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8

Article: Album Review

Josephine Davies: Satori: Weatherwards

Read "Satori: Weatherwards" reviewed by Chris May


From an international perspective, the best kept secret in British jazz could be tenor and soprano saxophonist Josephine Davies. She first recorded in 2000 as a member of Crissy Lee's Jazz Orchestra, a fifteen piece all-woman band who made one album, the self-produced ...With Body And Soul. (Actually, there was one male in the lineup, trumpeter ...

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Article: Album Review

Tadd Dameron: Fontainebleau & Magic Touch Revisited

Read "Fontainebleau & Magic Touch Revisited" reviewed by Chris May


There is much that is tragic about Tadd Dameron's story. The composer, arranger and pianist fell prey to the heroin epidemic that gripped New York's jazz world in the 1940s and 1950s. He did jail time for his addiction in 1959-60. He died at the woefully young age of 48 years in 1965. But there is ...

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Article: Album Review

Roy Hargrove's Crisol: Grande-Terre

Read "Grande-Terre" reviewed by Chris May


Increasingly and with growing momentum, right up until he died at the young age of 55 in 2018, Roy Hargrove was a standard bearer for a new kind of African American jazz. The recipe embraced a variety of styles--jazz, Afro-Cuban music, funk, hip hop and soul--and it influenced a generation of musicians in jazz and beyond. ...

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Article: Building a Jazz Library

Top Ten Sci-Fi Jazz Albums

Read "Top Ten Sci-Fi Jazz Albums" reviewed by Chris May


On The Launch Pad Robert Frosch, head honcho at the National Aeronautics and Space Administration from 1977 to 1981, wrote that at cocktail parties he was sometimes asked whether NASA had some gizmo or other that had recently been brought to fictional life in a sci-fi book or movie. If Frosch's answer was “No," the next ...

5

Article: Album Review

Sidsel Endresen, Jan Bang, Erik Honoré: Punkt Live Remixes Vol.2

Read "Punkt Live Remixes Vol.2" reviewed by Chris May


The person who ought to be reviewing this album is, of course, the longtime AAJ writer and editor John Kelman/Dave Binder. Dave attended Punkt festivals on behalf of AAJ from the mid 2000s to the late 2010s, when ill-health stopped him making the long-haul flights to Norway. He was fascinated by Punkt's live-remixes, reporting on them ...

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Article: Album Review

Flock: Flock II

Read "Flock II" reviewed by Chris May


Flock is composed of five of the most venturesome musicians in British jazz. Reeds and woodwind player Tamar Osborn, drummers and percussionists Bex Burch and Sarathy Korwar, and keyboard players Danalogue and Al MacSween. Separately and collaboratively, they have since the late 2010s given us landmark genre-crossing albums in bands including Emanative, The Comet Is Coming, ...

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Article: Album Review

Neil Cowley Trio: Entity

Read "Entity" reviewed by Chris May


British pianist Neil Cowley put his trio on hold in 2017 to go solo. Entity marks the return of the group, which is completed by bassist Rex Horan and drummer Evan Jenkins. This is their eighth album since 2006, and the fourth with Horan in the lineup (Jenkins has been present from the start). The press ...

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Article: Album Review

Dann Zinn: Two Roads

Read "Two Roads" reviewed by Chris May


Bliss. Here is a tenor saxophonist to file next to the great New York-based Israeli tenor saxophonist Oded Tzur. The two players are far from interchangeable: each has their distinct sound and each has their distinct style. But both bring intimacy and solace to the soul, and both beam out a vibe of positivity. Tzur and ...

12

Article: Album Review

Aaron Parks: Little Big III

Read "Little Big III" reviewed by Chris May


After debuting with a clutch of albums on Keynote around the start of the millennium, and then spending five years with Terence Blanchard, Aaron Parks emerged as a fully-fledged bandleader with his album Invisible Cinema on Blue Note in 2008. On it, Parks fronted a quartet completed by guitarist Mike Moreno, bassist Matt Penman and drummer ...

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Article: Album Review

Marysia Osu: Harp, Beats & Dreams

Read "Harp, Beats & Dreams" reviewed by Chris May


Who knows how the jazz harp paradigm might have evolved had the instrument's most adventurous twentieth-century player, Detroit-born Dorothy Ashby, lived beyond her premature passing in 1986. Since then, most American jazz harpists have stuck pretty closely to the neo-classical glissandos and block chords-based style established by Alice Coltrane. New York's Brandee Younger is among the ...


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