NOTE IMDb
7,0/10
10 k
MA NOTE
Un jeune tireur forme une alliance ténue avec un ancien hors-la-loi vieillissant pour traquer et éliminer les bandits qui ont tué sa famille, jusqu'à la fin surprenante.Un jeune tireur forme une alliance ténue avec un ancien hors-la-loi vieillissant pour traquer et éliminer les bandits qui ont tué sa famille, jusqu'à la fin surprenante.Un jeune tireur forme une alliance ténue avec un ancien hors-la-loi vieillissant pour traquer et éliminer les bandits qui ont tué sa famille, jusqu'à la fin surprenante.
José Torres
- Pedro
- (as Jose Torres)
Nazzareno Natale
- Pedro Henchman
- (as Natale Nazareno)
Histoire
Le saviez-vous
- AnecdotesThe original title of the film was "Duel in the Wind." Lee Van Cleef came up with the Italian title while discussing the movie with John Phillip Law, who saw the film as a "man to man" story. Van Cleef remarked, "Why don't they call it 'From Man to Man'?" The Italian producers liked how it sounded in Italian ("Da Uomo a Uomo") so much they used it. Then the film was subsequently retitled "Death Rides a Horse" in English-speaking markets, which Law said he never liked.
- GaffesAt about 38 minutes the barman is thrown out of window and when he re-enters the saloon he is shot, after which he falls into the street. He is then seen being thrown out of the bar a second time almost immediately afterwards.
- Versions alternativesSome versions, including the Japanese DVD release from SPO, are missing a single shot of a person being stabbed (in the opening sequence), cut by the censors on the film's first English language release in the 1960s. Subsequent DVD releases from MGM in Europe contain the uncut version, with the shot of the stabbing included in the film.
- ConnexionsFeatured in The Swinging Lust World of John Phillip Law (2007)
- Bandes originalesDeath Rides A Horse
Composed by Maurizio Graf (as Attansio) and Ennio Morricone
Performed by Cantori Moderni Di Alessandroni
Commentaire à la une
Fifteen years after the brutal massacre of his family by vicious outlaws, Bill (John Phillip Law) is finally ready for revenge, having perfected his gun-slinging skills; however, the young man finds himself facing competition from recently released criminal Ryan (Lee Van Cleef), who is also gunning for the murderous gang.
Death Rides a Horse marks my very first foray into the spaghetti western genre outside of the relative safety of Sergio Leone's better known movies, and while it's not quite on a par with the Leone classics, the film is still a solidly entertaining adventure that certainly can't be accused of not trying
Between the film's brutal, rain-lashed opening massacre and its wind-swept gun-fight finalé, Death Rides A Horse delivers almost all the elements one might reasonably expect from the genre: a dashing, gun-slinging hero hell-bent on revenge, a grizzled ex-convict with a score to settle, loathsome villains, wonderful widescreen cinematography, a jail-break, a lynch-mob, fist fights, whisky drinking, poker playing, lots of rapid-zoom close-ups of eyes, a cool Ennio Morricone score, a village of scared Mexicans, and just a little gallows humour.
Where the film suffers somewhat is with its rather pedestrian plot, that offers too few genuine surprises, and which, at almost two hours, resorts to padding out the action by having the lead characters take it in turns to put themselves in mortal danger, only for one to be saved by the other. This nonsense takes some swallowing, but director Giulio Petroni's stylish handling, some gritty violence, and a fine performance from Van Cleef ensure that the film never drags.
While this might not be a top-tier spaghetti western, it's impressed me enough to make me want to check out further non-Leone movies.
Death Rides a Horse marks my very first foray into the spaghetti western genre outside of the relative safety of Sergio Leone's better known movies, and while it's not quite on a par with the Leone classics, the film is still a solidly entertaining adventure that certainly can't be accused of not trying
Between the film's brutal, rain-lashed opening massacre and its wind-swept gun-fight finalé, Death Rides A Horse delivers almost all the elements one might reasonably expect from the genre: a dashing, gun-slinging hero hell-bent on revenge, a grizzled ex-convict with a score to settle, loathsome villains, wonderful widescreen cinematography, a jail-break, a lynch-mob, fist fights, whisky drinking, poker playing, lots of rapid-zoom close-ups of eyes, a cool Ennio Morricone score, a village of scared Mexicans, and just a little gallows humour.
Where the film suffers somewhat is with its rather pedestrian plot, that offers too few genuine surprises, and which, at almost two hours, resorts to padding out the action by having the lead characters take it in turns to put themselves in mortal danger, only for one to be saved by the other. This nonsense takes some swallowing, but director Giulio Petroni's stylish handling, some gritty violence, and a fine performance from Van Cleef ensure that the film never drags.
While this might not be a top-tier spaghetti western, it's impressed me enough to make me want to check out further non-Leone movies.
- BA_Harrison
- 18 févr. 2015
- Permalien
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- How long is Death Rides a Horse?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Langues
- Aussi connu sous le nom de
- D'homme à homme
- Lieux de tournage
- La Calahorra, Granada, Andalucía, Espagne(Train scenes)
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
- Durée2 heures
- Mixage
- Rapport de forme
- 2.35 : 1
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By what name was La mort était au rendez-vous (1967) officially released in India in English?
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