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September 2017
Film
FINAL CUT
James Quandt on Abbas Kiarostami’s 24 Frames
Daniel Knorr, Expiration Movement, 2017, smoke, text. Installation view, Zwehrenturm, Kassel. From Documenta 14. Photo: Bernd Borchardt. © Artists Rights Society (ARS), New York/VG Bild-Kunst, Bonn.
Features
SUMMER OF THE SHAMANS
Diedrich Diederichsen on Documenta 14 and the 57th Venice Biennale
Nicole Eisenman's "Sketch for a Fountain" in Münster.
Features
CONTINENTAL DIVIDES
THE VENICE BIENNALE, DOCUMENTA, AND SKULPTUR PROJEKTE MÜNSTER
Pierre Huyghe, After ALife Ahead, 2017, concrete ice-rink floor, sand, clay, phreatic water, bacteria, algae, bees, chimera peacocks, aquarium, black switchable glass, textile cone, incubator, human cancer cells, genetic algorithm, augmented-reality program, automated ceiling structure, rain, ammoniac, logic game. Installation view. From Skulptur Projekte Münster. Photo: Ola Rindal.
Features
ROCK PAPER SCISSORS
Benjamin H. D. Buchloh on some means and ends of sculpture at Venice, Münster, and Documenta
Pavel Filonov, Formula of Spring, 1922–23, oil on canvas, 39 3/8 × 39 3/8". Neue Galerie, Kassel.
Features
THINKING TWICE
Daniel Birnbaum on Documenta 14
Liliana Porter, El hombre con el hacha y otras situaciones breves, Venecia 2017 (Man with Ax and Other Brief Situations, Venice 2017) (detail), mixed media. Installation view, Arsenale, Venice. From “Viva Arte Viva: Pavilion of Time and Infinity.” Photo: Chandra Glick.
Features
THE LONG VIEW
Claire Bishop on the 57th Venice Biennale
Graffiti, Dionysiou Areopagitou Street, Athens, April 9, 2017. Photo: Louisa Gouliamaki/Getty Images.
Features
BORDER AS FORM
Nuit Banai on Documenta 14
Nikhil Chopra, Drawing a Line Through Landscape, 2017. Performance view, Tsarino, Bulgaria, May 18, 2017. From Documenta 14. Photo: Madhavi Gore.
Features
FAR AND AWAY
Himali Singh Soin on Nikhil Chopra's Drawing a Line Through Landscape, Documenta 14
Anne Imhof, Faust, 2017. Performance view, German pavilion, Venice. From the 57th Venice Biennale. Eliza Douglas. Photo: Nadine Fraczkowski.
Features
PERSONAL TOUCH
David Velasco on Anne Imhof’s Faust at the German Pavilion, Venice
Cover: Kerstin Brätsch, Unholdenfrau (zweite Dame) 2015, luster and enamel on antique glass, rolled glass shards, church-window bordering, heraldic escutcheon, agate slices, lead, 37 1/2 × 24 1/4". From the series “All Ready Maid Betwixt and Between,” 2012–16.
Cover: Kerstin Brätsch, Unholdenfrau (zweite Dame) 2015, luster and enamel on antique glass, rolled glass shards, church-window bordering, heraldic escutcheon, agate slices, lead, 37 1/2 × 24 1/4". From the series “All Ready Maid Betwixt and Between,” 2012–16.
SEPTEMBER 2017
VOL. 56, NO. 1
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