St Paul's Church, Brighton | |
---|---|
50°49′19.39″N0°8′39.81″W / 50.8220528°N 0.1443917°W | |
Denomination | Church of England |
Churchmanship | Anglo Catholic |
Website | Saint Paul's, Brighton |
History | |
Dedication | Saint Paul |
Architecture | |
Architect(s) | Richard Cromwell Carpenter |
Administration | |
Province | Canterbury |
Diocese | Chichester |
Archdeaconry | Archdeaconry of Brighton & Lewes |
Deanery | Brighton |
Parish | Brighton, St Paul |
Clergy | |
Vicar(s) | Fr Ben Eadon CMP |
Curate(s) | Fr Thomas Cotterill |
St Paul's Church, dedicated to the missionary and Apostle to the Gentiles Paul of Tarsus, is a Church of England parish church in Brighton, Sussex, England. It is located on West Street in the city centre, close to the seafront and the main shopping areas.
The site of St Paul's Church had been occupied since 1830 by a small chapel for the use of fishermen. At that time, many of the town's fishermen lived in poor housing on streets surrounding Russell Street (an area now hidden under the rear of the Churchill Square shopping centre). In 1846, Reverend Henry Michell Wagner, Vicar of Brighton since 1824, bought the chapel and some surrounding buildings for £3,000, cleared the site and appointed a builder and a designer.
St Paul's was the fourth church to have been built on the instruction of Rev. Henry Michell Wagner. [1] His first was All Souls on Eastern Road, built between 1833 and 1834 but demolished in 1968. [2] This was followed by Christ Church on Montpelier Road in Montpelier, near the boundary with Hove, to which King William IV, his Queen Consort Adelaide and his successor Queen Victoria had each contributed £50 towards the £4,500 cost of construction; this church was demolished in 1982. [3] His third was the church of St John the Evangelist in Carlton Hill, on the edge of the Kemptown district; this church, which also received a £50 donation from Queen Victoria, was consecrated in 1840, and became the Greek Orthodox Church of the Holy Trinity, Brighton in 1980. [4] [5] St Paul's is therefore the earliest of Rev. Wagner's churches to remain in use as a place of Anglican worship.
Brighton-based builders Cheesman & Son, as they were known at the time, were chosen to construct the building to a design by R. C. Carpenter: they had worked with Rev. Wagner since 1834, when they built a vicarage for him, and were responsible for both Christ Church and the church of St John the Evangelist. [6] [7] However, Rev. Wagner's intention had always been for the church to be his son Arthur's first ministry following his ordination, and Arthur asked for the design work to be undertaken by a separate designer. Arthur Wagner was 22 years old at the time the land was purchased, and was preparing to be ordained (this took place in 1850). He was a follower of the Oxford Movement (or Tractarian Movement), whose favoured architectural style at the time was a revival of the 14th-century aspects of Gothic architecture (see also here).
The exterior of the church consists of knapped flint dressed with Caen stone, a type of limestone also used on the Tower of London. Inside, as well as a nave and chancel, there are two vestries, an organ chamber and a small "crypt chapel" dug into sloping ground. This subsequently became a library. [8] One of the vestries was originally built as a reading-room; [7] it is now known as the "Fishermen's Vestry". [9]
St Paul's church opened to the public on 18 October 1848 after approximately two years of building works. The cost of £12,000 was met by a combination of grants from various bodies and societies, public donations, Henry Wagner himself (£1,475) and other members of his family (£1,263). At the time, the practice of pew rental was still common, and although Arthur Wagner wanted his church to have free seating for all, his father Henry insisted that 460 of the 1,200 seats should be reserved for rental. [7] (The first church in Brighton to be free throughout from the time it opened was St Bartholomew's Church, for which Arthur Wagner had the sole responsibility after it opened in 1874.) [10]
The consecration took place on 23 October 1849, and Arthur Wagner assumed responsibility for the church in 1850 when his father presented its curacy to him in perpetuity. Rev. Arthur Wagner, held the position until his death in 1902 at the age of 77.
St Paul's gained its own parish in 1873, when the parishes of Brighton were reorganised. Rev. Wagner abolished pew rents at this time. [8]
The windows of the church were originally plain glass, but Rev. Wagner commissioned a number of stained glass designs during his curacy. All of the stained glass windows in the main body of the church were designed by the renowned Gothic revival architect and designer A.W.N. Pugin just before his death in 1852, although they were constructed and installed by others. [11] [12] Rev. Wagner's mother, father and aunt are all commemorated in the designs, along with some important members of Brighton's Anglican community and other figures.
Alterations in 1861 included the construction of a narthex at the western end, additions to the rood screen between the chancel and the nave, and a reredos designed by Edward Burne-Jones, whose career as an artist was just beginning at this time. The reredos was designed as a triptych; in its central panel, depicting the Adoration of the Magi scene, one of the Magi is a representation of William Morris, the artist, writer and socialist activist: Morris and Burne-Jones were friends and artistic collaborators. Local Gothic revivalist George Frederick Bodley was chosen as the architect for the project as a whole. [13]
Rev. Wagner inherited his father's wealth upon his death in 1870, and in 1873 spent more than £4,100 on a tower and bells for the church, which had lacked either a tower or a spire until that time. Cheesman & Son builders took sixteen months to build the tower, completing it in February 1875. [14] The tower once contained change ringing bells, however they were removed after the tower became unsafe. Two bells remain in the tower, one cast in 1873 by Mears and Stainbank, and the larger of the two cast in 1853 by C & G Mears with a weight of 38 hundredweight, three quarters.
The predominantly timber octagonal spire was constructed (instead of a more traditional stone design) because of anxieties caused by the then recent collapse of the 450-year-old stone spire of Chichester Cathedral in 1861. An illustration of the church, showing the (subsequently abandoned) plans for a more traditional masonry spire design, currently (as of 2009) hangs in the "Fishermen's Vestry".
A London-based firm, James Powell and Sons, designed and constructed an octagonal brass lectern which was later donated to the church anonymously. [11]
In the 1970s, some more changes were made to the interior fixtures of the church: a detached altar was built (featuring communion rails from a church in Edinburgh), and a set of Stations of the Cross were installed, from a church in Eastbourne undergoing demolition. [15]
From the beginning, St Paul's Church was associated with the Oxford Movement (or "Tractarian Movement") within High Church Anglicanism. Several leading figures within the movement either preached at the church at various times (Henry Manning, John Keble) or were friends and associates of Rev. Arthur Wagner (Edward Bouverie Pusey, John Henry Newman). Archdeacon Manning, as he was at the time, in fact preached the very first sermon shortly after the church opened. [16] Services—including Holy Communion—were frequent and displayed many of the standard features of the then controversial Ritualism in the Church of England. Extreme Protestants within the Anglican Church protested strongly against this throughout the mid- to late 19th century. The existence of confessionals in the church, which became public knowledge during the 1865 murder trial of Constance Kent (who had confessed her crime to Rev. Wagner), provoked an intensely hostile reaction nationally as well as locally, with consequences ranging from debates in the House of Commons to an assault on Rev. Wagner. Similar hostility and protest were encountered during the early years of St Bartholomew's Church, whose services were similarly Anglo-Catholic and Ritualist in style.
Even Rev. Henry Wagner was critical of the extent to which Ritualist practices featured at the church. Having been invited by his son to preach there, he included in his sermon the King James Version of Matthew 17:15: "Lord, have mercy on my son: for he is lunatick [ sic ], and sore vexed...". [10] [17]
Under Rev Arthur Wagner the Rev. Richard William Enraght ssc served as a curate at St Paul's between 1867 and 1871. [18] Fr. Enraght’s belief in the Church of England's Catholic Tradition, his promotion of ritualism in worship, and his writings on Catholic Worship and Church–State relationships, later led him into conflict with the Public Worship Regulation Act 1874: as Vicar of Holy Trinity Church in Bordesley in 1880, he was prosecuted and imprisoned. [19] Enraght became nationally and internationally known as a “prisoner for conscience sake”. [20] Rev Richard Enraght and Rev Arthur Wagner's memory have been honoured by bus company Brighton & Hove: a bus has been named after each.
The church is a Grade II* listed building, meaning it is a "particularly significant building of more than local interest". [9] [21] As of September 2022, [update] it was one of 72 Grade II* listed buildings, and 1,220 listed buildings of all grades, in the city of Brighton and Hove. [22] Services are held each Sunday at 11.00am (Solemn Mass), and there is a Mass at 11.30am every Wednesday, Friday and Saturday. [23]
St Bartholomew's Church, dedicated to the apostle Bartholomew, is an Anglican church in Brighton, England. The neo-gothic building is located on Ann Street, on a sloping site between Brighton railway station and the A23 London Road, adjacent to the New England Quarter development. It is notable for its height – dominating the streets around it and being visible from many parts of the city – and its distinctive red-brick construction.
The Church of Saint Nicholas of Myra, usually known as St. Nicholas Church, is an Anglican church in Brighton, England. It is both the original parish church of Brighton and, after St Helen's Church, Hangleton and St Peter's Church in Preston village, the third oldest surviving building in the city of Brighton and Hove. It is located on high ground at the junction of Church Street and Dyke Road in the city centre, very close to the main shopping areas. Due to its architectural significance the church is a Grade II* listed building.
St Martin's Church is an Anglican church in Brighton, England, dating from the mid-Victorian era. It is located on Lewes Road in the Round Hill area of the city, northeast of the city centre and approximately 1.1 miles (1.8 km) north of the seafront. It is the largest church in Brighton by capacity and is noted for its ornate interior.
Richard William Enraght was an Irish-born Church of England priest of the late nineteenth century. He was influenced by the Oxford Movement and was included amongst the priests commonly called "Second Generation" Anglo-Catholics.
The Church of the Annunciation is an Anglican church in Brighton, part of the English city of Brighton and Hove. It was one of several churches built in the 1860s on behalf of Rev. Arthur Wagner, the son of Rev. Henry Michell Wagner, Vicar of Brighton (1824–1870), and served a new area of poor housing in what is now the Hanover district. The church is a Grade II listed building.
The Church of the Holy Trinity is a Greek Orthodox church in Brighton, part of the English city of Brighton and Hove. Built in 1838 in one of Brighton's most notorious slum districts, Carlton Hill, it was an Anglican church for most of its life: dedicated to St John the Evangelist, it was used by the Anglican community until it was declared redundant in 1980. After some uncertainty about its future, it was sold to Brighton's Greek Orthodox community in 1985 and has been used as their permanent place of worship since then. Reflecting its architectural and historical importance, it has been listed at Grade II since 1971.
The former Holy Trinity Church, a closed Anglican church in the centre of Brighton, part of the English city of Brighton and Hove, now serves as an art gallery. Established in the early 19th century by Thomas Read Kemp, an important figure in Brighton's early political and religious life, it was originally an independent Nonconformist chapel but became an Anglican chapel of ease when Kemp returned to the Church of England. The church closed in 1984, but was converted into a museum and later an art gallery. Reflecting its architectural and historical importance, it has been listed at Grade II since 1981.
Holy Trinity Church is a former Anglican church in Hove, in the English city of Brighton and Hove. Built in the early 1860s to provide extra capacity for Anglican worshippers in the rapidly growing town of Hove, its use declined in the 20th century and it was closed in 2007 following a Diocesan review. Until 2015—when a planning application to convert the building into a doctors surgery was approved—its future was uncertain, and a heritage group has described it as one of Britain's top ten threatened Victorian and Edwardian buildings. The church, which has been a medical centre since 2017, has Grade II listed status, reflecting its architectural and historic importance.
St Mary's Church is an Anglican church in the Kemptown area of Brighton, in the English city of Brighton and Hove. The present building dates from the late 1870s and replaced a church of the same name which suddenly collapsed while being renovated. The Gothic-style red-brick building, whose style resembles Early English revival and French Gothic revival, is now a Grade II* listed building, and remains in use despite threats of closure.
St Mary Magdalen's Church is a Roman Catholic church in the Montpelier area of Brighton, part of the English city of Brighton and Hove. Dedicated to Jesus' companion Mary Magdalene, it is one of six Roman Catholic churches in Brighton and one of eleven in the city area. Built by ecclesiastical architect Gilbert Blount in a 13th-century Gothic style to serve the rapidly expanding residential area on the border of Brighton and Hove, it has been listed at Grade II by English Heritage in view of its architectural importance. An adjacent presbytery and parish hall have been listed separately at Grade II.
The Church of the Good Shepherd is an Anglican church on Dyke Road on the border of Brighton and Hove, constituent parts of the English city of Brighton and Hove. Although just inside Brighton, most of the parish is within the boundaries of Hove, and the official name of the parish reflects the fact that it was originally part of the large ecclesiastical parish of Preston—a village north of Brighton. The building, designed by Edward Prioleau Warren in a simple Gothic style in the 1920s, has been given Grade II listed status in view of its architectural importance.
St Stephen's Church is a former Anglican church in the Montpelier area of Brighton, part of the English city of Brighton and Hove. The building, which dates from 1766 in its original incarnation as the ballroom of Brighton's most fashionable Georgian-era inn, has been used for many purposes since then, and now stands 1 mile (1.6 km) away from where it was built. It spent less than 90 years as an Anglican church, and is now used as a centre for homeless people. In view of its architectural and historical importance, it has been listed at Grade II* by English Heritage.
Amon Wilds was an English architect and builder. He formed an architectural partnership with his son Amon Henry Wilds in 1806 and started working in the fashionable and growing seaside resort of Brighton, on the East Sussex coast, in 1815. After 1822, when the father-and-son partnership met and joined up with Charles Busby, they were commissioned—separately or jointly—to design a wide range of buildings in the town, which was experiencing an unprecedented demand for residential development and other facilities. Wilds senior also carried out much work on his own, but the description "Wilds and Busby" was often used on designs, making individual attribution difficult. Wilds senior and his partners are remembered most for his work in post-Regency Brighton, where most of their houses, churches and hotels built in a bold Regency style remain—in particular, the distinctive and visionary Kemp Town and Brunswick estates on the edges of Brighton, whose constituent parts are Grade I listed buildings.
Bristol Road Methodist Church is a former Methodist place of worship in the Kemptown area of Brighton, part of the English city of Brighton and Hove. Built in 1873 to an Italian Romanesque Revival design, it served this part of eastern Brighton for more than a century until its closure in 1989, after which it became a recording studio. It is owned by Brighton College, a private school based nearby. The building has been listed at Grade II in view of its architectural importance.
St Mark's Church is a former Anglican church in the Kemptown area of Brighton, part of the English city of Brighton and Hove. Originally intended as the private chapel of the adjacent St Mary's Hall school, it was partly built in 1838 at the request of Frederick Hervey, 1st Marquess of Bristol; but arguments over whether or not it should also be open to the public delayed its completion for more than 10 years. It became the parish church of Kemptown in 1873, but declining attendances resulted in a declaration of redundancy in 1986. At that time it was taken over by the school and became its chapel, nearly 150 years after this was first proposed. The Early English-style stone and concrete structure has been criticised by architectural historians, but has been listed at Grade II by English Heritage for its architectural and historical importance.
Wykeham Terrace is a row of 12 early 19th-century houses in central Brighton, part of the English city of Brighton and Hove. The Tudor-Gothic building, attributed to prominent local architect Amon Henry Wilds, is built into the hillside below the churchyard of Brighton's ancient parish church. Uses since its completion in 1830 have included a home for former prostitutes and a base for the Territorial Army, but the terrace is now exclusively residential again. Its "charming" architecture is unusual in Brighton, whose 19th-century buildings are predominantly in the Regency style. English Heritage has listed the terrace at Grade II for its architectural and historical importance.
The English coastal city of Brighton and Hove, made up of the formerly separate Boroughs of Brighton and Hove in East Sussex, has a wide range of cemeteries throughout its urban area. Many were established in the mid-19th century, a time in which the Victorian "cult of death" encouraged extravagant, expensive memorials set in carefully cultivated landscapes which were even recommended as tourist attractions. Some of the largest, such as the Extra Mural Cemetery and the Brighton and Preston Cemetery, were set in particularly impressive natural landscapes. Brighton and Hove City Council, the local authority responsible for public services in the city, manages seven cemeteries, one of which also has the city's main crematorium. An eighth cemetery and a second crematorium are owned by a private company. Many cemeteries are full and no longer accept new burials. The council maintains administrative offices and a mortuary at the Woodvale Cemetery, and employs a coroner and support staff.
John Nelson Goulty was an English Nonconformist Christian pastor. He is best known for his sermons against mandatory tithing to the Church of England and against colonial slavery. After early work at Nonconformist chapels in Godalming and Henley-on-Thames, he moved to Brighton where he became "one of the most important persons" in the 300-year history of the town's Union Chapel. He also helped to found schools and a cemetery in Brighton.
Arthur Douglas Wagner was a Church of England clergyman in Brighton, East Sussex, England. He served for more than 50 years at St Paul's Church in the town—first as a curate, then from 1873 as its vicar. As the only son of the Rev. Henry Michell Wagner and his wife Elizabeth Harriott, who died when he was a child, Arthur Wagner inherited considerable wealth. Following the pattern set by his father—who founded several churches in Brighton—he was able to pay for the construction and endowment of four churches in the town, three of which survive, and another in rural East Sussex where he owned a country estate. Like his father, he became embroiled in disputes and controversy: he held strongly Tractarian views and was often criticised for the advanced ritualism of the services he held at St Paul's, while his involvement in the Constance Kent affair caused national debate about priest–penitent privilege.
Henry Michell Wagner (1792–1870) was a Church of England clergyman who was Vicar of Brighton between 1824 and 1870. He was a descendant of Melchior Wagner, hatmaker to the Royal Family, and married into a wealthy Sussex family who had a longstanding ecclesiastical connection with Brighton. Wagner paid for and oversaw the building of five churches in the rapidly growing seaside resort, and "dominated religious life in the town" with his forceful personality and sometimes controversial views and actions. His son Arthur Wagner (1824–1902) continued the family's close association with Brighton.
50°49′19.39″N0°8′39.81″W / 50.8220528°N 0.1443917°W
]