A blackmailer is murdered, and the police find that there is a long list of suspects who wanted to see him dead.A blackmailer is murdered, and the police find that there is a long list of suspects who wanted to see him dead.A blackmailer is murdered, and the police find that there is a long list of suspects who wanted to see him dead.
Photos
Ingeborg von Kusserow
- Emma
- (as Ingeborg Wells)
John Adams
- Detective Brown
- (uncredited)
Chris Adcock
- Cafe Customer
- (uncredited)
Fred Haggerty
- Police Sergeant
- (uncredited)
Sidney Vivian
- Police Inspector
- (uncredited)
John H. Watson
- Bert - Cafe Customer
- (uncredited)
Storyline
Did you know
- GoofsJimmy tries to put a pistol in his jacket pocket three times and misses. He finally puts it in his pants pocket.
Featured review
House of Blackmail
A foolish young man named Billy Blane has forged a cheque for £200 and is threatened with arrest unless he pays £5,000 to the urbane and wealthy Markham. His artist sister, Carol (Mary Germaine) tries to get him out of it by agreeing to meet Markham in his old country house. On the way, she picks up a good-looking and garrulous hitch-hiker (William Sylvester) who calls himself Jimmy. The radio, meanwhile, speaks of an escaped convict from a nearby prison. Jimmy agrees to accompany Carol to the house and pose as her lawyer in an attempt to unnerve Markham.
There, they meet Markham (Alexander Gauge) and his two associates, an elderly Eastern European doctor (Hugo Schuster) and a sharp-tongued American (John Arnatt), also a Polish maid (Ingeborg von Kusserow) and a seedy, spying butler (Denis Shaw). After some sparring from Jimmy, Carol agrees to pay the money, but is unable to withdraw it from her bank until morning. The pair must remain until then and, with the windows electronically secured, there is no way to escape. During the night, Markham is murdered, and the killer could only have been someone staying at the house...
There is much intrigue and some witty dialogue to be enjoyed in this early fifties B-film, which reveals its small budget with its studio-bound setting and recycled score (at one point, it sounded like something from a Norman Wisdom film!). American William Sylvester is ebullient as Jimmy and, with his mid-Atlantic accent, could well have made an excellent Saint. As usual, Alexander Gauge is wonderfully erudite as the disreputable Markham, another of his reasonable-criminal roles, while the British actor John Arnatt displays a convincing American accent as the man who takes charge. There is also some decent characterisation - for example, with Bassett the butler and his listening at keyholes and room of pin-ups - and much creepy sneaking about, which I always love. Despite the gothic aesthetics, however, this is emphatically a mystery, not a thriller, and a pretty straightforward one at that. It's about the characters' interaction - not wanting to be alone or with any of the others either - and also keeps us guessing as to whether Jimmy is the escaped prisoner or not. The ending is neat, simple and reasonably satisfying, while everything before it is enjoyable too. An average film, of course, but that should be no insult when such things are as fun as this.
There, they meet Markham (Alexander Gauge) and his two associates, an elderly Eastern European doctor (Hugo Schuster) and a sharp-tongued American (John Arnatt), also a Polish maid (Ingeborg von Kusserow) and a seedy, spying butler (Denis Shaw). After some sparring from Jimmy, Carol agrees to pay the money, but is unable to withdraw it from her bank until morning. The pair must remain until then and, with the windows electronically secured, there is no way to escape. During the night, Markham is murdered, and the killer could only have been someone staying at the house...
There is much intrigue and some witty dialogue to be enjoyed in this early fifties B-film, which reveals its small budget with its studio-bound setting and recycled score (at one point, it sounded like something from a Norman Wisdom film!). American William Sylvester is ebullient as Jimmy and, with his mid-Atlantic accent, could well have made an excellent Saint. As usual, Alexander Gauge is wonderfully erudite as the disreputable Markham, another of his reasonable-criminal roles, while the British actor John Arnatt displays a convincing American accent as the man who takes charge. There is also some decent characterisation - for example, with Bassett the butler and his listening at keyholes and room of pin-ups - and much creepy sneaking about, which I always love. Despite the gothic aesthetics, however, this is emphatically a mystery, not a thriller, and a pretty straightforward one at that. It's about the characters' interaction - not wanting to be alone or with any of the others either - and also keeps us guessing as to whether Jimmy is the escaped prisoner or not. The ending is neat, simple and reasonably satisfying, while everything before it is enjoyable too. An average film, of course, but that should be no insult when such things are as fun as this.
- djfjflsflscv
- Apr 2, 2020
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Details
- Release date
- Country of origin
- Language
- Also known as
- Räkna med mord
- Filming locations
- Nettlefold Studios, Walton-on-Thames, Surrey, England, UK(studio: made at Nettlefold Studios Walton-on-Thames)
- Production company
- See more company credits at IMDbPro
- Runtime1 hour 12 minutes
- Color
- Aspect ratio
- 1.37 : 1
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