Master of None, Atlanta, and Audience Engagement in Contemporary US TV Comedy
Master of None, Atlanta, and Audience Engagement in Contemporary US TV Comedy
16:9 filmtidsskrift, 2017
Luca Barra
Abstract
Two US contemporary TV comedies, Master of None (2016-) and Atlanta (2016-), illustrate how the entire genre is crossed by deep transformations and slight changes. Distribution methods and consumption practices influence and reshape textual models, production routines, and established genre definitions. And even the basic forms of audience engagement in comedy need to be at least partially reinvented in this new scenario.
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