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Evaluating computer-based musical instruments from the perspective of listening

Published: 01 October 2014 Publication History

Abstract

This paper presents a method of evaluating computer-based musical instruments. The method is based on a paired comparison of sound files produced by the instruments to be evaluated. The same input signal imparting performers' actions to generate musical expression is applied to different instruments. Each output is recorded and the different recordings are compared by listeners in relation to factors relevant for musical expression. A study using this method is presented. The results show that there are significant differences between the instruments compared and that the evaluation method used allows insight into specific features of the evaluated instruments. The method used in this study can be adapted to compare and evaluate new developments in the field of new interfaces for musical expression providing the same input signal can be used and fed into the instruments.

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Geiger, C., Reckter, H., Paschke, D., Schultz, F., and Poepel, C. Towards participatory design and evaluation of theremin-based musical interfaces. In Proceedings of the 2008 Conference on New Interfaces for Musical Expression (Genova, Italy, 2008), 303--306.
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Ghamsari, M., Pras, A., and Wanderley, M. Combining musical tasks and improvisation in evaluating novel digital musical instruments. In Proc. of the 10th International Symposium on Computer Music Multidisciplinary Research (Marseille, France, 2013), 506--515.
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Isaacs, D. Evaluating input devices for musical expression. Master's thesis, University of Queensland, Brisbane, Australia, 2003.
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Kiefer, C., Collins, N., and Fitzpatrick, G. HCI methodology for evaluating musical controllers: A case study. In Proceedings of the 2008 Conference on New Interfaces for Musical Expression (Genova, Italy, 2008), 87--90.
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O'Modhrain, S. A framework for the evaluation of digital musical instruments. Computer Music Journal 35, 1 (Spring 2011), 28--42.
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Poepel, C. On interface expressivity: A player-based study. In Proceedings of the 2005 Conference on New Interfaces for Musical Expression (Vancouver, Canada, 2005), 228--231.
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Poepel, C. An Investigation of Audio Signal-Driven Sound Synthesis with a Focus on its Use for Bowed Stringed Synthesizers. PhD thesis, The University of Birmingham, Department of Music, Birmingham, 2011.
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  • (2020)Contrasts and similarities between two audio research communities in evaluating auditory artefactsProceedings of the 15th International Audio Mostly Conference10.1145/3411109.3411146(183-190)Online publication date: 15-Sep-2020

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  1. Evaluating computer-based musical instruments from the perspective of listening

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    cover image ACM Other conferences
    AM '14: Proceedings of the 9th Audio Mostly: A Conference on Interaction With Sound
    October 2014
    219 pages
    ISBN:9781450330329
    DOI:10.1145/2636879
    Permission to make digital or hard copies of all or part of this work for personal or classroom use is granted without fee provided that copies are not made or distributed for profit or commercial advantage and that copies bear this notice and the full citation on the first page. Copyrights for components of this work owned by others than the author(s) must be honored. Abstracting with credit is permitted. To copy otherwise, or republish, to post on servers or to redistribute to lists, requires prior specific permission and/or a fee. Request permissions from [email protected].

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    Publication History

    Published: 01 October 2014

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    Author Tags

    1. audio signal-driven sound synthesis
    2. augmented/hyper instruments
    3. evaluation of digital musical instruments
    4. interaction with sound
    5. musical interfaces

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    AM '14
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    AM '14: Audio Mostly 2014
    October 1 - 3, 2014
    Aalborg, Denmark

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    AM '14 Paper Acceptance Rate 29 of 49 submissions, 59%;
    Overall Acceptance Rate 177 of 275 submissions, 64%

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    • (2020)Contrasts and similarities between two audio research communities in evaluating auditory artefactsProceedings of the 15th International Audio Mostly Conference10.1145/3411109.3411146(183-190)Online publication date: 15-Sep-2020

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