Jimmy and Kim deal with a last-minute snag in their plan; Lalo is forced to make an unexpected move.Jimmy and Kim deal with a last-minute snag in their plan; Lalo is forced to make an unexpected move.Jimmy and Kim deal with a last-minute snag in their plan; Lalo is forced to make an unexpected move.
Michael Mando
- Nacho Varga
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- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaHoward tells Jimmy and Kim they're like "Leopold and Loeb... two sociopaths." Nathan Freudenthal Leopold Jr. and Richard Albert Loeb, usually referred to collectively as Leopold and Loeb, were two wealthy students at the University of Chicago who kidnapped and murdered 14-year-old Bobby Franks in Chicago, Illinois in May 1924. They committed the murder - characterized at the time as "the crime of the century" - as a demonstration of their ostensible intellectual superiority, which they believed enabled and entitled them to carry out a "perfect crime" without consequences.
- GoofsDeveloping the pictures in the darkroom, the camera guy tells Jimmy and Kim that "you can't rush the process." That is correct, but they have obviously enlarged a lot of negatives already. They are in a hurry, and they took a lot more pictures than they actually need. Manual enlarging takes a lot of time, which makes that step the bottleneck. In reality, they would try to avoid enlarging as many negatives as possible by selecting the best pictures beforehand and only blow up those few. For that, you would first make a quick contact print of all the negatives, and go over that with a loupe, not select a few prints after enlarging all the negatives.
- Quotes
Howard Hamlin: Who are you?
Lalo Salamanca: Me? Nobody. I just need to talk to my lawyers.
Howard Hamlin: Oh, is that right? You want some advice? Find better lawyers.
- ConnectionsFeatured in The 74th Primetime Emmy Awards (2022)
Featured review
"Plan and Execution" is the mid-season finale, it's cinematically brilliant and possibly one of the show's best episodes
Thomas Schnauz (Producer, Director and writer) directed this fine achievement in television history, for me it's among the top 10 episodes in Better Call Saul and Breaking Bad, "Plan and Execution" has everything an episode of these shows need to have and it's done brilliantly, crafting an episode you could gladly call cinema and art. There's the black comedy, top notch drama, sequences full of suspension and tension but most importantly unpredictability. No spoilers, but to describe the episode in one word, wow is the word I would use.
"Plan and Execution" is a direct continuation to the previous episode and the tension remains after Kim Wexler making that U-Turn to help Jimmy deal with a last-minute snag in their plan. But there's another story arc in the episode, in the show, it's of course the Cartel one. Lalo Salamanca and Gustavo Fring, how will it turn out? There's truly tension and suspension in every scene, and I loved every minute of it. Seeing D-Day happen and the plan Jimmy and Kim made come to fruition, well, I absolutely loved it. It's some of the best writing I've seen in television and really shows how a slow paced serialized show is the best kind of show, because of the satisfaction of watching 10+ episodes of planning and doing. I'm speechless. This was 50 minutes of superb television.
But the acting, what can I say about that? It focused mainly on Bob Odenkirk, Rhea Seehorn, Tony Dalton and Patrick Fabian. Everyone gives a brilliant and memorable performance. But the episode's best performance goes to Patrick Fabian as Howard Hamlin, I think he deserves it, it's award worthy. But there are so many performances worth talking about from Tony Dalton as Lalo Salamanca to Bob Odenkirk as Jimmy McGill/Saul Goodman, and of course I have to say that Rhea Seehorn has been killing it this season, bringing performances that deserve all praise and acclaim, for this episode, if Seehorn doesn't get nominated for her work this season, it'll be weird. Tony Dalton and Bob Odenkirk is two others who deserves an award for this season, but especially Tony Dalton. He plays Lalo so calm but yet so ice-cold, Lalo Salamanca have grown to be one of my favorite villains in the show.
The cinematography, editing and direction is three things this show and Breaking Bad have never failed as it's always been consistent in quality, extraordinary quality. You notice it in the wide shots, camera placement and everything else the cinematographer does, brilliantly done. The set design, prop placement and well the overall production design, it's perfect and when they set up the camera in their usual remarkable way, everything just looks amazing. It's a team effort, making each scene work from the director to the actors and everywhere in-between.
"Plan and Execution" is an episode that'll leave you on the edge of your seat, with scenes that'll leave you speechless. Vince Gilligan along with the writing team, truly, phenomenal work. Having a guy like Thomas Schnauz directing the episode, a man with such knowledge of the characters and world, but also a veteran so he knows the actors. You see how this is his finest work, in every scene, every frame. He loves the world of Breaking Bad and Better Call Saul, and we love him for it. He's one of many who have made this show, Better Call Saul, into the best spin-off show. For a Mid-season finale, this was the perfect way to end it, having us eagerly awaiting the second part of the final season, if it's going to be anything close to what we got in S6A, we're going to be in for one hell of a ride.
"Plan and Execution" is a direct continuation to the previous episode and the tension remains after Kim Wexler making that U-Turn to help Jimmy deal with a last-minute snag in their plan. But there's another story arc in the episode, in the show, it's of course the Cartel one. Lalo Salamanca and Gustavo Fring, how will it turn out? There's truly tension and suspension in every scene, and I loved every minute of it. Seeing D-Day happen and the plan Jimmy and Kim made come to fruition, well, I absolutely loved it. It's some of the best writing I've seen in television and really shows how a slow paced serialized show is the best kind of show, because of the satisfaction of watching 10+ episodes of planning and doing. I'm speechless. This was 50 minutes of superb television.
But the acting, what can I say about that? It focused mainly on Bob Odenkirk, Rhea Seehorn, Tony Dalton and Patrick Fabian. Everyone gives a brilliant and memorable performance. But the episode's best performance goes to Patrick Fabian as Howard Hamlin, I think he deserves it, it's award worthy. But there are so many performances worth talking about from Tony Dalton as Lalo Salamanca to Bob Odenkirk as Jimmy McGill/Saul Goodman, and of course I have to say that Rhea Seehorn has been killing it this season, bringing performances that deserve all praise and acclaim, for this episode, if Seehorn doesn't get nominated for her work this season, it'll be weird. Tony Dalton and Bob Odenkirk is two others who deserves an award for this season, but especially Tony Dalton. He plays Lalo so calm but yet so ice-cold, Lalo Salamanca have grown to be one of my favorite villains in the show.
The cinematography, editing and direction is three things this show and Breaking Bad have never failed as it's always been consistent in quality, extraordinary quality. You notice it in the wide shots, camera placement and everything else the cinematographer does, brilliantly done. The set design, prop placement and well the overall production design, it's perfect and when they set up the camera in their usual remarkable way, everything just looks amazing. It's a team effort, making each scene work from the director to the actors and everywhere in-between.
"Plan and Execution" is an episode that'll leave you on the edge of your seat, with scenes that'll leave you speechless. Vince Gilligan along with the writing team, truly, phenomenal work. Having a guy like Thomas Schnauz directing the episode, a man with such knowledge of the characters and world, but also a veteran so he knows the actors. You see how this is his finest work, in every scene, every frame. He loves the world of Breaking Bad and Better Call Saul, and we love him for it. He's one of many who have made this show, Better Call Saul, into the best spin-off show. For a Mid-season finale, this was the perfect way to end it, having us eagerly awaiting the second part of the final season, if it's going to be anything close to what we got in S6A, we're going to be in for one hell of a ride.
Details
- Runtime50 minutes
- Color
- Sound mix
- Aspect ratio
- 1.78 : 1
- 1080i (HDTV)
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