Joan Jett
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Joan Jett (born September 22, 1958, Wynnewood, Pennsylvania, U.S.) is an American singer and musician whose raucous, three-chord guitar-playing and rebellious image made her a trailblazer in the male-dominated genre of rock music. She was a member of the all-female, teenage punk-rock band the Runaways in the 1970s before becoming a successful solo artist in the ’80s. The prominent American music magazine Rolling Stone ranked Jett as the 87th best guitarist on its top 100 guitarists list in 2003; she was the only woman on the list other than Canadian singer-songwriter Joni Mitchell.
Early life
The eldest of three children, Joan Larkin and her family moved several times as she was growing up. Her father was an insurance salesman, and her mother was a secretary. When Larkin was eight years old, the family moved from Pennsylvania to Rockville, Maryland. A self-professed tomboy who loved baseball and rock music, she went to her first rock concerts while in Maryland—the heavy metal band Black Sabbath and the glam rock group the New York Dolls. When she was 13, the family moved to a suburb of Los Angeles. Not long after, Larkin received her first guitar. After her parents divorced, she took solace in playing her guitar and began spending time in glam rock music clubs on Sunset Boulevard in Hollywood. It was at this time that she started going by the name Joan Jett, adopting a style inspired by American female rock singer and bassist Suzi Quatro.
The Runaways
Jett met record producer Kim Fowley, who had been a music industry veteran since the 1950s, in 1973. Fowley was interested in creating an all-female rock band, and after their meeting, Fowley introduced Jett to Sandy West, a drummer. Eventually, three more musicians were recruited: guitarist Lita Ford, bassist Jackie Fox, and singer Cherie Currie. They named their new band the Runaways, and Fowley served as their manager and producer. Jett played rhythm and lead guitar and sang back-up vocals. She cowrote the band’s debut single, the provocative and confrontational “Cherry Bomb,” which was written for Currie’s band audition.
Jett’s onstage confidence and rebellious style—dyed black hair and red or black leather outfits—made her a standout member of the group from the beginning. The Runaways developed a punk-pop sound, played in clubs, and opened for other acts around the United States, later touring as a headliner in other countries. They signed with a record label and recorded four studio albums between 1976 and 1978; their highest charting records being Runaways (1976) and Queens of Noise (1977), which peaked at number 194 and number 172, respectively, on the Billboard Top 200 albums chart. Still, they were disregarded in the music press as a gimmick, mostly because of their young age and gender. Fowley’s reputation for being exploitative and manipulative also attracted controversy to the band and amplified internal friction. (Years later, several of the band’s members stated that he had been verbally and emotionally abusive to them, and Fox and Runaways songwriter Kari Krome accused him of sexual assault.) The Runaways’ lineup changed multiple times; Fox left the band in 1977, followed shortly after by Currie. Jett took over on lead vocals. With Ford and West, she remained a core band member until the Runaways broke up in 1979.
Solo career
After the Runaways disbanded, Jett moved to London and recorded music with former Sex Pistols Steve Jones and Paul Cook. She attempted to find a label to release her first solo album, but more than 20 labels turned her down. She teamed up with music producer Kenny Laguna and formed Blackheart Records, releasing Joan Jett in 1980 and selling the album out of the trunk of Laguna’s car at music gigs. A year later she signed with Boardwalk Records, and the album was re-released as Bad Reputation. Its two standout tracks were the fast-driving title song, which became one of Jett’s signature numbers, and “Do You Wanna Touch Me (Oh Yeah),” a cover of the 1973 hit by British musician and glam rocker Gary Glitter. Jett formed a back-up band, the Blackhearts, and began touring.
The first album by Joan Jett and the Blackhearts, I Love Rock ‘N’ Roll (1981), spawned a number-one hit in the title song, which was originally recorded by the British rock group the Arrows in 1975. Jett was one of only a few female rockers at the time to cross over from the punk or hard rock genres to find mainstream success. She scored another hit with a cover of “Crimson and Clover,” which was originally made famous by American rock band Tommy James and the Shondells in 1968. Her version replaces the original’s bubblegum-meets-psychedelia sound with overdriven power chords, transforming it into a punk-rock serenade. Yet she chose to keep the original version’s feminine pronouns, giving the song an undisguised queer sensibility.
Her next few albums with the Blackhearts—Album (1983), Glorious Results of a Misspent Youth (1984), and Good Music (1986)—were mostly well received by critics, but they yielded no hits. She had a starring role with Canadian actor Michael J. Fox and American actress Gena Rowlands in American director Paul Schrader’s film Light of Day (1987), playing the role of a bar band musician and single mother. She sang the film’s title song (written by American musician Bruce Springsteen) for the soundtrack album. She released the album Up Your Alley in 1988, which put her back on the music charts with the anthem rocker “I Hate Myself for Loving You”, a top 10 hit. She then released an album of covers called The Hit List (1990), which was followed by Notorious (1991).
In the 1990s Jett’s career was revived by the emergence of the riot grrrl movement, a feminist punk movement that originated in the Pacific Northwest and was characterized by a lean and aggressive sound with passionate socially conscious lyrics. Bands such as Bikini Kill, L7, and Babes in Toyland recognized Jett as a pioneer for female rock musicians, and Jett began producing and performing with many of them. Several riot grrrl bands joined her on her next album, the critically acclaimed Pure and Simple (1994). The album included “Go Home,” a song cowritten by Bikini Kill’s Kathleen Hanna and inspired by the rape and murder of Mia Zapata, the lead singer of the Seattle-based punk band the Gits, in 1993. Jett became involved in benefit concerts to raise money for a private investigator to find Zapata’s attacker and to support Home Alive, a women’s self-defense organization in Seattle that was founded after Zapata’s death. She formed Evil Stig (“Gits Live” spelled backward) with the Gits’ remaining members as another tribute to Zapata.
Later work and legacy
Evil Stig was also one of a number of bands and musicians that Jett produced over the years, either through Blackheart Records or through other labels. Her list of producing credits include the punk rock band the Germs, Bikini Kill, L7, rapper Big Daddy Kane, and country music and rockabilly legend Wanda Jackson. Through the late 1990s and early 21st century, Joan Jett and the Blackhearts continued to release albums through Blackheart, such as 1999’s Fetish, a collection of songs that featured more sexually frank lyrics than she had written in the past, and the albums Unvarnished (2013), the acoustic record Changeup (2022), and Mindsets (2023).
During this period she became involved in film projects and took cameo and voice-over roles in television, working on such programs as Walker, Texas Ranger, Law & Order: Criminal Intent, and The Muppets. One of her most notable film projects was The Runaways (2010), a feature film based on Currie’s 1989 memoir, Neon Angel: The Cherie Currie Story (expanded and republished in 2010 as Neon Angel: A Memoir of a Runaway), that introduced Jett’s teenage career to a new generation. Jett served as an executive producer of the film, and her younger self was played by American actor Kristen Stewart. A documentary about her life and career, Bad Reputation, was released in 2018 and the Runaways’ retrospective album, Neon Angels on the Road to Ruin 1976–1978, was released in 2023. Joan Jett and the Blackhearts, was inducted in the Rock and Roll Hall of Fame in 2015.