La traduzione italiana del De arte cabalistica di Johannes Reuchlin, in «Materia Giudaica», 1 (1996), pp. 4-7.

From Renaissance to Regent Street: The Della Robbia Pottery WilliamsonArt Gallery & Museum, Birkenhead (UK) 8 June - 4 September 2016 https://www.artinliverpool.com/events/williamson-art-gallery-renaissance-regent-street-della-robbia-pottery/ Liverpool University Press has published a book of essays to accompany the exhibition, edited by Julie Sheldon of Liverpool John Moores University, with additional contributions from Sandra Penketh, Colin Simpson, Enrico Venturelli and Colin Trodd.

Alfredo Casella interprete del suo tempo, a cura di Carla Di Lena e Luisa Prayer, 2021

La prima traduzione italiana della Römische Geschichte di Theodor Mommsen, 2017

2018

This paper aims to take place into the ongoing debate about the lack of digital editions of classical texts. If, on one hand, a “traditional” critical edition has the benefits of consistency and clarity, but it often lacks objectivity, a digital one can have more scientific ambitions of verifiability, but may have certain problems of methods and visualization. This paper offers thus a report on the preliminary stage of a native digital edition of Catullus which would take into account all the surviving witnesses, with particular focus on the complexity of the tradition and the practical and theoretical problems that an editor is forced to face while coding with TEI apparatus.

Lezioni americane di Giorgio Bassani. Valerio Cappozzo ed., 2016