Estudo Melódico
André Luiz Martins GonçalvesRelated papers
Músicos, movilidad y músicas del Pacífico colombiano en Bogotá D.C
A Contratiempo: revista de música en la cultura, 2014
Padrão 1 (C.H C= Do )
1
N-Gt
2
3
2
3
2
3
5
Bm7( 5)
Dm7
3
2
3
2
5
6
5
7
5
3
2
3
2
3
3
5
4
5
4
5
7
Cmaj7
5
4
5
4
5
Em
E-Gt
(5)
(6)
(5)
(7)
(5)
5
4
5
3
0
0
0
2
2
0
(5)
(4)
(5)
(3)
4
5
6
5
7
5
7
8
Dm7
F
5
6
5
7
5
1
1
2
3
3
1
6
5
7
5
7
7
8
7
9
7
9
10
Em
(1)
(1)
(2)
(3)
(3)
(1)
0
0
0
2
2
0
(0)
(0)
(0)
(2)
(2)
(0)
8
7
9
7
9
8
10
9
10
9
10
10
12
G
F
Am
3
3
0
0
2
3
1
1
2
3
3
1
0
1
2
2
0
8
10
9
9
10
10
12
10
12
10
12
G7
(0)
(1)
(2)
(2)
(0)
3
3
4
3
5
3
14
12
10
12
10
12
14
12
13
12
12
14
15
Bm7( 5)
Am
Cmaj7
3
2
3
2
0
1
2
2
0
0
0
2
3
(3)
(3)
(4)
(3)
(5)
(3)
12
14
13
12
14
14
15
14
15
Bm7( 5)
(0)
(0)
(2)
(3)
3
2
3
2
Arpeggios
12
14
15
15
17
15
14
14
15
17
16
17
15
15
(15)
(17)
(16)
(17)
(15)
Dm7
Cmaj7
5
6
5
7
5
0
0
2
3
(3)
(2)
(3)
(2)
5
3
(0)
(0)
(2)
(3)
3
5
5
5
5
3
Gm
Gmadd9
3
5
5
3
3
7
5
3
16
3
7
7
5
6
3
3
5
3
5
5
A
(3)
(7)
(5)
(3)
3
3
5
6
2
2
3
2
3
1
Am
Fsus2
2
2
3
5
0
3
3
1
(3)
(3)
(5)
(6)
0
3
3
3
3
5
3
Csus2
3
5
5
3
19
3
5
5
5
3
5
7
5
7
5
8
Cadd9
(3)
(5)
(5)
(3)
5
7
5
3
(5)
(7)
(5)
(3)
6
5
7
5
7
5
3
2
4
2
4
4
2
F
D
B
6
5
7
8
3
2
4
5
4
4
4
2
22
4
4
4
4
0
2
2
2
2
2
A
(4)
(4)
(4)
(2)
9
10
2
2
2
0
(2)
(2)
(2)
(0)
7
7
7
9
6
7
4
4
4
6
D
B
A
7
7
9
10
4
4
6
7
6
7
7
5
A5/E
7
5
F5/C
G5/D
25
6
7
7
7
3
(6)
(7)
(7)
(5)
4
5
5
X
X
X
5
5
G
4
5
5
3
3
3
0
0
2
3
(4)
(5)
(5)
(3)
F5/C
7
5
4
8
6
5
X
X
X
8
6
5
X
X
X
10
8
7
3
G
E5/B
12
10
9
(3)
(3)
(0)
(0)
(2)
(3)
29
X
X
X
Palhetada Híbrida
31
12
9
9
10
9
8
9
5
5
6
5
12
5
9
9
10
9
8
9
5
5
6
5
5
32
10
7
7
8
7
5
7
(Exemplo 1)
2
2
3
2
10
2
7
7
7
8
5
7
2
2
2
3
2
Improvisação Progressão em C = Do Maior
Dm/B
Cmaj7
C/G
F/A
3
2
3
2
5
4
5
3
5
5
5
6
5
7
33
X
1
2
0
4
3
3
2
3
5
2
5
5
2
5
5
7
0
5
7
5
6
12
11
10
13
10
10
G7
Am
Cmaj7
(3)
(3)
(4)
(3)
(5)
(3)
(0)
(1)
(2)
(2)
(0)
(0)
(0)
(2)
(3)
35
(Exemplo 2)
Double Stop
Entrada para Pedal Point
C/E
5
7
5
7
5
7
7
8
6
5
8
8
7
8
7
7
3
1
3
2
Fmaj7
5
7
5
8
8
9
8
7
Am7
G7
(5)
(5)
(5)
(5)
(7)
(5)
(12)
(10)
(12)
(10)
39
(1)
(2)
(2)
(1)
(Exemplo 3) Two Hands / Pedal Point
T
T
T
(Exemlo 4)
(0)
(5)
(5)
(5)
Country Blues
T
full
12
8
12
7
12
10
12
3
5
8
5
6
5
5
7
43
(7) (5)
(5)
(5)
(5)
(4)
(5)
(1) (0)
(0)
(2)
(2)
9
10
(5)
(5)
(3)
full
8
(1) (0) (0) (5)
8
9
full
6
7
7
5
7
5
6
5
5
(5)
7
(<5>)
(<5>)
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