skip to main content
10.1145/3627915.3629600acmotherconferencesArticle/Chapter ViewAbstractPublication PagescsaeConference Proceedingsconference-collections
research-article

Computational Analysis of Jazz Music: Estimating Tonality through Chord Progression Distances

Published: 21 December 2023 Publication History

Abstract

Currently, research in music informatics focuses extensively on music theory, particularly on the theoretical systems of Western classical music dating back to the 19th century. However, contemporary popular music genres such as pop, rock, and jazz often rely on jazz music theory, which is an evolution from classical music theory. To make music informatics research more practical and relevant to modern music composition, it is essential to explore music analysis based on jazz music theory using computational methods.
In this study, we attempt to perform jazz music analysis computationally. Jazz music theory primarily centers around chord progressions. Therefore, Tonal Pitch Space (TPS) and its extension to jazz music theory, TPS-ExJ, are valuable tools for our investigation. We implement and modify these computational music theories to calculate the "chord distance," a metric indicating the naturalness of chord progressions. This allows us to estimate the "key" of a piece of music, a concept determined by human sensibility, using computational techniques.
Although the experimental results for key estimation are not particularly high, we believe that the theoretical framework proposed in this study forms a solid foundation for complex chord progressions' key estimation in jazz music.

References

[1]
Goto, Masataka (2010). "5 Music Informatics (<Special Feature> New Informatics)." Information Processing, Vol. 51, No. 6, pp. 661–668, 2010-06-15.
[2]
M. A. Casey, R. Veltkamp, M. Goto, M. Leman, C. Rhodes and M. Slaney (2008), "Content-Based Music Information Retrieval: Current Directions and Future Challenges," in Proceedings of the IEEE, vol. 96, no. 4, pp. 668-696, April 2008.
[3]
Jun Yoshinari (2022). “Classic Tradition in Early Popular Music and Jazz.” Kunitachi College of Music Journal.
[4]
François Pachet (2000). “Computer Analysis of Jazz Chord Sequence” Readings in Music and Artificial Intelligence.
[5]
Ulrich, John Wade (1977). "The Analysis and Synthesis of Jazz by Computer." IJCAI.
[6]
Lerdahl, Fred (2001). "Tonal Pitch Space." Oxford University Press.
[7]
Yamaguchi, Naohiko, and Noboru Kanzaki (2011). "Extending Tonal Pitch Space (TPS) to Accommodate Chords with Non-Diatonic Tones: Toward Application to Jazz Music Theory." Information Processing Society of Japan, Research Reports.
[8]
Yuta Yamamoto (2022). “Improvement of Tonal Pitch Space for the Purpose of Interpreting Jazz Harmonic Progressions” Graduation Research Paper for the School of Informatics, College of Information Science, University of Tsukuba.
[9]
Shiamaoka, Yuzuru (1964). "Theory and Practice of Harmony." Ongaku No Tomo Sha.
[10]
Yamagata, Shigetaro (1958). "New Edition Music Theory." Ongaku No Tomo Sha.
[11]
Sakamoto, Keiki, and Toshi Higashijo (2009). "Harmonic Analysis of Music Using Tonal Pitch Space." Information Processing Society of Japan, Research Report, Vol. 2009-MUS-80.
[12]
Sakamoto, Keiki (2010). "Harmonic Analysis of Music Using Tonal Pitch Space." Master's thesis, Japan Advanced Institute of Science and Technology.
[13]
Ishiwari, Yuki (2018). "Cadential Retention in GTTM Based on Improved Tonal Pitch Space." Master's thesis, Japan Advanced Institute of Science and Technology.
[14]
Naruse, Masaki (2011). "Definitive Edition Chord Progression Style Book." Rittor Music.
[15]
Nao, Koichi (2010). "Jazz Standard Bible ∼ 227 Timeless Songs for Sessions." Rittor Music.

Index Terms

  1. Computational Analysis of Jazz Music: Estimating Tonality through Chord Progression Distances

    Recommendations

    Comments

    Information & Contributors

    Information

    Published In

    cover image ACM Other conferences
    CSAE '23: Proceedings of the 7th International Conference on Computer Science and Application Engineering
    October 2023
    358 pages
    ISBN:9798400700590
    DOI:10.1145/3627915
    Permission to make digital or hard copies of all or part of this work for personal or classroom use is granted without fee provided that copies are not made or distributed for profit or commercial advantage and that copies bear this notice and the full citation on the first page. Copyrights for components of this work owned by others than the author(s) must be honored. Abstracting with credit is permitted. To copy otherwise, or republish, to post on servers or to redistribute to lists, requires prior specific permission and/or a fee. Request permissions from [email protected].

    Publisher

    Association for Computing Machinery

    New York, NY, United States

    Publication History

    Published: 21 December 2023

    Permissions

    Request permissions for this article.

    Check for updates

    Author Tags

    1. Chord Progression
    2. Computation Music Analyssis
    3. Jazz Music Theory
    4. Music Information Retrieval
    5. Tonal Pitch Space (TPS)

    Qualifiers

    • Research-article
    • Research
    • Refereed limited

    Funding Sources

    Conference

    CSAE 2023

    Acceptance Rates

    Overall Acceptance Rate 368 of 770 submissions, 48%

    Contributors

    Other Metrics

    Bibliometrics & Citations

    Bibliometrics

    Article Metrics

    • 0
      Total Citations
    • 38
      Total Downloads
    • Downloads (Last 12 months)38
    • Downloads (Last 6 weeks)3
    Reflects downloads up to 07 Nov 2024

    Other Metrics

    Citations

    View Options

    Get Access

    Login options

    View options

    PDF

    View or Download as a PDF file.

    PDF

    eReader

    View online with eReader.

    eReader

    HTML Format

    View this article in HTML Format.

    HTML Format

    Media

    Figures

    Other

    Tables

    Share

    Share

    Share this Publication link

    Share on social media