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Beneath every placid surface and between each crashing wave, the movies’ most magical aquatic adventures portend the possibility of mermaids. Half-human, half-fish creatures swam onto the big screen at the turn of the 20th century, appearing in silent works such as Georges Méliès‘ 1904 short film “The Mermaid” and John G. Adolfi’s 1918 feature “Queen of the Sea” among others. The mythical archetype was subsequently reeled in as the effervescent love interest template for numerous ’30s and ’40s rom-coms, with the concept perfected in Irving Pichel’s well-loved talky “Mr. Peabody and the Mermaid,” starring Ann Blyth.

The siren songs characteristic of these mysterious ocean-dwellers even resulted in a string of MGM aqua musicals. Disney’s “The Little Mermaid” brought the mermaid musical to the animation-loving masses in 1989, winning Best Original Score and Best Original Song for “Under the Sea” at the Oscars. Darryl Hannah appeared opposite Tom Hanks not much...

No jokes about fish and visitors please — Agnieszka Smoczyńska’s horror fantasy musical is indeed about delectable creatures from the deep, but these particular mythical misses have their own agenda, and woe to the man who trifles with their affections. What’s today’s catch? A Polish phantasmagoria seemingly teleported from the glitzy 1980s.

The Lure

Blu-ray

The Criterion Collection 896

2015 / Color / 2:39 widescreen / 92 min. / available through The Criterion Collection / Street Date October 10, 2017 / 39.95

Starring: Kinga Preis, Michalina Olszańska, Marta Mazurek, Jakub Gierszał, Andrzej Konopka, Zygmunt Malanowicz, Marcin Kowalczyk.

Cinematography: Kuba Kijowski

Film Editor: Jarosław Kamiński

Production Design: Joanna Macha

Costume: Katarzyna Lewińska

Special Effects makeup: Tomasz Matraszek

Choreography: Kaya Kołodziejczyk and Jarosław Staniek

Original Music and Lyrics: Barbara Wrońska and Zuzanna Wrońska

Written by Robert Bolesto

Produced by Włodzimierz Niderhaus

Directed by Agnieszka Smoczyńska

I’m normally an easy mark for bizarre genre-bending horror fare. I also like musicals of all sorts,...

Ann Blyth today: Light songs and heavy drama on TCM Ann Blyth, a 1940s Universal leading lady best remembered for her Oscar-nominated performance as Joan Crawford’s cute-but-sociopathic teenage daughter in Warner Bros.’ Mildred Pierce, is Turner Classic Movies’ "Summer Under the Stars" star on Friday, August 16, 2013. Note: Today, Ann Blyth, one of the earliest surviving Oscar nominees in the acting categories, turns 85 years old. (See: “Ann Blyth Movies: TCM Schedule.”) (Photo: Ann Blyth ca. 1955.) First, the good news: Ann Blyth is a likable, talented actress and singer, and it’s great that TCM is dedicating a whole day to her movies. The bad news: As mentioned above, Ann Blyth was mostly (1944-1952) a Universal star; TCM is presenting only one of Blyth’s Universal movies, Brute Force (1947), which has been shown before. In other words, not a chance of finally having the opportunity to catch Ann Blyth in B...

1948 was a good year for mermaids.

In Britain, producer Betty E. Box presented Miranda, starring Glynis Johns as a Cornish water-nymph who goes on dry land disguised as an invalid, making merry with the menfolk. Six years later, a sequel, Mad About Men, continued the character's amorous adventures in Technicolor.

Meanwhile in America, William Powell romanced mute mermaid Ann Blyth, an apparent manifestation of his mid-life crisis, in Mr. Peabody and the Mermaid. (Tarzan and the Mermaids, the same year, did not supply any true amphbious ladies.)

What do these fish stories reveal about their respective countries of origin? None of the films' directors have much in the way of auteur credentials—Ken Annakin directed the first Miranda film, staying true to the tradition of innocuous entertainment which was the defining quality of his career, and Ralph Thomas directed the second: though his son Jeremy has produced major films for Bertolucci and Cronenberg,...

We start the Top 7. You finish the Top 10.

Pirates of the Caribbean: On Stranger Tides, starring Johnny Depp, brings mermaids back to the big screen. If you get the urge to see mermaids (or other similar sea women) at home, try out some of these titles. It’s The Scorecard Review’s Top 7 Mermaid Movies.

Read Jeff Bayer’s full “Pirates of the Caribbean: On Stranger Tides” scorecard review

Read Aaron Ruffcorn’s Top 7 “Pirates of the Caribbean” Characters

7. Night Tide (1961)

Recap: Sailor Johnny Drake (Dennis Hopper) meets a beautiful woman named Mora (Linda Lawson) while on shore leave in Santa Monica. He pursues her and things seem to be going well, until she reveals that she not only plays a mermaid on the Amusement Pier, but also believes she’s really a “sea person.” Then Johnny learns two of her past boyfriends died mysteriously and wonders if he’s in trouble.

Ann Blyth is pictured in the photo above with Academy director of special projects Randy Haberkamp during a chat following a screening of Michael Curtiz’s film noir classic Mildred Pierce. Starring Blyth, Joan Crawford, Zachary Scott, Jack Carson, Eve Arden, and Bruce Bennett, Mildred Pierce was shown as the part of the "Oscar Noir" series at the Academy of Motion Picture Arts and Sciences’ Samuel Goldwyn Theater in Beverly Hills on Monday, June 14, 2010. Blyth starred or was featured in about three dozen movies from 1944 to 1957. She was cast opposite numerous major Hollywood stars, among them Charles Boyer in A Woman’s Vengeance (1947), Burt Lancaster in Brute Force (1947), Fredric March in Another Part of the Forest (1948), William Powell in Mr. Peabody and the Mermaid (1948), Claudette Colbert in Thunder on the Hill (1950), Mario Lanza in The Great [...]...

Technically, Ondine -- the title character of Neil Jordan's new film -- isn't a mermaid. When she winds up in fisherman Colin Farrell's net in the middle of the ocean, his daughter (Alison Barry) becomes convinced that she might be a selkie, a mythological seal-human hybrid of European folklore that the father and daughter take in as one of their own.

But, after all, a rose by any other name would smell just as sweet, and a mermaid by any other name would smell just as briny. Whatever you want to call its subject, "Ondine" certainly follows many of the rules of mermaid movies established by its cinematic predecessors. To wit, here are some rules to live by when your average Joe pulls out a mermaid from the sea (oh, and beware landlubbers, some Spoilers be near):

1) They're about testing the possibility of impossible love.

Most mermaid movies,...