Los Angeles citizens with vastly separate lives collide in interweaving stories of race, loss and redemption.Los Angeles citizens with vastly separate lives collide in interweaving stories of race, loss and redemption.Los Angeles citizens with vastly separate lives collide in interweaving stories of race, loss and redemption.
- Won 3 Oscars
- 66 wins & 112 nominations total
Thandiwe Newton
- Christine
- (as Thandie Newton)
Sean Cory Cooper
- Motorcycle Cop
- (as Sean Cory)
Eddie J. Fernandez
- Officer Gomez
- (as Eddie Fernandez)
Best Picture Winners by Year
Best Picture Winners by Year
See the complete list of Best Picture winners. For fun, use the "sort order" function to rank by IMDb rating and other criteria.
Storyline
Did you know
- TriviaPaul Haggis holds the distinction of being the only person ever to write the screenplay for two consecutive Best Picture winners. He also wrote the previous year's Best Picture winner, Million Dollar Baby (2004).
- GoofsPartway through Officer Ryan's rescue of Christine from her overturned SUV, the camera ran out of film, as evidenced by film sprocket holes appearing in the frame. This is an acknowledged goof from director Paul Haggis.
- Quotes
[first lines]
Graham: It's the sense of touch. In any real city, you walk, you know? You brush past people, people bump into you. In L.A., nobody touches you. We're always behind this metal and glass. I think we miss that touch so much, that we crash into each other, just so we can feel something.
- Crazy creditsProducers gratefully acknowledge the valuable assistance of The Culbert Family; Members of the Actors Gym, Hollywood, California.
- Alternate versionsThe two-disc director's cut DVD features an additional two minutes of dialogue and footage
- ConnectionsFeatured in 'Crash' Featurette (2005)
- SoundtracksCity of Angel
Written by Sungsoo Kim
Published by Nirvana Music
Performed by Sungsoo Kim
Courtesy of Cats Records
Featured review
Review: Ensemble cast delivers top-notch performances in reflective drama
In a drama strikingly reminiscent in style and tone of P.T. Anderson's film Magnolia (1999), the narrative in Crash shifts between 5 or 6 different groups of seemingly unconnected characters, whose relationships to each other are only revealed in the end.
Not to be confused with the David Cronenberg feature of the same name, this Crash is the feature-length, studio-released directorial debut of veteran Canadian TV writer/producer/director and two-time Emmy-winner Paul Haggis. An in-depth exploration on the themes of racism and prejudice, cause and effect, chance and coincidence, and tragedy, "crash" is a metaphor for the collisions between strangers in the course of day-to-day existence. Set over a 24-hour period in contemporary L.A., it is a social commentary on the interconnectedness of life in the big city.
Crash features a top-notch ensemble cast which includes: Sandra Bullock, Don Cheadle, Matt Dillon, Jennifer Esposito, Brendan Fraser, Chris "Ludacris" Bridges, Loretta Devine, Thandie Newton, Ryan Phillipe and Larenz Tate. All put in superb performances in a tight script which is at once gritty, heartwarming, shocking, tragic and witty, and which will ring true with viewers of all demographics.
Centering around two disturbing car accidents, a carjacking, vicious workplace vandalism, and the suspicious shooting death of one police officer by another, the drama is set against the backdrop of a racist LAPD and Los Angeles justice system. Action shifts between the various characters, whose lives collide with each other in unpredictable ways as each faces their own moral dilemma, and tries to cope with the consequences of their resulting decision made or action taken. Each of the dozen or so main characters undergoes some type of a personal metamorphosis as the various story lines head toward a striking, common conclusion, which succeeds at being both cathartic and unsettling.
Crash is backed by a solid and varied, original soundtrack and excellent cinematography. Sweeping, wider shots alternate with disjointed camera angles which convey the chaos and confusion of the characters and the unpredictability of life. Occasional lingering close-ups -- on occasion without sound -- capture the actors' facial expressions, which suitably detail key moments of the characters' aching pain, fear, anger, bitter anguish, remorse or grief, far better than any dialogue could.
This breathtaking film is destined to be a critical smash and box-office hit. Five stars.
Not to be confused with the David Cronenberg feature of the same name, this Crash is the feature-length, studio-released directorial debut of veteran Canadian TV writer/producer/director and two-time Emmy-winner Paul Haggis. An in-depth exploration on the themes of racism and prejudice, cause and effect, chance and coincidence, and tragedy, "crash" is a metaphor for the collisions between strangers in the course of day-to-day existence. Set over a 24-hour period in contemporary L.A., it is a social commentary on the interconnectedness of life in the big city.
Crash features a top-notch ensemble cast which includes: Sandra Bullock, Don Cheadle, Matt Dillon, Jennifer Esposito, Brendan Fraser, Chris "Ludacris" Bridges, Loretta Devine, Thandie Newton, Ryan Phillipe and Larenz Tate. All put in superb performances in a tight script which is at once gritty, heartwarming, shocking, tragic and witty, and which will ring true with viewers of all demographics.
Centering around two disturbing car accidents, a carjacking, vicious workplace vandalism, and the suspicious shooting death of one police officer by another, the drama is set against the backdrop of a racist LAPD and Los Angeles justice system. Action shifts between the various characters, whose lives collide with each other in unpredictable ways as each faces their own moral dilemma, and tries to cope with the consequences of their resulting decision made or action taken. Each of the dozen or so main characters undergoes some type of a personal metamorphosis as the various story lines head toward a striking, common conclusion, which succeeds at being both cathartic and unsettling.
Crash is backed by a solid and varied, original soundtrack and excellent cinematography. Sweeping, wider shots alternate with disjointed camera angles which convey the chaos and confusion of the characters and the unpredictability of life. Occasional lingering close-ups -- on occasion without sound -- capture the actors' facial expressions, which suitably detail key moments of the characters' aching pain, fear, anger, bitter anguish, remorse or grief, far better than any dialogue could.
This breathtaking film is destined to be a critical smash and box-office hit. Five stars.
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Details
- Release date
- Countries of origin
- Official site
- Languages
- Also known as
- Alto impacto
- Filming locations
- 3500 S. Gaffey Street, San Pedro, Los Angeles, California, USA(overturned car accident)
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $6,500,000 (estimated)
- Gross US & Canada
- $54,580,300
- Opening weekend US & Canada
- $9,107,071
- May 8, 2005
- Gross worldwide
- $98,410,061
- Runtime1 hour 52 minutes
- Color
- Sound mix
- Aspect ratio
- 2.35 : 1
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