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Retired
1moBlock plans to take your money and leave you on hold!