Santa Maria Maggiore
Our editors will review what you’ve submitted and determine whether to revise the article.
Santa Maria Maggiore, one of four papal basilicas in Rome and the largest of the Marian churches (dedicated to the Virgin Mary) in the city. Founded in 432 ce, the basilica houses what is believed to be a relic of the manger in which the infant Jesus was laid in Bethlehem as well as the Marian icon Salus Populi Romani. The basilica contains several series of remarkable mosaics and the tombs of seven popes. A favorite church of Pope Francis (reigned 2013– ), who has visited it frequently during his papacy, Santa Maria Maggiore gained world renown after Francis revealed in 2023 that he intends to break from long-standing tradition and be buried there rather than in St. Peter’s Basilica in Vatican City.
Foundation and tradition
Located on the Esquiline Hill (one of the Seven Hills upon which Rome was built), Santa Maria Maggiore stands near the site of a temple dedicated to the goddess Juno. According to legend, on August 5, 358, Pope Liberius (reigned 352–366) had a vision of Mary in which she told him to build a church where snow would fall that same night, despite its being summer. In remembrance of this miracle, every August 5 it “snows” white flower petals from the ceiling above the altar in the basilica’s Pauline Chapel. For this reason, Santa Maria Maggiore is also known as Our Lady of the Snows. Pope Sixtus III (reigned 432–440) consecrated the basilica after the Second Council of Ephesus in 431, an assembly of bishops that affirmed the doctrine that Mary truly is the mother of God.
Interior and exterior details
![Rome](https://cdn.britannica.com/46/154246-050-7C72E12F/view-Rome.jpg)
The present building has gone through many stages of construction, though the interior retains many of the basilica’s original elements. The central nave is lined with marble columns that were salvaged from pre-Christian temples and other early Roman buildings that had been demolished. The blue-and-gold mosaics in the nave date from the time the church was built and depict stories from the Old Testament. Lining the triumphal arch are more mosaics—also from the 5th century and exceptionally well preserved—that portray Jesus as a child. In the 13th century Pope Nicholas IV (reigned 1288–92) commissioned artist Jacopo Torriti to create another series of mosaics, representing scenes from the life of Mary, to decorate the newly built apse.
Santa Maria Maggiore has several chapels, including the Sistine Chapel (distinct from the famous Sistine Chapel of the Vatican Palace), built by Domenico Fontana between 1585–87. At the time of its construction, the Sistine Chapel was the largest chapel in Rome. Also known as the Chapel of the Nativity, it contains frescoes by Cesare Nebbia and Giovanni Guerra that portray scenes from Jesus’ childhood, as well as a gilded bronze tabernacle by Ludovico del Duca. Just outside the Sistine Chapel are the tombs of sculptors Pietro and Gian Lorenzo Bernini, whose workshop was located behind the Pauline Chapel. The father and son contributed numerous sculptures to Santa Maria Maggiore, and Gian Lorenzo Bernini is believed to have designed the spiral staircase made of travertine that connects the Hall of Popes to the sacristy.
The basilica’s facade is Neoclassical, built in the mid-18th century by the Florentine architect Ferdinando Fuga. The Loggia of Benedictions, also designed by Fuga, shimmers with 13th-century mosaics by Filippo Rusuti that narrate the story of Mary’s apparition to Liberius and the founding of the basilica. Outside, the Romanesque campanile (a freestanding bell tower) stands at a height of nearly 250 feet (76 meters) and is the tallest tower in Rome.
Relics, the Salus Populi Romani icon, and papal tombs
The church’s most famous treasure is the Crib of Christ relic—five pieces of sycamore wood bound by bits of iron. The relic is kept in a crib-shaped crystal reliquary above the papal altar in the confessio (or crypt). Its presence has lent the church another of its many alternate names—the Bethlehem of the West. Other relics housed at Santa Maria Maggiore include the remains of St. Matthew the Apostle and St. Jerome. The icon of Mary known as the Salus Populi Romani (Latin: “Health of the Roman People”), which hangs above the altar in the Pauline Chapel, is believed to have been made by St. Luke the Evangelist. The icon, on a cedar panel measuring 46 × 31 inches (117 × 79 cm), shows Mary holding the baby Jesus. Tradition says that the icon was taken on a procession led by Pope Gregory I (reigned 590–604) through the streets of Rome in 590 while the city was being racked by plague. At the top of Hadrian’s Tomb (now the Castel Sant’Angelo), Gregory had a vision of St. Michael the Archangel, convincing him that Rome would be spared further devastation.
Seven popes are buried in the basilica:
- Honorius III (reigned 1216–27)
- Nicholas IV (reigned 1288–92)
- St. Pius V (reigned 1566–72)
- Sixtus V (reigned 1585–90)
- Clement VIII (reigned 1592–1605)
- Paul V (reigned 1605–21)
- Clement IX (reigned 1667–69)
Pope Francis’s announcement in 2023 that he wishes to be buried at Santa Maria Maggiore came as no surprise to many followers of his travels and activities. After his election in 2013 Francis became known for visiting the church to pray before the Salus Populi Romani icon for Mary’s protection before and after every one of his apostolic journeys. In March 2020, during the first deadly surge of the COVID-19 pandemic in Italy, Francis left the Vatican to make a pilgrimage on foot to Santa Maria Maggiore to pray before the Marian icon for an end to the pandemic.