It was guilty of something fairly rare in action films: it had really good character development and a parade of characters centering on a situation instead of the "unstoppable fighter" persona so often seen in American films.
The action in this movie is second to the clockwork of characters acting within the situation they find themselves in, and I think that is what causes the lower ratings this movie gets at present. People are expecting a popcorn chewing, Stephen Segalesque brainless smack-fest and instead are treated to a decent cerebral thriller. With a very subtle sense of humor. (An instrumental "Sympathy for the Devil" by the Stones begins playing when Lennart says "Just call me Lucifer", for example.)
So the tension builds very early in the film to a warble and never relents until the very end. The peaks and valleys seen in contemporary writing are refreshingly absent here. The pace reminded me of some of the older, really good, espionage films of the '70s and early '80s.
Continuing the good; there weren't any cartoonishly evil characters nor sparkling ridiculous good guys. I could believe that Lennart (Arnold Vosloo) might've had a wife and kids to go home to. They all seemed "alive".
In fact, all the actors presented decent performances and the only one that stands out is Stephan Bieker. Stephan takes over every scene he's in and I think he's going to be a great actor.
However, the film isn't perfect, and its largest flaw is that of having too much story to cover in a short time. I felt that it could've easily been a 3 hour movie, and if it were filmed in the same manner, it'd have been a *great* film.
In short; the movie was a good effort, and it provided a really cool story with neat characters, but was ultimately too "smart" for an action flick and too short to tell the tale that needed to be spun. 6.5/10.
