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Minders of Make-Believe: Idealists, Entrepreneurs, and the Shaping of American Children's Literature Hardcover – January 1, 2008

4.7 4.7 out of 5 stars 18 ratings

An animated first-time history of the visionaries--editors, authors, librarians, booksellers, and others--whose passion for books has transformed American childhood and American culture

What should children read? As the preeminent children’s literature authority, Leonard S. Marcus, shows incisively, that’s the three-hundred-year-old question that sparked the creation of a rambunctious children’s book publishing scene in Colonial times. And it’s the urgent issue that went on to fuel the transformation of twentieth-century children’s book publishing from a genteel backwater to big business.
Marcus delivers a provocative look at the fierce turf wars fought among pioneering editors, progressive educators, and librarians--most of them women--throughout the twentieth century. His story of the emergence and growth of the major publishing houses--and of the distinctive literature for the young they shaped--gains extraordinary depth (and occasional dish) through the author’s path-finding research and in-depth interviews with dozens of editors, artists, and other key publishing figures whose careers go back to the 1930s, including Maurice Sendak, Ursula Nordstrom, Margaret K. McElderry, and Margret Rey.
From The New England Primer to The Cat in the Hat to Cormier’s The Chocolate War, Marcus offers a richly informed, witty appraisal of the pivotal books that transformed children’s book publishing, and brings alive the revealing synergy between books like these and the national mood of their times.

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Editorial Reviews

From Publishers Weekly

This broad survey distills the history of American children's publishing and librarianship, from colonial times to British interloper Harry Potter, including children's periodicals, major publishers and changes in printing technology. While Marcus, a veteran historian and critic of children's publishing (Margaret Wise Brown: Awakened by the Moon), gives founders like editor Mary Mapes Dodge due respect, he is most in his element chronicling the 20th century: the influence of librarian Anne Carroll Moore, the educational reforms of Lucy Sprague Mitchell, the foresightedness of Harper editor Ursula Nordstrom and the careers of author-illustrators like Maurice Sendak. Devotees of prewar classics may be disappointed that Marcus devotes just two pages to Baum and Denslow; that he says W.E.B. Du Bois's groundbreaking The Brownies' Book failed to reach its audience; and that he skips whole generations almost entirely (e.g., 1905–1918). Marcus succeeds best at discussing the subjects of his past research, including Children's Book Week and the Golden Books series; to his credit, he also builds on Nancy Larrick's work on how white middle-class prejudices determined children's books' lack of racial and ethnic diversity. Drawing upon Horn Book Magazine articles and behind-the-scenes accounts of feuds and trends, Marcus's history is ideal for industry insiders. (May 7)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

From School Library Journal

Chock-full of interesting facts such as when the first printing press was established in America (1639) and how the first children's book followed 50 years later, this intriguing book grabs readers from the start. Learning about the origins of the publishing houses and the legends that populated them is fascinating. Lovers of children's books will delight in this rich history as Marcus looks at such varied aspects as the impact of television on children's books, the beginnings of famous series such as the Landmark Books and the Hardy Boys, and how Maurice Sendak went from being a member of the display staff at F.A.O. Schwarz to getting his first contract with Ursula Nordstrom at Harper & Row. There is an overwhelming amount of information in this book but its inspired chronological organization saves the day. This readable and entertaining survey deserves a place on the bookshelves of all who work in the children's book field.—Joan Kindig, James Madison University, Harrisonburg, VA
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

Product details

  • Publisher ‏ : ‎ Houghton Mifflin Harcourt; First Edition (January 1, 2008)
  • Language ‏ : ‎ English
  • Hardcover ‏ : ‎ 402 pages
  • ISBN-10 ‏ : ‎ 0395674077
  • ISBN-13 ‏ : ‎ 978-0395674079
  • Item Weight ‏ : ‎ 1.4 pounds
  • Dimensions ‏ : ‎ 6.25 x 1.25 x 9.25 inches
  • Customer Reviews:
    4.7 4.7 out of 5 stars 18 ratings

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Leonard S. Marcus
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Customer reviews

4.7 out of 5 stars
18 global ratings

Top reviews from the United States

Reviewed in the United States on August 1, 2008
If you are interested in literature, and history, and writing for children, and reading by children, and life, you should like this book. I did. Mr. Marcus has provided historical context for the industry of children's literature. In so doing, he has provided a place in the larger scheme of things, for all of those who support the making of literature which children, and wise adults, may enjoy. Thank you Mr. Marcus
4 people found this helpful
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Reviewed in the United States on June 30, 2008
Leonard marcus has done it again. This book should be on the shelf of every lover of children's literature.
4 people found this helpful
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Reviewed in the United States on June 3, 2008
Having been a schoolteacher now for the past eighteen years, children's literature has been a mainstay of my profesion. Choosing the literature you read and use with your children is of prime importance. Most of the time, I elect to use books that are not only entertaining, but rich with lessons or thoughts that inspire deeper thinking. "Minders of Make Believe" is a treasure trove of history behind children's literature in our country, and the debate between instructive and entertaining.

Leonard Marcus' interesting recount of the history of children's literature literally begins with the founding of our country, and the first "books" produced for children, starting with "The New England Primer". Two camps formed; should our kiddie lit teach or amuse? Marcus traces the development through the years, including some fascinating information on authors like Dr. Seuss (and his revolutionary Cat in the Hat), and Maurice Sendak.

I've always chosen books that essentially come from both camps. If I am going to spend time with a story or book in my class, it has to have some "meat" to it's tale to make it worth my time. It must also be interesting enough to children for them to want to devour that meat. After reading Marcus' fascinating book, I don't think I'll ever feast on another children's book in exactly the same way again!
12 people found this helpful
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Reviewed in the United States on February 5, 2011
This book gives the entire history of the publishing industry and really showcases how important women are to the development of the industry as far as children's literature. Very comprehensive, it focuses on the personalities of the people who started the industry and still have effects on it today.
One person found this helpful
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Reviewed in the United States on August 8, 2008
Discussing the history of printers, publishers and editors in the field of Children's Literature, Marcus gives the reader a trip back in time to see the thinking and politics that created the world of Children's Literature that we work with and enjoy today. The inside view of the spheres of influence, prove to be both interesting and informative. I only regret that Marcus did not choose to include some of the early illustrations that were the foundation for today's picture book art.
4 people found this helpful
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Reviewed in the United States on March 4, 2014
This book shows you decades of insider gossip from the children's book publishing world, featuring a cast of all-white, east coast, leftist fundamentalist women.

If you are wondering why the Newbery award-winning books do not reflect your family's values, this book will explain it.

If you are wondering why African-American main characters were absent from children's literature for so long, this book will explain the "You're only 20% of the population. How can I be concerned with you?" reason. (p. 281)

If you are wondering how east coast elites responded to the Reagan presidency, this book will show you the hand-wringing and melodrama.

If you are wondering about the deep-seated prejudices of librarians and book-mavens (anti-non-fiction, anti-boy, anti-story, anti-popular, anti-minority), this book will paint the grim picture for you.

Still, it was a well-written book, and the reader grows to know (if not love) the main movers and shakers.
4 people found this helpful
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Reviewed in the United States on May 20, 2009
A comprehensive history of children's literature in America, starting from the founding of the New England colonies to J.K. Rowling's third Harry Potter book.

The author does a great job of tying the cultural trends in different periods with the kind of childrens books that are published. For instance, the second page of the chapter about the 1950s (called "Fun and Fear") has a quote about the need to have "fun" from a cultural anthropologist, Martha Wolfenstein, which goes, ".... from having dreaded impulses and being worried about whether conscience was adequate to cope with them, we have come round to finding conscience a dnuisacne and worrying about the adequacy of our impulses." Laying out the cultural context is a pattern seen chapter after chapter.

In addition, as the title indicates, the author describes the thousands of personalities that have been involved in this genre over the few centuries. The author provides background for each of the people he pulls into the story, writes about how these people were interconnected in their times, and traces the careers of important figures.

Finally, the book traces the history of business aspects - and how technology as well as culture affected the business. He talks about how book publising (in general, not just childrens's starts in Boston but then gradually moves to New York because of NY's proximity to imported British books. How books are purchased by parents and children till the end of the 19th century, the growing influence of libraries in the 20th century and the dominance of large retail chains over the last three decades.

The book ends in the mid-nineties. Perhaps an updated edition would cover the impact of the Internet, and of electric reading devices ranging from Leapfrog's to the Kindle. And I must admit - though I tried reading this book cover-to-cover, after page 100 or so, I decided to skim it.
One person found this helpful
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Top reviews from other countries

Patricia Berredo Da Veiga
5.0 out of 5 stars Excellent product and great timing
Reviewed in the United Kingdom on December 22, 2017
Thank you! Excellent product and great timing!