El inconformista profesor John Keating utiliza la poesía para animar a sus alumnos del internado a alcanzar nuevas cotas de autoexpresión.El inconformista profesor John Keating utiliza la poesía para animar a sus alumnos del internado a alcanzar nuevas cotas de autoexpresión.El inconformista profesor John Keating utiliza la poesía para animar a sus alumnos del internado a alcanzar nuevas cotas de autoexpresión.
- Ganó 1 premio Óscar
- 20 premios y 19 nominaciones en total
Lara Flynn Boyle
- Ginny Danburry
- (escenas eliminadas)
Argumento
¿Sabías que...?
- CuriosidadesWhat attracted Robin Williams to the role of John Keating more than anything else was that he was the type of teacher he, in his school days, always wished he had.
- PifiasKeating's impression of Marlon Brando is not an anachronistic reference to El padrino (1972) but to his role as Mark Antony in Julio César (1953).
- Citas
McAllister: "Show me the heart unfettered by foolish dreams and I'll show you a happy man."
John Keating: "But only in their dreams can men be truly free. 'Twas always thus, and always thus will be."
McAllister: Tennyson?
John Keating: No, Keating.
- Versiones alternativasTV version shown on USA Network (and released on laserdisc) includes 14 minutes of extra footage not included in the original theatrical release.
- Banda sonora'Water Music': Suite III in D 'Allegro'
Music by George Frideric Handel
Performed by Stuttgarter Kammerorchester (as The Stuttgart Chamber Orchestra)
Conducted by Karl Münchinger
Courtesy of London Records
A Division of PolyGram Classics
Reseña destacada
... and yet it has grown on me to where it is one of my favorites.
When I first saw this in the theater I felt disappointed and baited and switched. Robin Williams may be top billed, but he is not the center of the film although he is the motivating character. He is a new teacher at an elite private school for boys that has traditions that probably nobody remembers the reasons for. Williams' character is out of step with the rest of the faculty at the school and encourages his students to seize the day. Anyone who grew up with the overbearing-we-expect-more-out-of-you parents, or even attended boarding school, or grew up in some similar environment can identify with the students in the film.
Every aspect of this film is powerful. From screenplay to direction, casting to acting, the movie drags us into a world of teenagers that are REAL. Sometimes funny, sometimes sad, sometimes rebellious ... sometimes they win, sometimes they lose. This is very much a Peter Weir film. The screenplay is one the most powerful ones ever, and one characteristic of this movie is the evolution the characters go through. Just like Truman Show, Witness, The Last Wave and Fearless, Weir drags his characters into the story and changes them. He evolves them so that, in the end, his characters are more human and feel something beyond traditional beliefs and codes; Things that people have died for throughout history: Freedom, Respect, Pride... things that may not be that important to an average person, things that make one a hero.
When I first saw this in the theater I felt disappointed and baited and switched. Robin Williams may be top billed, but he is not the center of the film although he is the motivating character. He is a new teacher at an elite private school for boys that has traditions that probably nobody remembers the reasons for. Williams' character is out of step with the rest of the faculty at the school and encourages his students to seize the day. Anyone who grew up with the overbearing-we-expect-more-out-of-you parents, or even attended boarding school, or grew up in some similar environment can identify with the students in the film.
Every aspect of this film is powerful. From screenplay to direction, casting to acting, the movie drags us into a world of teenagers that are REAL. Sometimes funny, sometimes sad, sometimes rebellious ... sometimes they win, sometimes they lose. This is very much a Peter Weir film. The screenplay is one the most powerful ones ever, and one characteristic of this movie is the evolution the characters go through. Just like Truman Show, Witness, The Last Wave and Fearless, Weir drags his characters into the story and changes them. He evolves them so that, in the end, his characters are more human and feel something beyond traditional beliefs and codes; Things that people have died for throughout history: Freedom, Respect, Pride... things that may not be that important to an average person, things that make one a hero.
- AlsExGal
- 3 ago 2023
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Detalles
- Fecha de lanzamiento
- País de origen
- Idiomas
- Títulos en diferentes países
- El club dels poetes morts
- Localizaciones del rodaje
- Empresas productoras
- Ver más compañías en los créditos en IMDbPro
Taquilla
- Presupuesto
- 16.400.000 US$ (estimación)
- Recaudación en Estados Unidos y Canadá
- 95.860.116 US$
- Fin de semana de estreno en EE. UU. y Canadá
- 340.456 US$
- 4 jun 1989
- Recaudación en todo el mundo
- 235.860.116 US$
- Duración2 horas 8 minutos
- Color
- Relación de aspecto
- 1.85 : 1
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Principal laguna de datos
What is the streaming release date of El club de los poetas muertos (1989) in Australia?
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