The paper aims to illustrate the role of food as one of the main elements in the great changes made to the monastic complex of Trisulti, proof of the San Bruno order in the Lazio region. The main events in the history and transformations of the Carthusian monastery, in which the food with its production, processing and consumption played a fundamental role, are retraced in a compara- tive perspective with the other Carthusian houses located in Southern Italy.

Francesco Maria Tarugi (Montepulciano, 27 agosto 1525 – Roma, 11 giugno 1608), tra gli allievi prediletti di Filippo Neri, fondatore dell’Oratorio di Napoli nel biennio 1584-86, poi arcivescovo di Avignone e di Siena, è stato con Cesare Baronio il primo cardinale a provenire dalla Congregazione dell’Oratorio.

The knowledge of the historical masonry artefacts, whatever their value, is an essential prerequisite, as is known, both for the evaluation of structural safety both for the realization of suitable conservation interventions. The recent Italian regulations con- cerning the implementation of seismic prevention policies of cul- tural heritage, recommend a multidisciplinary approach aimed at reaching an knowledge of the construction able to provide reliable quantitative assessment of the structural safety by means of a sequence of technical operations. The regulatory bodies, in fact, are oriented to promote a rational deductive method able to provide common tools for achieving an adequate knowledge of the struc- ture; it is based on on a close cooperation between the different competences in order to preserve the asset and reduce the impact on site investigations. The present contribution reports some out- comes of a research project, issued by ARCUS s.p.a. and MiBACT and carried out by a multidisciplinary study group headed by the StreGa Laboratory (the Structural & Geotechnical Dynamics Lab- oratory) with the support of the HIC Laboratory (History and In- novation in construction) of the BT Dept. at the University of Molise, aimed both at historical and morphological-dimensional analysis and to the seismic vulnerability assessment of the monastic complex of Trisulti. The results of a study involving a large number of skills, related to the construction technique, to the geotechnical, to the survey, to the restoration and history of architecture, is reported and discussed.

vd. anche, per la versione completa, "Porta di due mondi" : Contini e l'insegnamento di Trieste: https://www.academia.edu/26574133/_Porta_di_due_mondi_Contini_e_l_insegnamento_di_Trieste_2016_

Angelo Velli (Palestrina, 1540 circa – Roma, 10 dicembre 1622), tra i primi discepoli di Filippo Neri e suo penitente, è stato il terzo preposito nella storia della Congregazione dell’Oratorio dopo il Padre fondatore e lo storico Cesare Baronio, a cui subentrò il 7 giugno 1596.

Lo Scorrevole: Vettor Pisani’s “theatre of cruelty” Imbued with references to art history, psychoanalysis, literature, and myth, Vettor Pisani’s work seems to challenge all the established critical frameworks and place itself in a rather isolated position, comparable perhaps to that of other “irregulars” Italian artists of the 1970s, such as Luigi Ontani and Gino De Dominicis. The essay analyzes Lo Scorrevole (“The Slideway”), one of the most important and singular among Pisani’s creations, showing how themes and motifs derived from Marcel Duchamp and Georges Bataille, among others, were merged by the artist with contemporary cultural issues, and a renewed, albeit heretical, interest into Surrealism and its legacy. Set apart from the dominating influences of contemporary Italian art, with his blend of personal obsession and already post-modernist allegorical sensibility, Pisani was able to create a daring exploration of the connections between eroticism, violence, power, and images. Lo scorrevole. Il teatro della crudeltà di Vettor Pisani, in “il verri”, L’io in finzione, n. 64 (2017), pp. 89-107. ISSN 0506-7715, ISBN 978-88-9851-424-3

M. Curnis, L'Ificrate di Aristotele, in Aristotele citatore o la riappropriazione da parte della filosofia dei discorsi di sapere anteriori / Aristote citateur ou la réappropriation par la philosophie des discours de savoir antérieurs a cura di Elisabetta Berardi, Maria Paola Castiglioni, Marie-Laurence Desclos, Paola Dolcetti, Edizioni dell'Orso, Alessandria 2020, pp. 307-327.

Newspaper column in a series on the future of the Museum of Literature in Trieste (with sections on Italo Svevo and James Joyce) published by the local journal La Bora.