In the secluded halls of "Chi o suu bara" (a.k.a. "Evil of Dracula"), director Michio Yamamoto conjures a uniquely Japanese vampire tale. While Dracula himself remains elusive, the film's cyanotic bloodsuckers and eerie atmosphere cast a hypnotic spell.
Professor Shiraki (Toshio Kurosawa) arrives at the Seimei School for girls, where tragedy lingers like a shadow. The principal's wife lies in the basement, her coffin awaiting the customary seven days. As students vanish, Shiraki grapples with nightmares and inexplicable encounters. The scent of roses-white, then crimson-haunts the bitten.
Toshio Kurosawa's portrayal of Shiraki balances skepticism and dread. His encounter with a vampire-dismissed as a dream-sets the stage for chaos.
Kunie Tanaka's Doctor Shimimura unravels the mystery of tiny needle marks on a fainting student. The symbolism of the white rose turning red adds an intriguing layer.
Omoe Mari's Keiko Nonomiya, the missing student, embodies vulnerability and allure. Her transformation is both tragic and seductive.
Shin Kishida commands the screen as the main bloodsucker. His savage hunger and physical power evoke primal fear.
"Evil of Dracula" dances on the edge of folklore and fever dream. Its flaws-awkward dialogue and shallow emotions-fade against the crimson backdrop. A cult gem for vampire aficionados.
ππΉ Sink your teeth into this Japanese nocturne-a haunting symphony of blood and longing. ππΉ
