A beautiful young woman takes her father's place as the prisoner of a mysterious beast, who wishes to marry her.A beautiful young woman takes her father's place as the prisoner of a mysterious beast, who wishes to marry her.A beautiful young woman takes her father's place as the prisoner of a mysterious beast, who wishes to marry her.
- Awards
- 1 win & 2 nominations
- Merchant
- (scenes deleted)
- (credit only)
- La Belle (1995 opera version)
- (singing voice)
- The Father
- (singing voice)
- …
- Félicie (1995 opera version)
- (singing voice)
- Adélaïde (1995 opera version)
- (singing voice)
- La Bête
- (singing voice)
- …
- Ludovic (1995 opera version)
- (singing voice)
- Voice of Magic
- (voice)
- (uncredited)
- Footman
- (uncredited)
- Footman
- (uncredited)
Storyline
Did you know
- TriviaThe effect of the candles lighting themselves as the merchant passes them was achieved by blowing them out and then running the film in reverse as he walked backward past them. The entire sequence was done in one long take and reversed - a quick glimpse of the fireplace shows the flames appearing to move downward.
- GoofsAs Belle and The Beast walk in the garden, a comparatively modernly dressed boy in short pants is visible for a few seconds to the top right behind them.
- Quotes
Opening Title: Children believe what we tell them. They have complete faith in us. They believe that a rose plucked from a garden can plunge a family into conflict. They believe that the hands of a human beast will smoke when he slays a victim, and that this will cause the beast shame when a young maiden takes up residence in his home. They believe a thousand other simple things. I ask of you a little of this childlike simplicity, and, to bring us luck, let me speak four truly magic words, childhood's "Open Sesame": "Once upon a time..." Jean Cocteau
- Crazy creditsThe title and some of the opening credits are written with chalk on a blackboard, and then erased.
- Alternate versionsThe 1946 American release of the film had an entirely different set of opening credits, and is the one available on VHS. In that release, these credits were presented straightforwardly, with nothing unusual about them, and with the title in English. In the film's original release, available on DVD, the credits were written on a blackboard, in what is known as cursive handwriting, the same type of writing in which the opening prologue appears. After every credit, Jean Cocteau's hand would erase it and write the next credit with what appeared to be chalk. Then, after the credits ended, a film clapboard was seen, it was slammed together, as they always are just before a film director yells "Action!", and then the film's written prologue was seen.
- ConnectionsEdited into Histoire(s) du cinéma: Fatale beauté (1994)
- SoundtracksLa belle et la bête
an opera by Philip Glass
(Not part of the original soundtrack, and not heard in the film's first two releases)
© 1995 Nonesuch Records for the US and WEA International Inc. for the world outside of the United States
The amazing set design also impressed me about this film. Again, without the modern conveniences of today's cinema, Cocteau had to improvise. This was hard for him to do. Not only were there huge budgetary issues (since it was the end of WWII and France was about to be demolished), but also he was racing against an impending war. Fear was deep in the hearts of the French after WWII, and what a better way to rally your people then with a story about love found in the darkest of places.
This film also made me very sad. I am sometimes disgusted with the way that Disney ... for lack of a better word ... Disney-fies their fairy tales. I think after watching this masterpiece I will have trouble ever being able to go back to the computer generated "Song as Old as Time" version that Disney plastered their trademark to. Never have I been so impressed with black and white cinematography as I have been with this film. The actress that plays Belle, Josette Day, steals the camera every time it is on her. She looks so radiant with the black and white that to see a colorized version of this film would completely do it injustice. The power and emotion that comes between Belle and the Beast feels so true. Cocteau has somehow grabbed the true feeling of two people that are complete opposites that seem to find true love in the coldest of places. I would be one of those reviewers that believes that if this film were released today, it would still pull the audiences in as it did the first time. Only proving that it was made well before it's time, it shows so many of the characteristics of the modern day movie. Even the special effects seem perfect for this film. Even with budget being sub-par, we are able to get a true feeling that this Beast is one of the magical kind.
Oh, this film was superb. I would have to say that it is the best adaptation of a fairy tale that I have seen today. Definitely my best 40s film (made in 1946), and possibly the best telling of Beauty and the Beast EVER!!
Grade: ***** out of *****
- film-critic
- Sep 22, 2004
- Permalink
Details
Box office
- Gross US & Canada
- $298,718
- Opening weekend US & Canada
- $3,708
- Jun 23, 2002
- Gross worldwide
- $298,718
- Runtime1 hour 33 minutes
- Color
- Sound mix
- Aspect ratio
- 1.37 : 1