Thank you to Boston Art Review and writer Oluwatobiloba Ajayi for this terrific review of "LaToya M. Hobbs: It's Time" on view through July 21st! https://bit.ly/3VNigi0 #HarvardArtMuseums #HarvardUniversity #BostonArtReview #Printmaking #ContemporaryArt
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Inside Display Technology: Photolithography Unraveled. Dive into the process of shaping thin-film transistor (TFT) fabrication in displays, harnessing light to craft intricate circuit patterns. For further insights into photolithography, visit: https://lnkd.in/gH8ENDHk #SamsungDisplay #LearnDisplay #TFT #Photolithography #SamsungOLED
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While some are immersed in the latest digital platforms, others are reviving 500-year-old printing processes. Got me thinking... As much as I’m fascinated by the latest technologies, I love—and frequently go back to—the printed page. The plant-based thank-you card you can send someone, instead of another email. That catalogue you get in the mail, announcing a new set of toys for 2024. A gorgeously designed annual report you can flip through and share with clients at events, as opposed to a link to a PDF. Even that beautifully embossed, 28 pt, minimalist business card you receive one evening, slide in your pocket. Find the next morning, and instantly recall the connection you made. How when the internet is down at the cafe, you reach for that magazine; begin talking to your neighbour, because… well… Not to mention the books. As AI takes precedence, we shouldn’t forget the power of print—it’s authenticity and humaneness. Sometimes it’s the best type of storytelling, of friendly outreach.
How do an artist and printer collaborate? In 1988 master printer Jacob Samuel began inviting painters, sculptors, photographers, and even performance artists to collaborate with him, assisting them in adapting the 500-year-old printing technique of etching to their own artistic visions. To prepare an etching, an artist makes marks on a copper plate. The printer, harnessing acid, ink, and a powerful printing press, transfers those marks to paper, creating distinctive works of art. The projects Samuel published under his own imprint all share the same modest dimensions, are generally printed in a single color, and most are serial, unfolding across multiple sheets. Rather than restricting artists’ creativity, these limitations helped to create beautiful and versatile etchings. Discover how Samuel brought more than 60 contemporary artists’ visions to life in #NewGround, a new exhibition on view now at MoMA → mo.ma/newground
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Experts of car body graphics & film applications★focusing on the fleet & commercial vehicle identification ★Design and technology realization.
Silk screen printing, a traditional craft with inherent value and ongoing innovation, has not faded away in the corridors of history; instead, it has sparked widespread appreciation and interest among artists. Andy Warhol, the pioneer of Pop Art, radically advanced the spiritual essence of the movement through his prolific replication of artworks and lifestyle choices. Opting for screen printing as his creative medium, Warhol aimed to impart a mechanical quality to his works, resulting in a presentation marked by uniform and clinically standardized visual effects. In the realm of artistic creation, the tandem significance of both the act of creation and the underlying technology is unmistakable. Creation serves as the wellspring of technological development, and technology, in turn, stands as the essential tool for realizing creative endeavors. Consequently, artists engaged in the creative process increasingly leverage sophisticated technologies to articulate their visions. Across a spectrum of themed cultural creations, encompassing bags, pattern designs, and various visual products, the use of traditional expressions to convey modern designs is not merely an option but an innovative exploration. This practice can be seen as a dynamic collision and fusion of tradition and modernity, where these elements coalesce and thrive together in a mutually enriching journey. #CSGIA #AGSA #artreplica #screenprinting #popart #MarilynMonroe
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Another art/engineering example: 3D printed concrete interspersed with LED lighting strips to create the first 3D printed film studio. https://lnkd.in/eF7Ax-TF #artengineering #artandengineering #steam #3dprintedconcrete
World’s first 3D printed film studio by Philipp Aduatz
https://www.youtube.com/
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𝗠𝗔𝗜𝗦𝗢𝗡 𝗠𝗢𝗡𝗧𝗜𝗖𝗘𝗟𝗟𝗜 C e n t r e L a s e r & M é d e c i n e E s t h é t i q u e 𓆦 #designcard #agencedecommunication #agencedecommunicationmontpellier #medecinesthetiquemarseille #communicationprint #print #cartesdevisite #graphicdesign
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The early printing technique of polychrome xylography is covered in this week's #PrintFactFriday.
Polychrome Xylography. #PrintFactFriday
https://www.youtube.com/
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Large format LCD 3D resin printing / Enabling digital manufacturing at scale / 3d printer, photopolymer & part manufacturer / Clear stamp manufacturer
We recently showed a fast video of a #wheel being #3Dprinted on #LCTitan. I like this still of the part photo flipped 180 degrees so you can better see how it was printed. #largeformat3Dprinting
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These perfect bound books archive Scotland's rich motorcycle sporting history in two thrilling volumes. 🏍️ Relive iconic races, legendary riders, and the captivating evolution of the sport across Scotland's diverse landscapes. 🏴 #Print #Printing #PrintProducts #PrintServices #PrintingCompany #PrintProduction #PrintSolutions #PrintingBusiness #PrintDesign #PrintingPress #LithoPrinting #DigitalPrinting #PrintIsNotDead
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If you were photographing and building archives long before digital photography came along, you may want bring those older negatives and slides into the digital age for editing and printing. Film scanners are less and less available, and high-quality scanners are expensive. But you already have a digital camera that can be used to very effectively to copy your film. And that’s the key. In this seminar, I will explore ways I have been scanning my film since 1989. This demos and lectures will concentrate on my more recent approach of copying my film directly with my digital cameras and a macro lens, on my copy stand. It is a fast process. I can digitize a whole roll of film in a minute or two. Although the quality is not as good as with a high-end film scanner, the results are impressive, and have yielded very nice prints. Issues explored will be B&W and color negative conversion, contrast control, HDR encoding for contrasty film and the logistic of camera/film alignment, focus and workflow. Register for my one-day "From Your Film to Camera Seminar" on Saturday, July 27: https://bit.ly/4exPjPU
From Your Film to Camera Seminar -- Stephen Johnson Photography
stephen-johnson-gtt1.squarespace.com
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Finely Bound Set of THE WRITINGS OF HENRY DAVID THOREAU THOREAU, Henry David. THE WRITINGS OF HENRY DAVID THOREAU [WORKS]. Boston & New York: Houghton Mifflin Company, (1893). Walden Edition. Ten 5" x 7-3/4" volumes bound in publisher's 3/4 green morocco leather and marbled boards with heavy gilt spine decoration and lettering, top edges gilt. Illustrated with portraits of Thoreau and photogravures by Herbert Gleason of scenes and objects described in the works. This Walden edition, an early but not first printing, is based on the Riverside edition of 1893 and printed from the same plates as the Manuscript Edition. It was first published in six volumes without the JOURNALS which were added later. This set has the first four of the fourteen volumes of the JOURNALS and all of Thoreau's published work. Large, personal bookplate on each front pastedown; minor spots of rubbing. Near Fine and attractive on the shelf. (#021393) $2,000 https://lnkd.in/eydB2ifp
THE WRITINGS OF HENRY DAVID THOREAU WORKS by Henry David THOREAU on Charles Agvent
charlesagvent.com
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