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The aim of this text is not to prove a linear academic thesis, yet to record a spectrum of homologies and resonances across the history of the tree as a symbolic and logic form. The inspiration for this sort of Warburgian excursus comes from the simple recognition that a plant is found at the centre of ancient cosmologies as much as at the centre of modern epistemologies. The tree form has been adopted to support religious architectures as much as the abstract world of logic. " We're tired of trees " remarked, though, the French philosophers Deleuze and Guattari in 1980, especially after reading Julien Pacotte's book Le réseau arborescent, schème primordial de la pensée (The arborescent network, primordial diagram of thought). Already in 1936 Pacotte explored the abstract tree form in disciplines such as mathematics, biology and chemistry. He believed that the ramifying network is a " universal aspect of intimate reality " and " the very foundation of formal thought ". 1 In any case the enslavement of a natural form says more about political and social structures and hierarchies of human knowledge than about the mind itself. As much as other biomorphic symbols, the tree figure is but a mirror of the human and through the inversion of its branches we discern the society of its time.
Knowledge Organization , 2013
This article takes a look at how images have been used through history as metaphors or models to illustrate (philosophical) ways of thinking with a special focus on figures of the tree and the net. It goes on to look at how classificatory thought depends on the epistemological framework in which it originates. Also examined is the Western model of classification and how it has favoured the logic of the tree, whose limitations are becoming increasingly apparent. The image of the net is then used to portray (as a pluriverse) the cognitive space of human knowledge, and a culturally-biased view of classification is upheld. Finally, some arguments are put forward to reformulate this view on the basis of an approach that combines epistemic and conceptual pluralism with a weak realism.
Knowledge Organization, 2013
2018
Ce memoire explore les liens entre la philosophie des Lumieres et la litterature gothique anglaise du 19e siecle, en se concentrant sur trois romans mettant en scene des utopies scientifiques (Frankenstein, The strange case of Dr Jekyll and Mr Hyde, The island of doctor Moreau). Partant d’une analyse du concept de « grand recit » de Lyotard, il l’applique a la notion de progres, notamment scientifique, au cœur de la philosophie du 18e siecle. En commencant par une exploration du projet scientifique porte par les Lumieres, et mettant en avant la responsabilite du scientifique dans une quete intellectuelle devant mener au perfectionnement de l'humanite, le memoire evolue ensuite vers les theories de la degenerescence qui problematisent la figure du scientifique. Enfin, il se concentre sur le modele de l'etre humain presente dans ces romans, a la fois determine par son environnement et les theories de l'evolution, mais aussi soumis a une pression evolutive qui le pousse ver...
Poroi, 2020
Tree-like visualizations have played a central role in taxonomic and evolutionary biology for centuries, and the idea of a “tree of life” has been a pervasive notion not only in biology but also in religion, philosophy, and literature for much longer. The tree of life is a central figure in Darwin’s Origin of Species in both verbal and visual forms. As one of the most powerful and pervasive images in biological thought, what conceptual and communicative work has it enabled? How have the visual qualities and elements of the tree form interacted with biological thinking over time? This paper examines the pre-Darwinian history of tree images, the significance of Darwin’s use of such images, and the development of tree diagrams after Darwin. This history shows evidence of four separate traditions of visualization: cosmological, logical-philosophical, genealogical, and materialist. Visual traditions serve as rhetorical contexts that provide enthymematic backing, or what Perelman calls “objects of agreement,” for interpretation of tree diagrams. They produce polysemic warrants for arguments in different fields. The combination of the genealogical tradition with the cosmological and the logical changed the framework for thinking about the natural world and made Darwin’s theory of evolution possible; the later materialist tradition represents the “modernization” of biology as a science.
in : Delphine Antoine-Mahut and Sophie Roux (eds).Physics and Metaphysics in Descartes and in his Reception, Routledge, pp. 33-47., 2019
The relations between metaphysics and physics in Cartesianism is a question of crucial importance for 19th century French histories of philosophy. Hence, in its institutionally dominant version, incarnated by Victor Cousin, this philosophy was understood as a spiritualism concerned with the founding of a psychology relying on a rationalist interpretation of the cogito. In order to achieve this, such a psychology must distinguish itself from the empirical method of psychology inherited from the so-called ideologues. And this required, in turn, that metaphysics must return to its place at the roots of the tree of knowledge, in opposition to a Baconian interpretation considering the history of the mind in prolongation of the natural sciences, and according to the same model. If this ambition proved to be both theoretically and objectively constraining for the « Cousinians », it was, however, not a unique enterprise in the 19th century. Other, alternative trees of knowledge were envisaged, defining other possible readings of the Cartesian philosophy, notably by opening up alleys toward empiricist interpretations. In this paper, I propose a typology of these alternative trees. The aim is to gain a better understanding of the complexity and the tensions between physics and metaphysics in Descartes on the one hand, and, on the other, to stress the decisive importance of 19th century French historiography for our current understanding of these relations. KEYWORDS Physics, Metaphysics, Psychology, Spiritualism, Empiricism, Materialism. In Physics and Metaphysics in Descartes and in his Reception. Delphine Antoine-Mahut and Sophie Roux (eds), Routledge, submitted.
Uppsala: Acta Universitatis Upsalienses, 2019
This study investigates early employments of family trees in the modern sciences, in order to historicise their iconic status and now established uses, notably in evolutionary biology and linguistics. Moving beyond disciplinary accounts to consider the wider cultural background, it examines how early uses within the sciences transformed family trees as a format of visual representation, as well as the meanings invested in them. Historical writing about trees in the modern sciences is heavily tilted towards evolutionary biology, especially the iconic diagrams associated with Darwinism. Trees of Knowledge shifts the focus to France in the wake of the Revolution, when family trees were first put to use in a number of disparate academic fields. Through three case studies drawn from across the disciplines, it investigates the simultaneous appearance of trees in natural history, language studies, and music theory. Augustin Augier’s tree of plant families, Félix Gallet’s family tree of dead and living languages, and Henri Montan Berton’s family tree of chords served diverse ends, yet all exploited the familiar shape of genealogy. While outlining how genealogical trees once constituted a more general resource in scholarly knowledge production—employed primarily as pedagogical tools—this study argues that family trees entered the modern sciences independently of the evolutionary theories they were later made to illustrate. The trees from post-revolutionary France occasionally charted development over time, yet more often they served to visualise organic hierarchy and perfect order. In bringing this neglected history to light, Trees of Knowledge provides not only a rich account of the rise of tree thinking in the modern sciences, but also a pragmatic methodology for approaching the dynamic interplay of metaphor, visual representation, and knowledge production in the history of science.
In the Middle Ages and in the Renaissance, the image of the tree and the tree diagram are used as taxinomic and propaedeutic tools so as to organize and classify arts and sciences by their mnemotechnic qualities. As a material and mind map, the tree structure ensures the visual and mental trailability of knowledge. In the early 16th century, in parallel with the development of humanistic rhetoric, philosophy and philology, some arborescent diagram change their form. Indeed, by studying a large corpus, one can realize that, from vertical structures that lead the spectator/reader from human knowledge to God, they become horizontal structures, that incite the spectator/reader to browse them from left to right, as if they were reading a text. The presentation suggests a study of this change of orientation. Which fields of knwoledge and sciences are concerned ? To what purpose ? By whom, in which context ? Is this change linked to the humanistic process of vulgarization ? Could one understand it through the premises of a culture of progress that no longer seeks truth in God but in science and experimentation ?
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