"The Red Kimona" is a film created to explore a social evil; it's one of a series of pictures made for that purpose in the early days of cinema. (See the work of director Lois Weber for additional examples.) It's not a movie for everybody--viewers looking for pure entertainment will prefer the slapstick comedies or adventure stories of the silent era--but for those interested in social history, and able to take the picture on its own old-fashioned terms, it's a very watchable if melodramatic film, with excellent production values and a fine cast. (In fact, I didn't mean to watch the whole thing in one sitting, but had trouble turning it off.)
I loved Priscilla Bonner in the main role (she's best known today for a supporting part in Clara Bow's "It," but also does one of the most heartfelt close-ups I've ever seen on film in Harry Langdon's "The Strong Man"). Her character changes convincingly as the story goes through several years--at one point Bonner seems to age before the audience's eyes as her character faces a tough choice. The camera-work and lighting are very striking, and certainly work to help Bonner's performance. A few sequences make good use of on-the-spot locations, like the Giant Dipper roller coaster at (I believe) the Venice, CA amusement pier, and the downtown streets of Los Angeles. The supporting players all look interesting and do well. I agreed with another reviewer that the costumes were a little confusing, since they appear to be from the early 1920's although the film is set in 1917. They don't all quite look like the fashions of 1925, when the film was released, but they don't seem totally pre-war either. (The title refers to a dressing gown the heroine wears.) But period costume authenticity was something that wouldn't really be established until later in film history.
Modern viewers may have difficulty with some details of the plot, as I did. Because of the censorship laws of the time, the filmmakers presumably weren't allowed to mention the word "prostitution," so it took me a little while to figure out exactly what was going on. But it eventually became clear.
The Kino DVD release has a pleasant, low-key piano soundtrack by Robert Israel that I really enjoyed.
