Ohjaus:
Ryan CooglerKuvaus:
Rachel MorrisonSävellys:
Ludwig GöranssonNäyttelijät:
Chadwick Boseman, Michael B. Jordan, Lupita Nyong'o, Danai Gurira, Martin Freeman, Daniel Kaluuya, Letitia Wright, Winston Duke, Sterling K. Brown (lisää)Suoratoistopalvelut (5)
Juonikuvaukset(1)
Marvel Studiosin uutuusseikkailun Black Panther pääosassa nähdään T’Challa, joka palaa elokuvan “Captain America: Civil War” tapahtumien jälkeen taas kotiin Afrikkaan eristyneeseen mutta teknisesti edistykselliseen Wakandaan ottaakseen paikkansa maan kuninkaana. Kuitenkin kun vanha vihollinen ilmaantuu kuvioihin, T'Challasta otetaan mittaa sekä kuninkaana että supersankari Black Pantherina hänen tempautuessaan mukaan taisteluun, jossa pelissä on sekä Wakandan että koko maailman kohtalo. (Walt Disney Nordic Fin.)
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Direction-wise a solidly crafted Marvel movie with literally amazing action scenes, but with an average main character. The existence of the comic book character doesn’t help him and neither does the fact that Marvel is attempting to balance the representation of genders of the human race. Maybe it wasn’t intended in that way, but it definitely looks like it; Wakanda is so boring and unfunny that it’s hard to find anything positive about it. But yeah, I realize that Black Panther has a place in the universe. He for sure won’t be my favorite hero, though. ()
Last year, Marvel decided to try and make us laugh in theaters, which it did quite well, but I'm very glad that Black Panther isn't afraid to play on a more serious note. Again, there's some humor, but this time we get a Marvel movie that's much more personal, serious, and earnest. And it works brilliantly. Ryan Coogler manages to work cleverly with the characters, their traumas and motives, and as a result we have perhaps the best Marvel villain, one whose actions we can understand, relate to and respect. And then there's Wakanda itself, a visually stunning world full of colourful costumes, masks, music and a stylish combination of modern technology and African traditions. There are several "wow" moments here, and they appear both during the ordinary macho machismo of the unglamorous world, and in the elaborate action scenes. Towards the end, though, it all gets a little out of hand and we get a perhaps unnecessary wildness. But the result is still an excellent Marvel film that attempts to test whether audiences would be able to stomach a comic book movie that's a little more serious in addition to the already slightly corny antics. Personally, I appreciate this approach much more than the goofing around in Thor. ()
It's definitely not the best Marvel film, and a big role in the hype is played by the political level which, btw, sounds perfectly fine to me, like when a black boy from the Ghetto tells you a fairy tale that he has been hearing since childhood. T'Challa is a remarkably humble figure by MCU standards - Tony Stark stripped of vice and infected with a mixture of Shakespeare and the Lion King. It's magically naive and refreshing, because unlike other Marvel films, Black Panther is really devoted to its characters and, for example, the villain played by the charismatic Jordan is better depicted here than most of his competitors. Black Panther in turn shrinks the MCU world and curtails it by a cosmic dimension. In fact, it only deals with very familiar and current problems, and as a result, it feels like an even bigger fairy tale and escapism. In a way, Coogler concluded his black trilogy, which creates the figures of black saints. In Fruitvale, his efforts were undermined by social realism and in Creed by a lot of clichés, whereas Black Panther feels like his most convincing film, despite all of its problems with tempo and tricks. It's a pity he doesn't have a slightly sharper edit and a greater use of the hip hop soundtrack. Otherwise, this textbook Afrofuturism is really a very pleasant companion. A film that believes in a better world and that the super-protagonist is sometimes the one who just does something selflessly for the community. Political correctness? I say common sense. ()
Six visits to the cinema and the first full score. I may be going against the tide, but for me, Black Panther is the most interesting and best Marvel movie since Winter Soldier. I haven't been a fan of Marvel movies much lately (Doctor Strange, Guardians of the Galaxy or the new childish Thor, which I downright suffered through), but Black Panther set my favorite serious, dark thriller tone and took away more or less everything that bothered me so far. There's no CGI Mess, just the gorgeous and impressive Wakanda, the villain is not an alien or mutant but a human, and right off the bat we have the best villain in the entire Marvel Universe, who also has a different plan than everyone else so far (Michael B. Jordan was incredible), and I can actually praise Andy Serkis, who was reminiscent of the Joker in his awesomeness. It's not fought in space or on an alien planet or dimension, but in Korea or Africa and it immediately feels not only more real, but more intense. The R&B and Hip Hop soundtrack is a big plus and the new track by The Weeknd, which was played in a local bar, was a real treat. I have only minor reservations about the action, and that's the faster editing, but it's intense and effective enough that I was able to enjoy it to the fullest. The finale is decently epic and tense, the characters are all great, the female cast also excels, the Rihanna-lookalike sister of the Panther was very funny, cute and technologically gifted, M'Baku provided funny interludes that were totally apt and appropriate and I really liked the African rituals, costumes and traditions. After a second viewing, the enthusiasm has waned. ()
Given the social mood, the creation of Black Panther was inevitable, and what’s even more surprising is the simplistic and essentially upside-down ideology it presents (black people want to be white, white people should be ashamed). For the black community, which is not Hollywood’s primary target, it is said to strengthen their identity while simultaneously disrupting the negative stereotypes of ethnic groups. Fine, but what about the group that kidnapped the girls at the beginning and forced them to wear the hijab? Did we dip a bit into Islamophobia here? Pushing politics into commercial comic adaptations is a thankless task. It’s a pleasure, though, to see the quirky villain Serkis, the small thefts from Bond movies (the casino in Busan notably resembled the one in Macau from Skyfall), and the fact that this time no cosmic overlord is demolishing metropolises in order to make humanity kneel, but otherwise, it’s a typical Marvel product (infantile jokes, occasionally syrupy boredom), with the final action fifth spiraling into obligatory digital sludge. And at some point during it, if you're not twelve or younger, you’ll start criticizing Thanos for the half-heartedness of his solution. The thoughts of Isaach De Bankolé, whose sole job was to keep a green ashtray in his mouth the whole time, also seemed to go in this direction, in my opinion. ()
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